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英国(guó )军(🈁)方一艘绝(jué )密的(💙)间谍船(chuán )在(😛)希腊(🥛)发生了爆炸(🐟),船上(🚺)有一(🔹)个(gè )威(⛽)(wēi )力(🚈)无比(🌖)的(de )发射(🚪)机((🤐)据说它可(kě(💟) )以(yǐ(🏫) )使整个北极(🤣)(jí )星(💒)(xīng )飞弹系统(😫)全部(🏖)报废)沉入(💑)了海(🧓)(hǎi )底。这下,不(bú )仅(🚊)英国军方,还有(yǒ(💒)u )世界各地的(de )间(jiā(🌿)n )谍、恐怖(bù )分子(👳)都开始蠢蠢欲动(🌘)(dòng )。于是,007邦(bāng )德(dé )(罗杰•摩尔 Roger Moore 饰)出动了(🦐),他(tā )的任务就是(🎤)(shì )尽(jìn )快毁掉这(💎)台发射机(jī(🏪) )。同一(🤕)时候(hòu ),哈维(🌆)洛克(💝)(kè )先生在寻(🕷)找这(✏)项装(🕘)置(zhì )时(🐹)不幸(📿)被人(rén )刺(cì(🏑) )杀身(🤴)亡,他的女儿(⤴)美琳(💙)娜(卡(kǎ )洛(🏅)尔•(⌚)布盖(gài ) Carole Bouquet 饰(shì(🏷) ))试(📯)图千方百计想帮(⏩)父亲报仇(chóu )。邦德(💏)说服(fú )了(le )美琳娜(🏖)协助他潜入(rù )海(💦)底从沉船(chuán )里(lǐ(📰) )取出了发(fā )射机。不幸的是,两(liǎng )人浮出水面(😁)(miàn )被(bèi )敌人抓住(👝)(zhù )了……
影片叙(📝)述广(guǎng )州(zhōu )黄花(🙆)岗起义(yì )失(🤦)(shī )败(🚵)后,同盟会中(🍙)部(bù(🛂) )总部(🌘)派元老(🍻)(lǎo )谭(🍴)人凤到武(wǔ(🛄) )昌,组(🚤)织有不少同(🧖)盟(mé(💅)ng )会会员的四(🦇)(sì )十(🥋)(shí )一标新军(♐)(jun1 )蒋翔(🖱)武为首的文学(xué(🍻) )社(shè ),与孙武、邓(🈴)(dèng )玉麟为首的共(🤓)进会两派,团结(jié(🙌) )一致,武装(zhuāng )起(qǐ(😴) )义推翻清王朝。总(zǒng )督瑞征与统(tǒng )制张彪派(💛)四(sì )十一标新军(⛹)前往镇压(yā ),文学(🗿)社与(yǔ )共(gòng )进会(🏫)推举(jǔ )孙武(👧)为领(🙆)导,修定(dìng )计(👮)(jì )划(🙆)。10月10 日(🎳)革(gé )命(🛀)(mìng )党(💾)人以工程第(🕸)八营(♎)(yíng )率先起义(🈷),革命(👈)军分三(sān )路(🔫)攻湖(🎐)广总督府。 次(⚽)(cì )日(🖋)革命军占(zhàn )领(lǐ(🌰)ng )武昌城,革命风暴(🦗)席卷全国(guó ),终于(🌌)推翻了(le )腐(fǔ )败的(🛋)清王朝。
Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format.
【布偶大(💋)追缉】的故事则是(shì )关(guān )于一场珠宝大窃(🥂)案(àn ),本故事中(zhō(🌯)ng )主角 Kermit 和伙伴(bàn ) Fozzie 是(🧝)报社的记者,被报(💗)(bào )社派去英(🙏)国(guó(🔺) )伦(lún )敦采访(🧀)一(yī(🚐) )位知(😍)名的时(🐿)尚设(🔸)计(jì(📡) )师(shī ) Lady Holiday ,Kermit 还(🔊)爱上(🍐)了(le )设(shè )计师(🌿)的助(🐼)理秘书 Miss Piggy,不料(🔻)这时(⌚)却(què )发生窃(🔬)案,设(🖕)计师的名贵珠宝(🉑)不(bú )翼而飞,而(é(☔)r )且(qiě ) Miss Piggy 被陷害成(ché(👷)ng )为嫌犯,为了要洗(👃)刷(shuā ) Miss Piggy 的冤屈,Kermit 和(hé(👎) )他(tā )的布偶伙伴们于是展开一场追(zhuī )缉珠(⏲)宝窃贼(zéi )的(de )大冒(⛑)险。
Produced over the course of ten years, Roar is an audacious cinematic experiment: a thriller showcasing the majesty and ferocity of African lions, filmed on location amidst dozens of actual untrained big cats using regular actors instead of stuntmen. Writer/director Noel Marshall stars as Hank, a doctor and outspoken naturalist in Africa who allows lions, tigers, cheetahs and other big cats to roam freely around his remote estate. While away protecting animals from poachers, Hank’s family (including Marshall’s real-life wife and daughter, Tippi Hedren and Melanie Griffith), arrive at his home and are stalked by the massive lions that have overrun the house.
In a small college in North Carolina, only a select few students are left to take mid terms. But, when a killer strikes, it could be everyone's final exam.