小孩不笨2

邝(🌀)(kuàng )世(🚑)昌父亲(qīn )邝福在美(měi )国谋生(🤓), 世昌以(🙄)为他在外国(guó )赚大(dà )钱, 在(zà(🍷)i )母亲的(🗳)溺(nì )爱(🏷)和损友(yǒu )尊尼的引(yǐ(🏧)n )诱下, 终(🧖)日游手(🤬)好闲, 不务正(zhèng )业, 只(zhī(🔰) )懂挥(huī(🚵) )霍. 他认(✳)识(shí )了陆芬妮(nī ), 芬妮(🚺)和她的(🧝)养(🙌)父母(😅)还以为(wéi )他是(shì )富家(🖨)(jiā )子, 要(🗳)在(🏞)他(tā(🗽) )身上捞一(yī )笔. 世昌妻(㊙)子梁美(🉑)娟(🔛)贤慧(🔂), 世昌却嫌她(tā )娘家贫穷(qióng ), 一(⛽)次借口(🎬)(kǒu )她私下拿(ná )金手镯变卖来(🌜)帮助友(✈)人而(ér )把她(tā )赶走(zǒu ). 世昌挥(📡)金(jīn )如(🤣)土, 其后(🐙)(hòu )更将房契押掉. 邝福(👸)回国, 对(💂)(duì )儿子(✉)(zǐ )的生(shēng )活不甚了(le )然(🤗). 他开了(🈹)(le )一间洗(👸)衣(yī )店, 努力工作. 美娟(🎌)到来应(🤓)征(💊)(zhēng )店(💐)工(gōng ), 翁媳(xí )见面却互(👸)(hù )不相(📆)识(🧞). 邝(kuà(👇)ng )福欣赏她勤奋, 打算把她介(jiè(🎼) )绍(🤳)给(gě(🚒)i )儿子(zǐ )作妻子. 其(qí )后他才方(🔠)(fāng )发现(😳)儿子行径荒唐, 房子又被人没(⛵)收(shōu ), 怒(🈚)极将儿(ér )子赶走. 世(shì )昌失了(🎂)依(yī )靠(🚖), 生活无(🏃), 而芬妮赔了夫人(rén )又(🏔)折(shé )兵(🎍), 亦(yì )把(🖍)他驱赶(gǎn ). 世昌向尊(zū(🤧)n )尼求助(🆑), 也遭到(🍅)奚落. 当他看(kàn )到父亲(🥌)和(hé )妻(⏺)子(💉)在河(👛)(hé )边辛勤洗(xǐ )衣, 才觉(💊)悟(wù )前(🏜)非(🔦), 加入(🎸)工作, 重新做人. A series of comic sketches revolving around the "mania" in people's deepest personality. In "The Elaboration", a hearse driver has his favorite hearse made out to perfection for his "clients". In "Sport" a bossy office supervisor loses a sports bet to co-workers and is forced to pimp out his wife, while one colleague decides to take advantage of it. In "Overtaking" a man tries to outrun a set of lights on a highway late at night... not realizing that it's an airplane. In "The Hobby" two best friends, Barbara and Carla, team up to find where one's husband is going to every weekend and being secretive about it. In "Advice" a bickering couple out for a drive bicker about one's well being which leads to a traffic accident. In "The Protest", Pasquale and Mario are two men who cannot seem to pass up every attempt to protest against the government from 1943 to present day 1964. In "The Antique", a couple travels to a remote monastery to shop for antiques and seek which ones to buy or leave. In "The Swear Word" Ilario Boietti is a writer who seeks advice about work for his latest book by consulting with a brash has-been author, who advices Boietti to embrace his wild side. In "The Strip-Tease" a lonely Lothario ventures to strip clubs in search of his true carnal pleasures. In "The Interviews", Micozzi is a government spin doctor who spins his tails to avoid the questions of government corruption. In "Hitchhiking", the thoughts of a off-duty policeman and a Sicilian hitchhiker whom he picks up, are displayed in this collision of cultures tale. In "Bill of Exchange" two couples, the Brugrolis and the Bonfanls, seek to out-spend the other in a war of wealth. In the final hilarious tale, "The Weekend", two thieves, Franco and Ciccio, break into a mansion to rob it thinking that the owners are out of town, only to have the unfaithful wife with her soldier lover, and the unfaithful husband with his foreign mistress, arrive wanting to spend time alone, and all parties try to avoid direct contact with the other. Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. 故(gù )事梗(gěng )概(🎬) In Paris, young American Power is in debt to nightclub owner Menjou who forces him to woo heiress Young in hopes of reaping her fortune. A young boy, Jack, is battling and undergoing treatment for cancer. A young girl helps Jack find his own unique, Yankee-filled fantasy. Jack travels through Yankee history from the past to the present with Henry as his guide.