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The engineer Georg de la Croix ( Herr Alfred Abel ) suffers a nervous breakdown due to the continuous unfaithfulness of his lover, Dame Sappho ( Dame Pola Negri ). Georg ends up in a lunatic asylum. His brother, Richard ( Herr Johannes Riemann ) wants to avenge him but instead falls in love with the beautiful Dame Sappho. When Herr Richard finds out from a previous lover of Dame Sappho that she was the cause of his brother's insanity, Richard decides to put an end to his affair with her by marrying someone else but he still must see Dame Sappho, even minutes after the wedding. "Die schwarze Natter" shows the director with a fine example of the 'Sensationsfilm', i.e. a pulpy adventure much in the vein of the early crime serials of Feuillade and others. Two agents from different sides are working in a circus, one - the Schwarze Natter (Black Adder)- as a dancer, the other as a horseback artist. The Schwarze Natter is informed that the other is receiving information by one of the visitors this night, who is also in love with her. She is trying to get him and the information herself, making it look like the other side has her finger in this incident. But an officer of the local police had an eye on them, because some things happening before made him suspicious and starts playing his little game. The Wicked Darling is a 1919 drama film directed by Tod Browning. The film was considered to be lost, until a copy was found in Europe in the 1990s. The copy now resides in the Nederlands Filmmuseum PATRIA (pronounced PAY-tree-uh), a 15-episode "preparedness serial" filmed by the Whartons in Ithaca, New York, in 1916, cast the Japanese, with whom we were not at war, as the villains in a spy story. Warner "Charlie Chan" Oland plays the chief villain, Baron Huroki, who is determined to gain munitions factory and "defense fund" heiress Patria Channing's vast wealth for Japan. 本片(piàn )的故事(shì )取材自拉(🛅)格(💵)洛(luò )芙的小說。 16世(shì )紀的時(🖇)(shí(📐) )候(📄),年輕的蘇(sū )格蘭船長和他(⏩)(tā(🎗) )的三個(gè )夥伴被抓在一(yī(🛡) )個(🌟)堡壘裡。 他(tā )們設法(fǎ )逃脫(🕤),並(📙)殺(🕺)死(sǐ )財主阿爾納,搶走他(😶)(tā(💝) )藏(🥗)有財寶的箱(xiāng )子,這(zhè )樣他(👀)們(🈷)每個人(rén )都成為了富翁(wē(🏋)ng )。 他(🌆)們(🥌)(men )華服在身,只(zhī )等陷入寒(🌴)冰(🐾)的(〰)(de )船隻解(jiě )凍就逃回英國(guó(👞) )。 蘇(🥡)格蘭船長(zhǎng )遇到了(le )阿爾納(♊)的(😈)親屬(shǔ )艾爾莎(shā )麗。 美麗清(👾)新(🏥)(xī(⛺)n )的姑娘對船長(zhǎng )一見鍾(zhō(📩)ng )情(🚝),愛上了他(tā )。 不久,艾爾(ěr )莎(💔)麗(😰)知(zhī )道船長就是殺(shā )害自(🌷)己(🧐)親(🌒)人的(de )兇手,陷入絕望,在(zà(✒)i )極(🎒)度(🤙)痛苦中自(zì )殺身亡(wáng )。 After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’(🚥)s new friend removes his hood –(🗳) and reveals that he is her husband Georg... The Wicked Darling is a 1919 drama film directed by Tod Browning. The film was considered to be lost, until a copy was found in Europe in the 1990s. The copy now resides in the Nederlands Filmmuseum For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.

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