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The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman 1952年，在板门店谈判中，L高地(🤒)的归属直接(😁)影响到停火(💇)线的划定，南(🐝)北双方为(wéi )了获(📋)得更有利的战果，围绕L高(🥧)地展开了新(🔣)一轮血腥的(🤤)争夺。此时，在(🍥)前线的韩方鳄鱼(🔢)(yú )中队队长(🆘)被自己人的(⬜)手枪击毙，同(🔗)时北方人民(🥘)军军人的家(🍉)信在暗中通过韩方邮路寄送(😲)(sòng )，韩方怀疑(🏳)高地前线出(🤜)现内奸，派调(📮)查部门的姜恩彪中尉（申河均 饰）陪同(🔨)新任队长前(🛎)往鳄鱼中队(🍮)。此时鳄鱼中(🔛)(zhōng )队实际掌控在(🙀)姜恩彪昔日战友金秀赫(💝)中尉（高修(🌀) 饰)以及申日(😂)荣上尉手中(👬)，姜恩彪惊异(yì )的(🦐)发现曾经书(🎉)生气十足的(🛤)金秀赫如今(👽)已变成强悍(😼)的战士，而表(😀)面上军纪涣散的鳄鱼中(zhōng )队(🏐)在实战中则(💌)有着惊人的(🆗)战斗力。姜恩(📲)彪随鳄鱼中队一起经历了拉锯式的高地(☝)争夺战，而他(🦊)终于无意中(🍌)发现了鳄(è(🆖) )鱼中队“通敌”的线(🆒)索…… 萨沙（Sascha Kekez 饰）一家(🖥)是来自黑山(🛄)的东欧移民(🦃)。萨沙的妈妈(👾)一直(zhí )梦想儿子(📟)成为钢琴家(🧔)。然而萨沙练(🎉)习钢琴的全(💑)部原因，是他(😑)暗恋着学校(📚)英俊成熟的钢(gāng )琴老师。直到(🕒)有一天老师(🏝)宣布即将出(💶)国，萨沙心灰(✝)意冷下，将不能说的秘密告诉了华人女伴(📓)阿娇（Yvonne Yung Hee 饰）(🐯)。可怜阿(ā )娇(🌒)一直误会萨(🏆)沙对自己有意，一(🐜)怒之下移情别恋到萨沙(🍟)弟弟身上。麻(🤘)烦的是，萨沙(🚖)一(yī )直对保(😾)守和憎同的爸爸(🤳)说阿娇是自(🍧)己的女友，从(🚹)而这段“三角(📸)关系”也惹来(🌟)无数困惑(huò(🐼) )和误解。萨沙终于下定决心要(😆)在老师临走(🆒)前大胆示爱(💆)，但懵不知整(🧦)个家已掀起轩然大波...... 由于连续的干旱，入(🥃)冬后(hòu )内蒙(🗒)古草原上的(🍼)二道湾乡辖(🧢)区内闯来不少野(😰)生黄羊和野驴，上百只黄(🎃)羊和野驴吃(🐇)光牧(mù )民冬(🔸)储的草料，据(🍺)当地牧民讲:迁徙(🍮)而来的黄羊(⛩)和野驴所到(🆒)之处像开过(🙇)一台割草机(🐆)。野(yě )生黄羊(🗻)和野驴多了，盗猎的情况就是(🚞)有发生，二道(🦅)湾乡派出所(🏤)张国祥所长(👍)亲自带队宣传禁猎法规。 美丽女孩蕾贝(bè(🧜)i )卡（莎拉·(🔁)博格 Sarah Bolger 饰）是(🦔)一家女子教(🕐)会寄宿学校的学(☝)生，开朗热情的她在学校(🤳)结识了许(xǔ(🏜) )多好朋友，其(🛺)中金发女孩(⛓)露西（莎拉·戈(😤)登 Sarah Gadon 饰）与之(🐠)关系最为融(👭)洽。二人形影(✉)不离，无话不(🏌)说，亲密无间(🔝)。新学期伊始，高挑冷艳的恩妮(🍄)莎（莉莉·(🏈)科尔 Lily Cole 饰）转(🔫)入她们的学(🏤)校。恩妮莎那妖媚的神秘(mì )气息令蕾贝卡(🔃)备感不适，可(🦆)是露西似乎(🚆)对其颇有好(😺)感，二人越走越近(🤹)。与此同时，恩(ēn )妮莎似乎(📭)也勾起蕾贝(🖼)卡深埋心中(🎫)的不堪回忆(🤤)。这个恍如从哥特(🛺)恐怖小说中(💰)走出来的女(🚪)(nǚ )子，究竟藏(🌂)着怎样的秘(🥏)密…… The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when Marí(🛫)a Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman