娘家的故事2

故事发(🅿)(fā(🚈) )生(shēng )在抗日战争(🧡)(zhēng )时(shí(🌯) )期(🎺)，上海的(de )民(mín )族企业家张耀(🛹)(yào )堂（崔超明 饰(shì(👝) )）苦心(😍)孤诣，创立了大光明(🧥)(míng )纺织(👖)印染厂。但是在乱流(🥄)涌(yǒng )动(🈂)的混乱时代(dài )，民族(🛫)企业有(🚒)(yǒ(🐎)u )如风中的幼苗(miá(⛏)o )，随时都(⏰)有(🌮)遭(zāo )受摧残蹂躏的(🔇)(de )危险。日(👑)本纱(shā )厂买(mǎi )办宋(🌮)贻春(chū(🕰)n )（郑(zhèng )敏 饰）百(bǎ(🍖)i )般倾(qī(🛸)ng )轧，令张疲于(yú )应对(🐭)。就在此(🚓)(cǐ(🐥) )时，张的儿子(zǐ )张(🥐)伯韩（(🈚)孙(😤)道(dào )临(lín ) 饰）从海外(wài )学(🤾)(xué )成归来。他临(lín )危(🗒)受命，继(➰)承(chéng )了父亲的印染(💓)(rǎn )厂，以(🈁)“工业(yè )救国”为理念(🥘)(niàn )，大力(🎚)发展民(mín )族产品。终(💯)于(yú )挺(💕)过(🔭)了最难熬(áo )的一(🍟)旦时期(🙈)。抗(🦑)日战争结束(shù )后，宋(😖)贻春摇(🎋)(yáo )身一变成为官(guā(🎙)n )僚买办(🦉)，此时(shí )他与(yǔ )张伯(🛴)韩沆(hà(🔵)ng )瀣一(yī )气，为了(le )赚钱(🏿)(qián )不惜(🥑)伤(🖤)害普通(tōng )百姓的(🌧)利益。 A Lou Reed concert at the Bottom Line in New York City, 1983 迪(🏽)克(💒)（托马斯(sī )·杰恩 Thomas Jane 饰）和(💴)(hé )吉(jí )娜（劳伦·(😽)泽(zé )曼(⬆) Lauren German 饰）是一对(duì )新婚(🗣)夫妇，他(🏼)(tā )们驾车沿着州(zhō(🏠)u )际公路(⏱)前往塞(sāi )多纳，尽情(✉)享(xiǎng )受(💄)这(⏩)趟蜜月之(zhī )旅。夜(👆)幕降临(🐸)(lí(🛫)n )，迪克不知不(bú )觉间(🍓)偏离了(🎅)原(yuán )来的95号公路，所(🍐)谓春宵(📝)一刻(kè )值千金，这对(🥤)(duì )夫妇(📝)似乎并不(bú )太在(zà(🎡)i )意迷路(📧)这(🈳)(zhè )件事(shì )，反而尽(🌮)享欲(yù(🦔) )望(🦈)和速度所带(dài )来的双重快(👗)感(gǎn )。当激情过后(hò(😷)u )，却有一(😛)个全(quán )身(shēn )是血的(🖥)男人(ré(🍜)n )（康·谢尔 Con Schell 饰）突(🖨)然出现(🌘)在他(tā )们的车前。迪(🗻)(dí )克救(🔛)助(📍)了受伤(shāng )的男子(🚸)，而对(duì(💏) )方(📌)则试图杀掉(diào )他。纠(📸)缠厮打(🍤)(dǎ )之中，受伤男(nán )子(📟)被迪克(💛)所杀(shā )。为了防止惹(🍈)(rě )上麻(🍉)烦，夫妇(fù )俩将尸体(🏠)偷偷(tō(🗑)u )掩(💝)埋。 当一名(míng )普通(🏌)(tōng )的戏(📧)剧(🌱)老(lǎo )师约(yuē )翰·菲利普斯(⛲)(sī )从街角被绑架(jià(🎬) )时，他发(🌺)现自(zì )己陷入了错(🙇)误(wù )身(🐛)份的情况。相(xiàng )信是(😗)一个臭(🔎)(chòu )名(míng )昭著的职业(🔽)凶(xiōng )手(😡)碰(✋)巧在六英(yīng )尺以下的人(🔇)，约(⛹)翰最终发现(xiàn )自己(💎)处于中(😥)央(yāng )情报 约调必须(🎥)(xū )揭露(🍕)跟随他的(de )人，为什么(😪)...或(huò )付(🎑)出最终的代(dài )价 Can one ensure immortal love? Hippolyte, an eccentric notary, sees his marriage to Camille as his one great success. He also believes that love doesn't last, and this flummoxes him as they approach their 15th anniversary. To test her love for him, he promotes her seduction by an anonymous stranger, behaves badly to guests, makes love clumsily, sleeps in the guest room. All this breaks her spirit, and she asks him to move. It's devastating to Hippolyte, Camille, and their two sweet children, but he persists; he can't seem to shake this humour. Then, they reconcile and depart on a second honeymoon. Is this a renewal of domestic bliss or a an interlude in Hippolyte's mad design? Delicate and surreal. "A hora má(🌅)gica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. 麦琪和(🎥)一(🦁)(yī )帮朋友搞了个(🈶)(gè )“Horror Show”(恐怖(😵)电(🌙)影(yǐng )观赏会)，布置(zhì )影院(yuà(🥃)n )的时候找(zhǎo )到一(yī(🍫) )盘年份(🏹)已久的(de )拷贝盘，于是(🚪)(shì )他们(🤩)观看了这(zhè )部电影(🍐)....