成龙历险记26

维斯康蒂压卷之作，也(yě )翻译作《无辜(gū )的人》，直(🚍)至(📂)(zhì(🈸) )其(💰)去世后(hòu )方才上映(🕧)。影(🌜)(yǐ(🎴)ng )片依然是他最(zuì )为心仪的贵族没落主题(tí )，由意大利(🙎)著(🛬)(zhe )名(🔡)影(♒)星(🤕)吉(💱)安(ān )尼尼领衔，扮演一位好(hǎo )色(sè )公爵，经常(cháng )在外(🅱)招(🌉)蜂(💩)引(🏟)(yǐn )蝶；不料后(hòu )来(⏱)(lá(📡)i )他(😛)得知妻子(zǐ )与人有染并(bìng )生下一子时(shí )，恼羞成怒，竟然(🚧)将(🏥)孩(💨)子(🌱)(zǐ(😈) )在寒风中冻(dòng )死(sǐ )。最为讽刺(cì )的是，他并不恼怒妻子(🍠)(zǐ(🏉) )与(🧒)人(🚳)私通，而(ér )是因为她(😷)的(🎙)情(🎫)(qíng )人并非贵(guì )族，而是贫苦(kǔ )作家！最后公(gōng )爵因放不(🌋)下(🤓)面(🏙)子(🐅)而(🤠)自(🐸)杀(shā )。豪华的美工(gōng )设计、还原(yuán )贵族生活的(de )奢华(🔀)摆(🧤)设(🎧)是(🔔)(shì )维(wéi )斯康提晚年(🍓)(niá(👉)n )创(📴)作中不可(kě )或缺的一环(huán )，出生于贵族(zú )世家而又对(duì(👝) )贵(🥫)族(📀)腐(➖)朽(🌶)陈(chén )旧(jiù )的生活方式(shì )进行唾弃批(pī )判，想彻底(dǐ )革(🤪)(gé(🏣) )新(🤧)而(👪)又无法(fǎ )割断世袭(🍎)的(🥖)高(🍯)雅文化格(gé )调，是维斯康(kāng )提一生所困扰(rǎo )的话题，也(🥟)是(🏕)他(🏝)电(🛢)影(🗾)主(📖)(zhǔ )要的创作方向(xiàng )。 In all likelihood, a one-off revival of Wakayama's 11 film GOKUDO (SCOUNDREL) series, which originally finish in 1974. 在梦里，约纳斯小姐(jiě )落在了一(📜)个(🕹)邪(🌸)(xié(💷) )教组织里。由于她的(🍆)思(🐀)(sī(😉) )想和生活都(dōu )是(shì )在荒淫的世(shì )界里，因此(cǐ )被处以斩(🎾)首(🈯)(shǒ(🔒)u )。但(🌕)是(Ⓜ)，她到(dào )了地狱之后(hòu )，被告知来(lái )早(zǎo )了3天，重又(yòu )被(🐩)遣(🚞)返(💨)回(👡)人(rén )间......然而，约(yuē )纳(🤐)斯(💷)小(🗒)姐感到(dào )无论在那里，都等于是(shì )在地狱里。 Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson. 拍摄过(♋)程(🥅) After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette. The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. 万(🚘)能(🥒)(né(🤹)ng )私(🏾)家侦探(tàn )社是一家连同(tóng )社长黄若思（许冠文）(🤶)在(🐱)内(🎊)只(♋)有三名(míng )工作人员(🔎)的(♊)(de )小(🍴)(xiǎo )侦探社，由(yóu )于生意不咸(xián )不淡，加上(shàng )黄(huáng )若思为人(🧙)小(🙈)(xiǎ(🦃)o )气(🙊)刻(🛏)薄，员(yuán )工河豚（许(xǔ )冠(guàn )英）和积琪(qí )（赵雅芝）(🕥)，尤(🌖)其(🤒)前(🎹)者(zhě )没(méi )少遭罪。原(🦓)(yuá(🤽)n )在(💇)汽水厂上(shàng )班的李国杰(jié )（许冠杰）因(yīn )工作偷懒(📿)被(⛵)老(🤙)板(🏸)解(🎥)雇(🌕)，一身好功夫的(de )他来到万能求(qiú )职，黄若(ruò )思起初不(👮)肯(🆗)雇(🕴)(gù(🏜) )用，随后见他(tā )的确(🍿)有(🤗)两(🔭)把刷子，应了(le )下来，薪水(shuǐ )自(zì )然苛刻。 乔(qiáo )·迪阿马托(tuō(🌹) )早(🥗)期(🥓)作(💪)品(🔉)。这(zhè )一个是与乔(qiáo )治·伊斯曼(màn )，是谁写的(de )电(diàn )影剧(😄)本(🔈)为(🍥)这(❗)(zhè )个称号导演(yǎn )开(🌌)始(🏟)工(📧)作的(de )第(dì )一个例子。故事讲述的(de )是无辜的孩(hái )子，谁是(🥧)害(🧕)怕(⬜)(pà(🥡) )性(🚻)生(🎃)活，所以他所有的(de )家人开始推他(tā )，叫女人说服(fú )他(🕡)。事(🔓)情(🚋)(qí(🕵)ng )到这里来精心(xīn )担(🐥)任(😅)猝(🏷)死的理(lǐ )念和成熟的倒行逆施。比较特别的(de )影(yǐng )片显示(💸)，但(🏂)(dà(👯)n )它(🛠)仍(🛬)然是一(yī )个黑色荒诞(dàn )喜(xǐ )剧与幽默的(de )意大利经典(🅱)(diǎ(🕌)n )Massachessi的(🤚)折(🕛)衷性的(de )看(kàn )法。难得(🍚)找(🙀)(zhǎ(⏱)o )到不起眼的(de )标题，但我(wǒ )们(men )推荐它为那(nà )些谁喜欢解决(❣)他(♎)们(🤪)心(📀)目(👫)(mù )中最疯狂的情(qíng )况和幻想。（ 文革电影(yǐng )在今天(⬜)看(🐈)来(📗)虽(🍠)(suī )然带有特定时(shí )代(➕)浓(👽)郁和鲜明的特征，但也正是这一(yī )点，使得在今时今日纷(🚀)(fē(🏽)n )繁(🤝)得(🤓)令(😕)人眼(yǎn )花(huā )缭乱的影坛(tán )中，依然可(kě )以记起这一(yī(🏢) )特(👙)(tè(🎚) )定(🚙)时期的产(chǎn )物，而它(🍻)们(🏄)(men )也(🕋)能给观众(zhòng )带(dài )来浓浓的怀(huái )旧思绪！本(běn )片便正是这(✖)(zhè(👀) )样(📂)(yà(💀)ng )一(🎓)部影片！