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Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later. 安(ān )娜(💭)（蕾(⚡)雅·马(👨)萨(sà )利 Lea Massari 饰(shì )）在与外交(jiāo )官父(🚿)亲的一(💶)席不(🥏)(bú )愉快(♑)的谈话之后(hòu )，气(qì(🧔) )愤地和女友(🛎)克劳(lá(🔦)o )迪娅(📆)（莫尼卡·维蒂 Monica Vitti 饰）驾车(🤪)去(qù )找男友(🏺)桑德罗(🐆)（加(⌛)比利艾尔·费(fèi )泽蒂(dì ) Gabriele Ferzetti 饰(♒)）。安娜(nà )犹(👿)豫(yù(🔫) )着进了(🏃)男友(yǒu )的公(🅿)寓，留下克(kè )劳迪娅一人在(😲)外面(🌜)等(děng )候(🥏)。安娜虽然和(😦)(hé )桑德罗谈婚论嫁(💨)(jià )，但两(🍱)人早(👳)已貌(mà(📱)o )合神离。他们与(yǔ )一群朋友驾着(🚤)游(yóu )艇(🥡)出(chū(🤾) )海时，两(🌡)人(rén )之间的矛盾越(🙇)发(fā )尖锐。众(🧖)人来到(😷)(dào )一(🎪)个(gè )荒岛上休息，安(ān )娜与(🚵)桑德罗言谈(🐐)(tán )不和(🌁)，两人(😆)不欢(huān )而散。正当众人(rén )准(🛂)备返航时，却(♊)(què )发(⏱)现(xiàn )安(🗓)娜神秘地(dì(🚐) )失踪(zōng )了。大家寻(xún )遍整个(🕛)小岛(🏕)，却(què )不(🥀)见安娜任何(📛)踪迹。在找寻安娜的(🕦)过(guò )程(👇)中，克(👦)劳迪亚(👳)(yà )和桑德罗相互产(chǎn )生了暧昧(❌)，虽然(rá(🤺)n )克劳(🚟)迪亚努(🎋)力克(kè )制心(xīn )中的(📲)悸动，但在桑(🎯)德罗的(🛩)热(rè(🍟) )情追求下，她坠(zhuì )入了(le )情网(👫)。内疚的克(kè(💍) )劳迪娅(🌒)一直(🍐)无法(fǎ )摆脱安娜的阴影(yǐ(🔄)ng )，无法心无旁(🏕)骛(wù(😲) )地与桑(♍)德罗在一(yī(🦗) )起。而当她下定(dìng )决心(xīn )与(🐔)桑德(🌈)罗建(jià(🌽)n )立关系时，却(❤)发(fā )现他与别的女(🏹)人在一(💹)(yī )起(💤)。 小职员(🐯)吴一(yī )成生活拮据, 常遭(zāo )白眼(👏). 一日, 成(😯)偶然(🍩)(rán )拾得(🤛)一幅睡美人(rén )图, 画(✉)中美人咪咪(🎋)(mī )跃然(🎿)(rán )而(🏣)出, 施法术(shù )助成料事如神(✔), 财(cái )源滚至(🗣). 往日觑(⛸)成(ché(😚)ng )的公(gōng )司经理和姑丈罗(luó(🌐) )士元一家, 忙(👄)对成(🗨)(chéng )巴结(❇)奉迎. 成、咪(🎗)(mī )恩爱之情, 更羡煞(shà )旁人(💡). 惟好(🛍)景不常(🧖)(cháng ), 成不(bú )慎(🍻)失画, 咪法(fǎ )力尽(jì(😌)n )失. 成恐(🍫)再陷(😁)(xiàn )逆境(🕍), 变心追求富(fù )小姐孔曼若. 咪终(😼)寻回(huí(🏹) )失画(🚛), 即施法(🗾)令成(chéng )当众出丑. 成(➿)惊醒(xǐng ), 始知(🈺)是南柯(🏞)一梦(🌿)(mèng ). 被誉为香港电影(yǐng )史上(🚠)出色爱情歌(🧞)(gē )舞片(🗨)(piàn )，阴(💵)差阳错(cuò )的布局加上载歌(🎻)(gē )载舞，令人(📶)赏心(🏹)(xīn )悦目(🌶)(mù )。林黛饰演(🦍)一随(suí )歌舞团远赴日本(bě(🦊)n )的年(😛)轻歌舞(🌥)艺员(yuán )，人在(🛩)异乡，排(pái )遣寂寞，在(🈶)征友(yǒ(⛑)u )广告(🏺)(gào )中认(🕯)识一年(nián )青男(nán )子，虽素未(wèi )谋(⛷)面，但书(🛸)信早(🚿)(zǎo )已互(🕊)生情愫。谁知对(duì )方(📉)正是舞蹈团(💝)团(tuán )主(🚉)！此角(🍗)由当年(nián )首席喜剧小生陈(🏊)(chén )厚扮演，欢(🌐)喜冤(yuā(🎺)n )家与(🍉)扑朔迷离的(de )爱情(qíng )故事，是(👎)《网上(shàng )情缘(⏯)》的怀(♍)(huái )旧版(🌵)，林黛更凭(pí(➕)ng )此赢(yíng )得第八届亚洲电(dià(🔶)n )影展(⏬)最佳女(🚄)主角(jiǎo )。而本(😖)片布景及(jí )摄影非(💎)常华丽(🛑)，首用(💢)伊斯曼(🍨)七彩(cǎi )阔银(yín )幕，水平直(zhí )逼当(💱)(dāng )年好(🐾)莱坞(🐯)歌(gē )舞(🔂)片大制作，同(tóng )年，另(🗑)获同届亚洲(🔗)影(yǐng )展(🍄)最佳(🍘)美术指导(dǎo )、最佳音乐、(🦍)最(zuì )佳剪辑(🕯)及最佳(🏩)录(lù(🆎) )音等五项大奖；令此片在(💽)第一届(jiè )金(🗜)马(mǎ(🍳) )奖获得(✈)最佳(jiā )导演(yǎn )及最佳音乐(lè )两项大奖(🔂)项，电(⛵)(diàn )影歌(🌎)曲悦耳，由姚(🎃)敏(mǐn )作曲，静婷主唱(🚆)(chàng )，风行(🏩)半个(🦄)世纪(jì(😸) )。 Another fabel/comedy of the dangers for the poor Italian man who dares to rise up in society and challenge the high and mighty.This film is made in a more comical but realistic vein, and is well filmed.Alberto Sordi's acting is superb, and there is not a boring moment in the film ! This is a typical Italian neo realistic comedy, which was in such peak form in the late 1950's and early 1960's.Rarely, do Italians make such entertaining films nowadays,(with the exception of Pieracchioni and further back in time , Carlo Verdoni). 1960年，上海美术(shù )电影制片厂摄制(🏫)(zhì )了一(🔺)部短(🤣)片《水(shuǐ(🆑) )墨动(dòng )画片段》（编(🚾)剧、导演、(🚨)摄(shè )影(🐶)均为(🍒)集体创作），长度1本，作为水(👱)(shuǐ )墨动画的(🚮)实验。这(⛽)是世(🗓)界上首部(bù )水墨动画。在该(🚏)(gāi )片成功摄(🕍)制后(🖲)，该厂(chǎ(🕦)ng )同年又拍摄(shè )了第(dì )一部正式的(de )水墨(💆)动画(👉)片《小(xiǎ(🎒)o )蝌蚪找妈妈(🆙)》。（ 1960年(nián )4月21日、日本テレビ(🏗)系列(🈚)の「ス(🐁)リラー劇場」枠（20:00-21:00）にて放映(🔤)。