五十度灰小说

Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great. Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn. IMDB:3.8/10 (85 votes) The martial world is now awash in one-armed knights, who aren't inclined to make any permanent alliances among themselves. 剧情主(🎥)要(yào )发生在(zài )一列从(🛃)美国(guó )西(xī(🌮) )海岸开到(🐾)芝(zhī )加哥(👨)火(💞)(huǒ )车上，年(🕑)轻(qīng )出(chū )版(🍨)商乔治克(kè(👄) )威与艺(yì(😾) )术品鉴赏(🌡)家薜(bì )礼纳(🤢)的秘书(shū )一见如(rú )故(😺)，两(🎈)人正在(zà(🧘)i )温存之际(🔐)，车窗外(wài )却(🌃)抛下薜礼纳(nà )的尸体(🏤)，乔(qiáo )治因而(👢)卷入凶徒(💍)的追杀之(♓)中。而(ér )潜伏(👰)在火车上的(👪)联邦密探(tà(🤥)n )史威知(zhī(🗣) )道薜教授(🕣)被(bèi )杀的真(🚒)相，亦(yì )遭势力(lì )庞大(🥟)的罗杰(jié )杀(🔎)害。雪球越(😯)(yuè )滚越大(😋)(dà(⬇) )，最后失控(🆘)(kòng )的(de )火车头(🌿)竟然(rán )撞进(🕑)火(huǒ )车站(🙎)之中。导(dǎ(🧑)o )演阿瑟·希(🈵)(xī )勒拍出(chū )了紧凑俐(🆓)落(🍼)的(de )气氛，高(🍝)潮(cháo )一波(💦)未(wèi )平一波(🔝)又起，压轴的火车(chē )大(〽)灾难(nán )在二(🍷)十年前更(🖥)(gèng )是令人(🎠)看得(dé )目定(⛳)口呆的精彩(👀)特技场面。 杨(🛰)权(quán )年轻(🧠)时曾替“香(🥞)港文化社(shè(🏷) )”拍摄(shè )有关本地学(xué(📠) )校的纪录片(💎)和(hé )教材(🤐)片(piàn )，处女(⚾)作(♊)是(shì )67年的《红粉金(jīn )刚(♏)》，香港六十年(🗺)(nián )代(dài )色(🎭)情电影导(👣)(dǎo )演代表(biǎ(🌸)o )人物，此类(lèi )代(dài )表作(➖)是(😒)70年的(de )《七擒(🔪)(qín )七纵七(🐛)色狼》和续集(🥔)《横(héng )冲直撞(zhuàng )七色狼(👗)》，两(liǎng )片可谓(🦓)是开(kāi )了(🍌)色情(qíng )片(🔭)粤语片的先(💭)(xiān )河，《七擒(qí(🦍)n )七纵七色狼(😻)》里写一个(🚿)女扒手(狄(👵)(dí )娜饰)逃入(🚊)了一处旧楼单位(wèi )，成(🕵)为(wéi )屋内七(🍕)色狼(周吉(🏝)、杜平、高(🛥)鲁泉(quán )、郑君锦等(dě(👉)ng ))的性幻想对(🐣)象(xiàng )，电影(🏿)(yǐng )虽然没(😬)有甚(shèn )么(me )暴(🌎)露场面，但写出(chū )了一群(🕹)低下(xià )小(🍎)(xiǎo )男人的(💬)性抑(yì )压，虽(😿)(suī )然咸湿，但仍(réng )然守(🔮)望相助(zhù )，面(🐨)对(duì )大是(💈)大非又绝(🕷)(jué )不妥协，一(🚁)(yī )些色情(qí(🚐)ng )场面如偷窥(♐)和(hé )搏懵(🤼)，电影(yǐng )处(📕)理得乐而不(🎇)淫，不(bú )算下流。 A murderous drug dealer breaks his partner out of police custody. An undercover cop is assigned to track down the two killers and bring them in. Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn. Song Dea-Kwan, a young man in the country, wanders from place to place from the moment of arriving at Seoul. But as he meets a friend of hometown and lives in a house, he gets a chance of success. He meets his old lover in Changkyeongwon and becomes a singer with the help of a composer. At last, his song named of 'The day of success' is recorded with the help of the president of the company. On the banquet of his mother's 61st birthday, he wins the first prize. 虽(suī )然(🔋)此片故事电(🀄)影和电视(🚃)已(yǐ )拍过多(🏗)(duō )次，但编导李翰祥在(🔁)清宫(gōng )戏的(🌯)场(chǎng )面铺(👗)陈上别(bié(🔗) )有不同，而且(🦔)(qiě )情节上(shà(📍)ng )也有改动，所(🐪)(suǒ )以还是(⏬)较有(yǒu )可(🏿)观的(de )。如西太(🛩)后(hòu )反(fǎn )对维新方面(♋)(miàn )，改为(wéi )遗(🤔)老为保全(🍼)功(gōng )名和(🍎)荣华富(fù )贵(🐬)不惜(xī )长跪(🙉)不起，加(jiā )重(🚩)她的责任(🕚)(rèn )感。光(guā(🥛)ng )绪幽禁瀛台(🎛)的(de )出走之夜，西太后又(🗞)带皇后夜访(👈)(fǎng )光绪，并(😍)有(yǒu )意还政(🛴)于光绪。这些细节，使西(🔄)(xī )太后更有(🌔)人性的真(🍗)实感情(qí(🤣)ng )。但描(miáo )写六(🌘)君子的(de )戏时(💋)过于简略(luè(🌜) )，是影(yǐng )片(🚍)的一大失(🤪)(shī )误。