自编(biān )自(🛫)导才子型(xí(🗄)ng )导演诺亚(yà )·鲍姆(🐌)巴赫(hè )正在纽约拍(⛴)(pāi )摄新片，达(🚯)斯汀·霍(huò )夫曼、(🅰)艾玛(mǎ )·汤(🦔)普森、亚当·桑德(🍷)勒、本·斯蒂勒等(🕓)人(rén )加盟。影(⏱)片(piàn )围绕纽约(yuē )一(🔩)个家人之(zhī(🐌) )间关系(🔨)冷漠(mò )的家(⛲)庭展开(kāi )。亚当·桑(🎂)德勒、本(bě(🧑)n )·斯蒂勒饰(shì )演一(🎿)对兄弟，艾玛(📴)·汤普(⤴)森则有(yǒu )可(🛒)能饰演一(yī )个酒鬼(📺)。这也是本·(💶)斯蒂勒第三(sān )次出(🍿)演鲍姆(mǔ )巴赫执导(😔)(dǎo )的影片。
“我(🎷)意志薄弱(ruò )，诱惑我(🥞)”
自编自导(dǎ(😑)o )才子型导演(yǎn )诺亚(🏄)·鲍姆(mǔ )巴赫正在(🐀)(zài )纽约拍摄(🧢)新(xīn )片，达斯汀(tīng )·(🗼)霍夫曼、艾(🌙)玛·汤(🧠)(tāng )普森、亚(🐚)当(dāng )·桑德勒、本(✨)·斯蒂勒等(⚪)人加盟(méng )。影片围绕(🤠)(rào )纽约一个家(jiā )人(🛥)之间关系冷(🚨)漠的家(jiā )庭展开。亚(🦋)(yà )当·桑德(⬛)勒(lè )、本·斯(sī )蒂(🎠)勒饰演一(yī )对兄弟(👼)，艾(ài )玛·汤(😴)普森(sēn )则有可能(né(🌛)ng )饰演一个酒(💩)(jiǔ )鬼。这(📴)也是(shì )本·(🎧)斯蒂勒第三次出(chū(🌭) )演鲍姆巴赫(😰)(hè )执导的影片(piàn )。
孩(🚬)与枪(qiāng )，那种(💪)被逼(bī(⏪) )出来的坚强(🚴)(qiáng )与尊严，看(kàn )得心(🔺)酸。这世上还(🔵)是(shì )有人要为性(xì(🗡)ng )别，要为土地拥有权(🌓)(quán )，为那不得(🔟)(dé )安生的规矩(jǔ )拼(🌉)命，太难。于是(🥝)这(zhè )题材，如今(jīn )仍(🏯)然觉得心(xīn )悸。内容(📵)(róng )本身有震(🥒)慑(shè )力，演员也(yě )有(🎭)魅力，但(dàn )确(🌇)实可以(👄)(yǐ )拍得更好(🈹)，让那些回顾(gù )更有(🅰)力量，也让叙(🛸)述(shù )可以更清晰(xī(🎒) )明了点。不(bú(🚆) )过导演(🐷)才(cái )起步，期(🕗)待(dài )下次。
A group of teenagers who take after their parents and join the stalker club during all this drama a mysterious person in a mask is coming after all of them
Pursued by a dangerous criminal after a failed theft, con artists Nina and Yaz get more than they bargained for when they target a seemingly innocent elderly widow.
An exploration of what happens when human curiosity and animal rage collide. This low-budget, high-concept thriller presents a different kind of antagonist, and the same well-meaning-but-doomed kids you love to cheer for as they meet their grisly ends.
Two women's anticipated suicide journey turned into a physical terror...
Amedeo Letizia is a twenty-year-old who at the end of the 1980s moves to Rome from Casal di Principe to pursue a career as an actor. He is just taking his first steps, between a photonovel and a part on the small screen in one of the most famous serials of those years, I ragazzi del muretto, when his younger brother, Paolo, is kidnapped by some men wearing hoods and vanishes from sight. Amedeo returns to the town of his birth, and right from the start this journey proves to be a descent into the hell of his past and the contradictions of his land. Since the investigation carried out by the carabinieri is getting nowhere, he decides to conduct his own search: he does it armed with a rifle and with the aid of his seventeen-year-old cousin Marco. The details of the disappearance emerge gradually over the course of the film, in which we see Amedeo roaming a territory that stretches from the countryside to the sea and includes a number of lakes, in a frantic search for his brother. He combs the area with Marco without knowing whether to look for a corpse or a place where Paolo is being held prisoner.