跑酷电影

This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932). 这部电影(😡)(yǐng )讲了(🈚)基(jī(🎎) )德船长的冒险(xiǎ(🍫)n )之旅 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’(❗)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’(🌍) brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." A married couple who have a song-and-dance act in vaudeville are in trouble. Their struggling act is going nowhere, they're almost broke and they have to do something to get them back on top or they'll really be in trouble. They decide to put their young son in the act in hopes of attracting some new attention. The boy turns out to be a major talent, audiences love him and the act is on its way to the top. That's when an organization whose purpose is to stop children from performing on stage shows up, and they're dead set on breaking up the act. 大学生何斐(fě(😮)i )（韩(📣)非饰(🏘)）与(yǔ )同学李佩(😃)芳（王(🐤)丹凤饰）相(xiàng )恋(liàn )，李(🍮)佩芳(🌖)的(de )父(fù )亲和哥哥(📱)们(men )都很(🏖)瞧不起何(hé )斐(👩)，何斐本(🏻)想(xiǎng )和佩芳分手(shǒu )但(🚎)(dàn )始(🚍)终开不了(le )口(kǒu )。在(🔨)佩芳的(🚵)(de )央(yāng )求下，何斐到(🚢)(dào )了(🔠)她父(🚯)亲公司(sī )工作，但(📝)是何(hé(🐠) )斐一去公司便(📡)(biàn )成了(💢)嘲笑的对(duì )象，佩芳的(⛱)哥(gē )哥们也使出手段(😣)想让(rà(🍭)ng )两人分手，佩(pèi )芳(👁)毅然(🍲)离家(🔠)出(chū )走和何斐走(🙋)到(dào )了(🎂)一起，但是(shì )两人出去(🍠)工作(🥁)(zuò )却总是碰壁。不(💄)(bú )久佩(😍)芳怀孕(yùn )，在路(📩)上她被(⬜)(bèi )汽车撞倒，车(chē(➰) )子的(🏊)主人(🚥)恰好(hǎo )是佩芳的(🏚)大哥(gē(🆕) )和大嫂，他(tā )们(men )把佩芳(🆓)带回(🛌)(huí )了(le )家，却发现佩(💡)(pèi )芳因(👒)为受到振(zhèn )荡(🌑)失忆了(🕴)。何(hé )斐到处寻找佩(pè(🤩)i )芳，却始终没(méi )有她的(🚀)踪影，为(🐣)了生存，他只能干(🈂)(gàn )起(🤬)了擦(🍎)皮鞋的(de )工作。春天(🐽)，佩芳顺(🏅)利生下(xià )了孩子，最终(⛏)(zhōng )两(🔒)人在街头相(xiàng )遇(🆖)了。 This movie shows the idealized career of the singer Al Jolson. A little Jewish boy comes up against the will of his father to be in showbiz, becomes a star, falls in love with a dancer not of his religion and marries her. But in the end he chooses success on the stage. 二战过(guò )后(hòu )，罗马(🐨)同许(xǔ(🤱) )多(duō )城市一样，充(💦)斥失(👪)业和(🕣)贫(pín )困，人们常常(🔃)(cháng )为一(🖤)个工作机(jī )会争得头(👅)破(pò(✋) )血(xuè )流。已失业(yè(🔭) )多(duō )时(👼)的里奇（Lamberto Maggiorani）费(💑)劲千辛(🛁)万苦(kǔ )获得一份海报(🏑)(bào )张贴的工作后(hòu )，却(👽)为这份(🎗)工(gōng )作需要一辆(😆)自(zì(✈) )行车(👅)犯愁，为了以后(hò(♌)u )的日子(📖)好过，他用妻子的嫁(jià(🌑) )妆--床(⚡)单从换回(huí )已经(⬆)当掉的自(zì )行车，不想(✖)，他的自(🐃)行车在(zài )上(shàng )班(👗)第一(🚧)天就(📕)(jiù )被(bèi )盗。里奇同(🙆)(tóng )儿(é(💯)r )子布鲁诺（Enzo Staiola）寻遍罗(🐆)马大(🕤)(dà )街小巷，也没(mé(📈)i )能找到(🤝)他赖(lài )以(yǐ )活(🍱)命的自(⛔)行(háng )车(chē )，眼见无指望(🍯)(wàng )的日子又要降(jiàng )临(📛)，里奇决(🅾)定(dìng )以牙还牙，可(🏎)(kě )是(🎈)他的(👮)运气却(què )没有别(😻)的小偷(🌊)(tōu )好。