天天天晴粤语

A scientist creates a mechanical man but thieves steal it and send it out to kill and destroy a city. The only way to stop the creature is by creating another mechanical man to destroy it. This Italian horror film seems to have had an influence on Fritz Lang's Metropolis, at least in the look of the robots. It's hard to really judge the film since so much of it is missing but they did a good job at taking the current length and adding enough background so that we know what's going on. 本片的(de )故事取(🔲)(qǔ )材自拉格洛芙的(de )小(📖)說(♐)。 16世紀(😉)的時候，年(nián )輕的(🎫)蘇格(🕳)蘭船長和他的(de )三(🐕)個夥(😩)伴(📱)被抓在(zài )一個堡(bǎo )壘(🤡)裡。 他們設法(fǎ )逃(🍧)脫(tuō(🧑) )，並殺死財主阿爾(🖇)(ěr )納(🔗)，搶(📊)走他藏有財寶的(de )箱(📗)子(🥔)(zǐ )，這樣他們(men )每個人(ré(📈)n )都成(⚫)(chéng )為了富翁(🛅)。 他們(🌆)(men )華(huá )服在(zài )身，只等陷(🦓)入(🚘)寒(hán )冰的船(chuán )隻解(💚)凍(🎮)就逃(🎊)回英(yīng )國。 蘇格蘭(🚈)船長(❕)遇到了(le )阿爾納的(🏠)親屬艾(ài )爾莎麗(lì )。 美(🆚)麗(🗺)清新(🎯)的姑(gū )娘對船(chuá(🕠)n )長一(🐳)見鍾情，愛(ài )上了(🖲)他。 不(🛀)久(👅)，艾爾莎(shā )麗知道船長(🔨)就是(shì )殺害自(zì(🤚) )己親(🐴)人的兇手，陷入(rù(👷) )絕(jué(🐑) )望(💀)，在極度痛苦(kǔ )中自(🦌)(zì(👄) )殺身亡。 Jones is on his way home, carrying a roll of money, when he meets a neighbor who is a notorious miser. The neighbor unexpectedly invites Jones to dinner, and serves him a large meal with plenty of wine. After dinner, the neighbor suggests a way of passing the time - and soon his real intentions become clear. Written by Snow Leopard Une mère perd d'abord son fils, puis son mari dans les tranchées françaises de la Première Guerre mondiale. Elle se dévoue alors à(🐾) la cause française en venant en aide aux blessé(🕒)s de guerre. The Lotus Eater was a 1921 American silent romantic drama film produced and directed by Marshall Neilan and released through Associated First National. The Lotus Eater starred John Barrymore with Colleen Moore as the female lead. The Lotus Eater is now considered lost. 富孀钱(qián )夫(😡)人有(🕷)(yǒu )女名(míng )韵琴，是一(yī(🏚) )位(🏫)恃(shì )财(cái )狂傲(ào )的(📩)小(♎)姐。韵(🔧)琴的(de )表兄杜(dù )伯(🕧)群是(🍹)一位风度(dù )翩翩(〽)的美少年，钱夫人(rén )属(🍙)意(🙊)伯群(❗)已久，认为他(tā )是(👼)自家(🔹)女婿的最(zuì )佳人(📪)选(xuǎ(🍢)n )，伯(⤴)群的父亲也(yě )希望亲(💄)上加亲，促成这(zhè(🥫) )门婚(😣)事。而伯群(qún )外出(😸)游(yó(📀)u )山(🆓)，遇见采茶女(nǚ )鲍素(🚄)(sù(📠) )素(sù )心生爱慕。鲍父(fù(Ⓜ) )是一(⛰)(yī )位渔民，也(⏲)很喜(🕕)欢(huān )伯群(qún )，每逢出去(♌)(qù(👂) )打鱼必(bì )约上(shàng )伯(🏺)群(🚨)，伯群(🦎)(qún )与素(sù )素(sù )感(😷)情(qí(💙)ng )日笃。一日，伯(bó )群(🌁)得家(jiā )书，唤他回家为(📶)(wé(🔯)i )姑母(🍋)祝寿，伯群人虽回(🦔)(huí )去(🦂)，但心系素素(sù )，席(😔)间(jiā(✳)n )对(👯)韵琴十分冷淡(dàn )，韵琴(🔉)(qín )很生气，于是买(💝)(mǎi )通(🕠)了一名季姓男子(🐚)，让(rà(🏇)ng )他(📉)暗中侦察伯群(qún )，不(🔴)久(📪)(jiǔ )，季某得到伯群(qún )寄(⤴)给(gě(✔)i )素(sù )素的信(🙀)，交给(🦇)钱(qián )氏母(mǔ )女，她们给(🌄)季(🏍)某一(yī )笔钱(qián )，让他(🚼)设(🥔)法(fǎ(🥩) )将鲍氏(shì )父女(nǚ(🎊) )迁走(📯)，以绝(jué )伯群(qún )之(💞)(zhī )念。不料季某见素素(🔪)(sù(🕳) )貌美(🌘)，不但没把他们迁(🐝)(qiān )走(🔋)，反而把他们带到(🚮)自(zì(🏰) )己(💣)家中，把鲍父(fù )灌醉后(🚸)(hòu )欲调戏素素，素(👬)(sù )素(🚃)打碎(suì )玻璃窗呼(🚃)救，恰(📘)(qià(🔎) )好伯群经过，闻声相(🚳)救(🏳)(jiù )，二人逃往城外(wài )，季(👨)某(mǒ(🗞)u )带手下追来(🕞)，又(yò(🔣)u )将素(sù )素(sù )劫走，藏在(👻)一(🎈)座(zuò )荒庙(miào )中，被一(🗒)个(🤽)姓傅(🤛)的(de )小男(nán )孩发现(🍎)，将(jiā(🚿)ng )素素带(dài )回自(zì(🕠) )己家。伯群(qún )的父(fù )亲(🆓)(qī(⛽)n )需要(👡)(yào )一万元偿还债(🧘)务(wù(🛴) )，嘱伯(bó )群往钱家(🕯)告贷，钱(🌌)夫人以婚事要挟，伯(bó(🔰) )群回家告诉父亲(🎳)(qīn )，父(🏯)亲(qīn )希望他答应(🤱)这门(🔫)(mé(🏳)n )婚事，伯群踌躇间与素(🔟)(sù )素在郊外不期而遇(❇)，随(suí )素素来到傅(🌞)家，将(🐛)自己(jǐ )的遭遇相告，素(💾)(sù(📍) )素劝(quàn )他(tā )遵从父命(🍷)，并把(🍓)(bǎ )自己(jǐ )的照片(🐠)送给伯群，嘱日(rì )后勿(🚊)再相见(jiàn )。伯群(qún )回家(✳)(jiā(👌) )将此(🆑)事告诉(sù )父亲(qī(🍋)n )，不料(🌐)(liào )打开装照片的(🥇)信(xìn )封(🤔)，见(jiàn )到一张一万元的(😷)(de )银票，父子二人连(🦇)忙赶(🔒)(gǎn )往傅家。这时，季(🛏)某也(💮)(yě(💠) )侦察到素素的行(háng )踪(💚)，带(dài )着鲍老和钱氏母(✒)(mǔ )女来到傅家，鲍(❗)老很(🧞)生(shēng )气地走进傅家门(🚒)(mé(🤕)n )，傅家(jiā )园丁疑为盗匪(🍽)将(jiā(🛬)ng )他打(dǎ )成(chéng )重伤(📡)，伯群闻声(shēng )出来(lái )说(👁)明缘由，所有的(de )人都(dō(🆖)u )被(🧖)邀进(🎭)傅家(jiā )。鲍老(lǎo )垂(🎂)危(wē(🎀)i )之际向众人(rén )说(💐)明(míng )，素(📠)素(sù )非自己亲生，而(é(🅰)r )是15年前(qián )遭匪乱(🏤)时在(📧)河边(biān )拾得的弃(🚩)婴，还(🚯)有(🛒)一块(kuài )佩玉为证。傅家(📏)(jiā )小姐见(jiàn )玉惊呼“这(🚀)是我(wǒ )家祖传(chuá(💉)n )的佩(🌉)玉，是我失(shī )踪多年的(☝)妹(🧣)妹的”。至(zhì )此，素素方知(🎪)自(zì(🧖) )己身世(shì )。伯群的(🦖)父亲问(wèn )傅小姐(jiě )这(🥣)一万元银票何(hé )来？(🏆)傅(🚒)小姐(🏛)说“我听到(dào )伯群(🛣)(qún )与(🔆)素素交谈(tán )后，让(😶)(ràng )小弟(🔰)(dì )设计掉取照(zhào )片，只(👤)(zhī )想玉(yù )成他们(🆔)的好(🚞)事，教训一(yī )下那(😤)些恃(🧔)富(🍈)凌贫(pín )，有金钱无公理(😺)的人，不想竟帮助了自(📏)(zì )己的妹(mèi )妹”。众(⏱)人听(🗓)后(hòu )皆大欢(huān )喜，只有(🕷)钱(🔔)氏母(mǔ )女悄然离去。 米(📜)拉德(🔆)是(shì )一个会偶尔(🆒)上学(xué )迟到的(de )小学生(🔭)，老师没(méi )少批评(píng )，爸(🕞)妈(🍣)没少(🕖)教训(xùn )。可(kě )这一(👟)天，米(💜)拉德又(yòu )旷课(kè(📢) )了，校长让(ràng )他把家(jiā )长请(qǐ(🤛)ng )来，结果米(mǐ )拉德(🍹)(dé )挨(🐏)(āi )了顿(dùn )打。可他(❕)这顿(🤯)打(🔂)(dǎ )挨得很(hěn )冤枉，因为(🌇)他并(bìng )不是有意旷课(🎰)。原来在(zài )上学的(🎐)路上(🧛)，他(tā )看到一(yī )名从外(🛸)地(🥒)来找儿(ér )子的老(lǎo )妇(🎂)人，虽(🤝)然听不(bú )懂她的(😱)话，虽然怕迟到(dào )，可米(👚)拉德还是(shì )想方设(shè(🥑) )法(☔)把老(😿)妇人送到(dào )了他(🛡)儿(é(🔴)r )子住的大街上，老(🚯)妇(fù )人还奖励了他两(🔋)颗(kē )巧(🔒)克(kè )力。米拉德(dé(🚔) )只有(🌮)把(bǎ )这件(jiàn )事写(🧣)进作(🌭)文(🚂)(wén )以诉(sù )说(shuō )自己(jǐ(🍒) )的委屈。第二天(tiān )的听(🛰)写(xiě )课上，老师也(🐥)悄(qiā(🍇)o )悄地塞给他两颗巧克(📽)力(⤵)(lì )。 翠英在厂遭工(gōng )头(🛺)调戏(👢)(xì )，回家又受继母(🖇)(mǔ )苛责，夹击之下双目(💠)失(shī )明。国栋赴上海任(📯)检(🔓)查(chá(🍼) )官，前来辞别岳(yuè(📕) )父赵(🚱)衡(héng )甫。当年衡甫(⛴)上(shàng )任之际(jì )，大盗毛(⏸)金奎与(💩)(yǔ )陆阿(ā )三经过(🛠)杭州(🦓)，拐走(zǒu )了孩(hái )子(🦒)，取名(🍿)毛(🍇)(máo )小奎。后毛(máo )陆二人(🤠)闹翻(fān )后，陆(lù )将实(shí(🤖) )情告知小奎，小(xiǎ(🤪)o )奎对(🤤)毛(máo )始有戒心。一日(rì(✊) )，毛(🗃)姓二人行船经过无(wú(🎰) )锡，救(🍓)起了自杀的翠英(🥡)(yīng )。翠英不愿回家(jiā )，于(💹)是(shì )三人来到上海，卖(🚐)唱(📞)为生(📌)。翠英小奎渐(jiàn )生(👪)情愫(🆓)。此时，翠英弟(dì )弟(👄)海山亦与继母(mǔ )来到(🕑)上(shàng )海(🏣)谋生。至此，亲人(ré(🈺)n )、爱(🙋)人、大盗、法(fǎ(🌰) )官全(🏾)(quá(🖲)n )都齐聚在上海，这(zhè )一(🚭)天(tiān )…… 奥尔良(liáng )监(📊)狱里(lǐ )新来(lái )了(🎥)两个(🎐)“无辜”的罪犯(fàn )：Zack（汤(🧘)姆(👿)·威兹(zī ) Tom Waits 饰）和Jack（约(🥧)翰·(📧)劳瑞 John Lurie 饰(shì )）。Zack是一(🙏)个DJ，被女友抛(pāo )弃后在(🔩)街上浪荡(dàng )的他接(jiē(🌅) )受(📓)了一(🧥)个朋友的(de )工作：(⛽)把一(👳)辆车开到一(yī )个(😴)地方，路上他却被警(jǐ(👏)ng )察拦了(Ⓜ)下来随后(hòu )在车(💽)后(hò(🙏)u )座发现了一具尸(🐲)(shī )体(💿)；(😊)而Jack则被一个老朋友(yǒ(😯)u )所说(shuō )服，去见一个年(🚽)轻(qīng )貌美(měi )的妓(🎀)女，就(😠)(jiù )在他准(zhǔn )备享(xiǎng )受(🌗)一(🍪)番之时，警(jǐng )察破门(mé(♍)n )而入(🛏)将他带走。不久，监(🥖)狱里又来了一(yī )个意(🍆)大利杀人犯Bob（罗伯(bó(🔟) )托(🚁)·贝(🛁)尼尼 Roberto Benigni 饰）。三人(ré(🏜)n )在一(🧘)间牢房里闹(nào )了(🌉)不少笑话。百无聊赖(là(❇)i )的他们(🏚)计划逃狱，竟然(rá(🕌)n )成功(🙂)了。三人艰(jiān )辛走(🎹)过(guò(🐰) )沼(🍪)泽地，穿过树(shù )林，来到(🥙)了一个意大利(lì )女人(💽)(rén )Nicoletta（尼可莱塔·(⛩)布拉(💘)(lā )斯基(jī ) Nicoletta Braschi 饰演）住的(👗)(de )小(🚠)屋。Bob和Nicoletta两(liǎng )个意大利人(🌋)(rén )沉(📶)浸(jìn )在爱河(hé )中(🦅)，最后只剩下(xià )Jack和Zack继续(🤪)上路，而他们两(liǎng )人又(🚯)将(🚀)在面(🔇)对岔路口时(shí )走(🙂)向何(🛑)方...... For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.