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漂(🔒)流是一个年轻人(🔠)(rén )在与(😯)激(jī )烈的情(qíng )绪崩(🐪)溃和金(jīn )融破产(🍪)作斗争(🐽)的过程中(zhō(⚡)ng )逐渐成(🏪)(chéng )熟的(📬)故(gù )事。 这部电(diàn )影(🕺)将诺曼·里杜斯(🌂)饰演(yǎ(🚓)n )范，一(yī )个儿(🥓)子(zǐ )背(🍉)负(fù )着他痛苦的(🤼)父亲的(🎨)(de )责(🍏)任，没有(yǒu )人帮助(🚻)(zhù )他减(🎇)轻(qīng )自己(jǐ )的痛苦(🥛)。 范的父亲(qīn )沉浸(🥈)于自己(👆)(jǐ )的烦恼(nǎ(🏍)o )之中，所(⬇)以(yǐ )他没有在情(✳)感上抚(💫)慰(👸)他的儿子(zǐ )。 Doug，Chad Lowe与(yǔ(💽) )范建立(💷)了深(shēn )厚的友谊，但(🖼)更重要的(de )是，让(rà(🍫)ng )他知道(👫)(dào )“完美生活(🍳)(huó )”并不(🙄)总是看(😀)上去那么(me )美好。 在范(🥒)和(hé )Doug经历(lì )了一(➡)场(chǎng )以(🤵)悲剧告终(zhō(💭)ng )的犯罪(🤺)狂欢(huān )之后，父子(🐒)终(zhōng )于(🥪)第(🐣)(dì )一次真正在一(🏖)起理(lǐ(😷) )解了彼此。 Hijiriko makes off from the bar she works at with money and a car that isn’t hers. Meanwhile, Jiro Katagiri is up to no good with his gangster friends and ends up making off with all their ill-gotten gains, much to their disapproval. The two misfits end up meeting after a car crash and soon end up on the road together in (another) stolen car. It’s not long before the police take an interest in the crimes, and of course the gangsters are hot on Jiri’s heels; meaning the two must scarper across Japan by any means necessary. 下(🥏)总羽(yǔ )生村(cūn )的(🌸)医生宗(🤳)悦（岬洋(yá(📤)ng )二 饰）(🏍)雪夜(yè )前往武(wǔ(💟) )士深见(🔈)新(✋)左(zuǒ )卫门（中村(⚪)彰 饰）(🙊)家催讨租金(jīn )，结果(🗑)(guǒ )惨遭杀害。宗悦(🐜)尸体被(🔗)沉于池底，然(👻)怨念(nià(🔢)n )不死，缠(🙆)住仇家。新左卫门狂(😈)性大发，误(wù )杀妻(🏖)子(zǐ )，自(✖)己(jǐ )也溺于(📨)池中(zhō(💰)ng )。深见家老(lǎo )管家(💑)寅八（(🕊)野(🅾)崎喜(xǐ )彦 饰）怀(😥)抱(bào )主(🔭)人尚在襁褓中的(de )孩(⭕)子，偷偷(tōu )放在商(🐃)(shāng )人羽(🚎)见(jiàn )屋的(de )门(🍜)口。 富商(🐶)罗孝先(xiān )本有一女，却因(🐻)父(📵)(fù )母重男轻女(nǚ(🥟) )，其妻暗(🎲)中把初生女儿换来(🌪)现(xiàn )在的长(zhǎng )子(🥦)世达。先(🛹)(xiān )刊登广告寻女，其(🍨)司机(jī(🎞) )张甲收(shōu )买姜魁(kuí(👛) )元将女儿玉(yù )凤(🔌)带来冒(🕐)认先女。先的(🌙)(de )情妇刘(🚾)(liú )露茜为(wéi )讨名(🚓)份，亦(yì(🧤) )带(🍶)同与前夫(fū )所生(❕)女儿刘(🔗)(liú )安妮到(dào )来认父(🌧)(fù )，先(xiān )妻把二女(🌎)一并留(🖲)下(xià )以辨真(🍀)假。甲与(🐒)露(lù )茜为女(nǚ )儿各(gè )出(📡)奇(🧐)谋，凤和安妮(nī )亦(〽)斗个你(😇)死(sǐ )我活。不久，孤女(😪)(nǚ )李美君又前来(📁)认亲，令(♍)先夫妇(fù )大伤脑(nǎ(💯)o )筋。元向(📱)甲(jiǎ )讨钱不遂，揭穿(🛁)凤身份，安妮(nī )亦(🤔)因与(yǔ(📂) )先次子世宜(❤)(yí )相恋(🆑)，说出真相。先夫(fū(🚊) )妇以为(🍄)(wé(🐫)i )君是亲(qīn )女，却空(🏍)欢(huān )喜(✊)一场，但他们实在喜(😑)(xǐ )欢君，于是认(rè(🍤)n )她作(zuò(😰) )干女儿，皆大(🈯)欢喜(xǐ(🙀) ) Karol Wojtyla endures Nazi occupation, embraces religion and, as pope, promotes faith and peace around the world. Sir Guy Grand adopts homeless bum Youngman to be heir to his obscene wealth, and immediately begins bringing him into the intricacies of the family business, which is to prey upon people's greed by use of the vast holdings of the Grand empire. They leave no stone unturned as sporting events, restaurants, art galleries, and traditional pheasant hunts turn into lurid displays of bad manners and profiteering. Things climax at the social event of the season, the inaugural voyage of the new pleasure cruiser The Magic Christian. 老丁拐（李(lǐ )保田饰(shì )）(🆚)丧妻(qī )后长(zhǎng )期(🚎)的性苦(🚐)闷，喜欢(huān )上了一个(🌈)疯(fēng )女人，并多次(💩)将疯(fē(⚡)ng )女人带到自己的船(📚)房。疯女(🥀)人(rén )被奸杀(shā )之后(⬛)老丁拐(guǎi )曾被冤(🐆)枉，回来(🚏)以后，在那张(🚪)(zhāng )陌生(🤣)又(yòu )熟悉的床上(🤣)(shàng )……(🛎) It's the old dark house plot again with added gore. Foolish young people take shelter in in old house or in this case, hotel and all hell then breaks loose. Not one of the most original stories in the field of horror films and sadly there is nothing really new in this made for TV movie. Other than the only known case of death by washing machine that is! Made in 1989 but looks even more dated than that, the jocks and bimbos in the American splatter films were pretty air-headed but they were always far worse and incredibly stupid in the European ones. Anyone with an ounce of sense would see what a 'con-damned' building this house was and run for the hills. These just wait around aimlessly to be picked off by the forces of evil. The sound dubbing isn't very good either and somewhat annoying as none of the voices seem to be in tune with the actors. And the small child while I guess, is supposed to be cute is just a major pain in the backside. But then again, none of the cast are sympathetic and you don't really care what happens to them. Thus it rattles onto a dull finale and disappointment. Like a lot of Spanish and Italian films in this genre, the horror effects happen for no rhyme or reason, just to try to elicit a scare. There has to be some bounds of credibility and logic in even the most dopey plots.