路边新娘

洛基•巴尔博厄(è(😽) )(西尔维(🦊)斯特•(🛩)史(shǐ )泰(💰)龙 Sylvester Stallone 饰)战(zhàn )胜了世界冠军拳(🔬)(quán )王阿(🎿)波罗(luó(🐉) )，却很快(🍽)(kuài )花光(🐐)了比(bǐ )赛赢得(dé )的(🎊)奖金。为了养家(✈)糊口，他(🌵)尝试了(🚸)(le )很多的工(gōng )作，均未(📉)(wèi )成功。他再三(🌾)考(kǎo )虑(🤙)，决定(dì(🍷)ng )做回本(běn )行，重新(xīn )开始他(🎑)的(de )拳击(🖊)生涯(yá(🚉) )。 俄克拉(🥧)荷马出(chū )身的青年(nián )克劳(🧟)德（John Savage 饰(💄)）背(bè(🚉)i )井离乡(🌓)计(jì )划参军，机缘之下结识(🙃)了(le )四位(🚝)嬉皮(pí(🌀) )士朋友(🌫)乔(qiáo )治（Treat Williams 饰）、拉斐(fěi )、(💟)沃夫以(🚢)(yǐ )及珍(🏋)妮。他们(🎎)一(yī )起(💳)在街头(tóu )吸毒露宿(🙊)(xiǔ )，克劳德(dé )对(🏅)有钱(qiá(💽)n )人家的(🤨)小(xiǎo )姐席拉（Beverly D'Angelo 饰）(🈺)一(yī )见钟情，乔(🍒)治为使(🏫)(shǐ )两人(🤩)相见(jiàn )，带领几位朋友(yǒu )大(😵)闹席拉(🥂)(lā )家的(🚟)宴(yàn )会(🎴)，结果(guǒ )被投进监(jiān )狱，乔治(🏚)(zhì )得以(😠)保释后(🔼)四处(chù(⬇) )筹钱，狱(yù )中的朋友们则因(🛎)(yīn )不愿(🥁)剪去(qù(💜) )长发再(🤩)掀(xiān )波澜。五人出狱(yù )后参(🆎)加了(le )一(🌰)场反战(🥒)(zhàn )集会(🃏)，克劳德(🔓)与(yǔ )席拉擦出(chū )了(⭐)爱情的火花，但(💦)第二天(🎙)(tiān )，克劳(🍮)德(dé )就踏进了军营(🏍)准(zhǔn )备参加越(🈷)(yuè )战。席(🗂)拉与乔(🍋)治(zhì )等人驱车(chē )上千公里(🌭)(lǐ )探望(👾)克劳(lá(😥)o )德，在军(🐷)队出征(zhēng )的前夕，克劳德(dé(🏷) )与乔治(🤘)的(de )身份(🎥)发生(shē(📘)ng )了颠倒…… 三斗鹤观音》是(💯)著名导(🥉)(dǎo )演雷(♋)成功1978年(🌶)作品(pǐn ).等当红明(míng )星嘉凌(🕘)、金刚、雷成(🧝)功主(zhǔ(😷) )演的武(🤗)侠(xiá )电影。情(qíng )节刺(🔒)激紧张。 フラン(🎟)スの文(🔆)豪ヴィ(🏏)クトル・ユーゴーの名作(zuò )『レ(🗄)・ミゼ(🕒)ラブル(🧕)（ああ無情）』を、主(zhǔ(✍) )人公ジ(🎯)ャン・(🐦)バルジ(💷)ャンの軌跡を主軸にしつ(🍐)つスぺ(💛)シャル(🏍)TVアニメ(🌆)にしたもの。19世紀の初頭。貧(🐺)しい若(㊙)(ruò )者ジ(✨)ャン・(🎆)バルジャンは一切れのパ(🤨)ンを盗(dào )んだ(😊)だけで(✴)何年(niá(🤣)n )も暗い獄(yù )中に投(⚽)獄(yù )されてい(🦆)た。釈(shì(🏘) )放後、(🐰)なおも変わらぬ世(shì )の中(🍭)の理(lǐ(🍧) )不尽。や(⌛)さぐれ(😪)たジャンは聖職者(zhě )ミリ(🚡)エル司(⛳)教と出(🐭)会い、(📋)彼の教会(huì )から燭台(tái )を(🚬)盗む。だ(🎾)がミリ(🔬)エルは(🐶)ジャンの罪を認(rèn )めつつ(🚔)許(xǔ )し(🏅)、その(🐣)博愛に(🥣)触れたジャンは真(zhēn )人間(😬)として生きて(🐝)いくこ(🐄)とを誓(🤒)う。数年後、数奇(qí(🗓) )な人生の起伏(👔)を経(jī(🌐)ng )てマド(🔏)レーヌと名前を変(biàn )え、(📃)ついに(🥇)はある(💉)町の市(🐵)(shì )長とまでなったジャン(🏄)だが、(🔅)彼には(🤟)さらな(🏿)る運命(mìng )の嵐が待(dài )って(📠)いた。日(🌪)本生(shē(⛔)ng )命の提(💴)供による当時のスぺシャ(🕐)ルTV番組(🔁)路(lù )線(📗)「日生(🏩)(shēng )ファミリースペシャル(✈)」の一本とし(🚟)て放映(✋)された(🍌)作品。製(zhì )作は東映(🍸)(yìng )動画（現・(🥤)東映(yì(🥗)ng )アニメ(🎬)ーション）で、主人公ジ(🚹)ャンの(⛑)声優(yō(🦔)u )は名優(🧠)・小林昭(zhāo )二が担当(dāng )し(🔞)た。 Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit. Based upon Gurdjieff's book, Meetings with Remarkable Men is the story of his search through the Middle East and Central Asia for answers to the question of the meaning of life. The film, directed by Peter Brook, was made on location in the mountains and deserts of Afghanistan, and has been widely acclaimed for its unique visual beauty. A stunning adaptation to the screen. 广(guǎ(🎀)ng )东武术(💑)界名人(🦋)黄(huáng )麒英自儿(ér )子黄飞鸿(🎓)（成龙(🎽)(lóng )）小(🎒)时候(hò(🚾)u )起就严格(gé )训练其习(xí )武(🌄)，可惜黄(🛠)飞鸿(hó(😟)ng )少年时(⛵)代年轻气(qì )盛，经常(cháng )用三(👯)脚猫(māo )功夫在(➖)外(wài )惹(📂)事生非(🕥)，武学(xué )上一直无(wú(🗯) )大的长进。直到(🚯)(dào )某次(🤵)较量(lià(🎯)ng )中被人打(dǎ )得落花流水且(🏹)受(shòu )到(🍺)侮辱，黄(🎊)飞鸿才(🚾)(cái )发誓要(yào )拜苏乞儿(ér )（(👁)袁小田(🤡)(tián )）为(🙍)师好好(🌘)习武(wǔ )。 Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10.