Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries.
影片发生在1905年，一艘(❓)(sō(⛄)u )名为(😏)(wé(📊)i )波(bō )将金(jīn )号(hào )的(de )战(zhàn )舰上(shà(🔱)ng )，原本这(🔞)是(🍽)一(💍)艘沙皇海军的骄傲，可是因为连续(📋)数(🐍)月(💉)的伙(👫)食太差，导致了(le )一场(chǎng )哗(huá )变。沙(🐳)(shā(🌦) )皇(huáng )海(🤳)(hǎi )军波(bō )将金号战舰上，水兵的(📮)生(🍍)活环(🥚)境(🆙)非常差，受着非人的待遇。一连数(shù )月(🧘)，水(🕞)(shuǐ(🚑) )兵(bīng )的(de )伙(huǒ )食(shí )很(hěn )差，供(gòng )应的牛(🥎)肉(🆚)甚(🏎)至长(🍇)满了蛆，引起了战舰上水兵们的(🛳)极(🎡)度不(⬜)满(😁)。部分水兵策(cè )动起(qǐ )义(yì )，却(què(⛵) )受(shòu )到(🤰)(dà(🤠)o )了(⛲)(le )军官(guān )的(de )镇压。指挥官下令枪杀叛(💰)乱(🍴)者(❗)，但是(📤)由于起义之火在众人心中燃(rá(📨)n )烧(💮)。行(háng )刑(📠)队(duì )拒(jù )绝开(kāi )枪(qiāng )，起(qǐ )义者(🏘)们(💤)拿起(🍇)武(🏣)器将军官丢入大海。波将金号被起义(🙉)者(🕡)们(🤭)夺取，并驶入敖(áo )德萨石(shí )阶(jiē )进(jì(🛤)n )行(🖖)(há(💻)ng )补(bǔ(🌄) )给(gěi )。敖(áo )德(dé )萨的群众对水兵(👯)们(🐜)的遭(🤗)遇(📜)非常同情，义愤填膺，纷纷声援起(🎡)义的水(💻)兵(💥)。而(🏁)群(qún )众(zhòng )的声(shēng )援(yuán )却(què )遭(zāo )致(📪)沙(📊)(shā(👤) )皇(huá(🍞)ng )军队的镇压，一场血腥的屠杀就(🍰)此(🗒)展开…(👰)…
英俊青年麦克尔（Walter Slezak 饰(shì )）是(🍆)画(🏮)(huà )家(♏)苏(📂)(sū )莱(lái )特的(de )专(zhuān )属(shǔ )模(mó )特，以麦克(🚫)尔(🛀)为(🛌)原型，苏莱特创作出了精美的艺术作(😦)品(🔱)，名(😾)声大(🔱)噪，登(dēng )门求画(huà )的(de )人(rén )络(luò )绎(💺)(yì(🛡) )不(bú(🎄) )绝(🎿)，但(dàn )苏莱特为了保存和麦克尔(🙎)的美好(👡)回(👹)忆(😝)拒绝出卖杰作。年轻貌美的女伯爵(📮)(jué(🦄) )拜(⛵)访(fǎ(😓)ng )苏(sū )莱特(tè )，请(qǐng )求(qiú )后者(zhě )为(🔼)(wé(👴)i )自己画(🗡)像，麦克尔默默注视着女伯爵，四(🦍)目(🅾)交投(📶)之(👦)下，情意暗生(shēng )，苏莱(lái )特思(sī )量(liàng )之(🏏)后(🥍)(hò(🥥)u )决定(dìng )为(wéi )女伯爵作画，但创作不久(🏺)因(🥝)苏(🎭)莱特(⛸)无法描画女伯爵的眼睛而陷入(😟)停(🕯)滞，麦(🕉)克(🔚)尔(ěr )提笔(bǐ )代(dài )劳(láo )，女伯(bó )爵(❎)(jué )美丽(🔯)的(🦅)神(🈶)色跃然画上……麦克尔与女伯爵(🎫)相(🙅)爱(🔀)并逐(🏦)渐离苏莱特而去，苏(sū )莱特(tè )承(🌔)(ché(🙉)ng )受着(zhe )年(📽)(nián )青(qīng )人(rén )的欺(qī )骗和背叛，将(🎠)内(📃)心的(🗡)悲(🔨)苦呈现在画作上，受孤独煎熬的生命(🥦)之(🏃)火(⛷)渐(jiàn )渐熄灭(miè )……
Chief Ahmad (fiesty Valentino) urgent desire of British socialite Diana (Ayers), so he kidnapped her, put her to his luxury desert tent palace. Free Diana from his www. 5233tv.com warm hug and the desire to be released. Only in the desert bandits kidnapped Diana realized that she had fallen in love with Ahmad, who came to save her, at the crucial moment.
改(gǎi )编自(zì )普契(Ⓜ)(qì(💘) )尼(🍒)(ní )伟(🏁)大的抒情悲剧《蝴蝶夫人》，该剧以(👋)日(🌗)本为(🖕)背(🐙)景，叙述女主人公小竹(zhú )与外国(🥥)(guó )军官(📋)(guā(❇)n )奥(👮)(ào )拉(lā )夫(fū )顿结(jié )婚(hūn )后空守闺(🐿)房(🌌)，等(♿)来的(😖)却是背弃，小竹最后切腹自杀了(🖍)结(🐲)尘缘。
在(📱)奥利维(wéi )拉那(nà )部(bù )美得(dé )让(🥞)(rà(♋)ng )人(ré(🤛)n )心(💃)(xīn )颤的(de )杰作《聚会》中，那些内心欲望和(🤪)禁(👢)忌(🍛)交织的男男女女聚集在一个(gè )岛上(🎺)，其(⏰)间(jiān )一(🕠)(yī )男一(yī )女伫(zhù )立(lì )在海边的(🦔)礁(🕊)岩上(🔽)，下(⛽)面是激荡的海浪，内心是激荡的(👊)欲望，女(🧐)人(🌝)看着一(yī )汪在岩(yán )石上(shàng )凿(záo )出(chū(🧕) )的(🎾)(de )泳(🚍)池(chí(🚳) )说(shuō )：“看看这个游泳池。是在岩(🕌)石(🕴)上挖成(🎺)的。这是我丈夫的母亲送给她儿(🔫)(ér )子的(⛔)(de )礼(🔽)(lǐ )物。在(zài )我(wǒ )看(kàn )来，它象征着女人(🚘)的(🏛)子(🦋)宫。”而男人只是回答：“我对种种象征(🕉)都(🏏)无动(dò(🚓)ng )于衷。您(nín )喜(xǐ )欢(huān )赌博(bó )吗？(🔐)”女(🛳)人的(😂)回(🐹)答是：“不喜欢，我喜欢散步。”这个男人对(💬)这(🌱)个女人的询问(wèn )与回答(dá )，这(zhè )个(gè(✳) )女(🌔)(nǚ(🐢) )人(ré(📴)n )对这(zhè )个(gè )男人陈述与回答，都(🚲)包(🌬)裹着欲(🔱)望的攻击和对欲望的遮掩和逃(💆)避。人在(🎁)自(💖)(zì )己欲(yù )望(wàng )面前(qián )的(de )审(shěn )慎(shèn )和(🔋)闪(🍎)(shǎ(💻)n )躲，直接指点出这些欲望本身的虚饰(🌂)和(🌄)沉沦，这(🐔)个世界变得如此暧(ài )昧和纠(jiū(🛃) )缠(🔚)(chán )，那(🚺)(nà(🛐) )些低(dī )垂在(zài )耳(ěr )边被语言所裹胁的(🥅)欲(🦖)望，被语言所放逐的欲望，成为从红唇(🐅)中(🐦)吹(⬅)出话(🍾)语(yǔ )，内心(xīn )的陈(chén )述(shù )看(kàn )似(♋)(sì(🥚) )整洁(jié(🥌) )和(hé )典雅，但是一如碎片和泡沫(🤼)交待给(🚧)我(🏭)们对自己历史的测不准的回忆，对(duì(🖍) )现(💽)实(👚)(shí )的(de )测不(bú )准(zhǔn )的(de )把(bǎ )握，对未来的(🚆)测(🌄)不准的(💑)忧郁。这就是奥利维拉对情感世(🧘)界(⚪)的展(🏘)示(🐇)，在静(jìng )寂中还(hái )原(yuán )情(qíng )感(gǎn )运动(dò(🐳)ng )的(🎼)紊(wěn )乱(luàn )了的轨迹，这个轨迹向一条(🔽)无(➿)法(🥞)测准(🎣)的曲线。——cinekino
A young woman marries the wastrel son of a British aristocrat. Her husband, who has been disinherited by his father, loses what little money he has left gambling in casinos and then dies, leaving her penniless and with an infant son. When her former father-in-law tries to get custody of the child, she leaves him with a couple she trusts, but when she later goes to reclaim her son, she can't find the people she left him with.