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阿(🕔)(ā(🧔) )桑（罗仲谦(➰)(qiān ) 饰）受雇于好友特伦(🚶)斯，表面看来(⛱)，阿(🗂)(ā )桑对特伦(👅)斯(sī )忠心耿耿(😎)，然而内心里(lǐ )，阿桑一直(👮)爱慕着好友(📮)的(🦀)妻子朱莉安(🕷)娜(nà )（曾佩瑜(🛐) 饰(shì )），并(🏏)且在(zài )机缘(🕐)巧(🦕)合之(zhī )下获(🔖)得了同她共处(📶)一室亲密接触的机会(huì(🏎) )，谁知到隔(gé(🧛) )天(💔)就被朱莉(lì(🧙) )安娜出卖。 初出(🏏)茅庐的少(⚡)年车手叶飞为(🚴)追求卓越的(🍳)(de )车技战胜同(tó(😃)ng )为车手的父(fù )亲而苦心(🐤)练习，机缘巧(♊)合(🐮)结识了十年(🐍)前(qián )的车王张(💳)兆(zhào )峰，传(🤵)说十(shí )年前，车(🥎)王(wáng )张兆峰(🔗)在(🈁)一场比赛中(⬛)被劲敌故意撞(📸)瞎双(shuāng )眼(☔)，从此隐(yǐn )退(🗨)赛(🈴)车界。叶飞用(👙)自己(jǐ )的坚持(🌗)和信念成功拜得张兆峰(📈)为师，却(què )发(💭)现(🛍)自己的(de )父亲(🛠)正是当(dāng )年撞(🚀)瞎张兆(zhà(🧓)o )峰的车手，而过(🧗)几天，双目失(🔅)明的张兆(zhào )峰(🦓)与叶飞父(fù )亲之间还有(🐽)(yǒu )一场十年(✨)之(🍇)约的赛车对(🍚)初出茅庐的少(👓)年(nián )车手(🌇)叶飞为(wéi )追求(🍪)卓越的(de )车技(💲)战(🛸)胜同(tóng )为车(🎿)手的父亲而苦(🏠)心练习，机(🏂)缘巧合结(jié(🎡) )识(⛺)了十年前(qiá(🥡)n )的车王张兆(zhà(✌)o )峰，传说十(shí )年前，车王张(🥂)兆峰在一场(🆎)比(🎁)赛中被劲敌(🏤)(dí )故意撞瞎双(🎪)(shuāng )眼，从此(🧞)隐(yǐn )退赛车界(🔼)。叶飞用自己(🚒)的坚持和信念(🍊)成功拜得张兆(zhào )峰为师(🤮)，却(què )发现自(🐱)己(👐)的(de )父亲正是(🦂)当年撞瞎张兆(🛺)峰的车手(🔩)，而过几天，双目(🕘)(mù )失明的张(🙉)兆(😂)(zhào )峰与叶飞(🙂)父(fù )亲之间还(🆙)有一场十(😙)年之约的赛(💑)车(🔓)对决，一边是(⛎)亲生(shēng )父亲一(⛩)边是(shì )失明师傅，叶飞该(⛳)如何化解这(🐆)场(🕰)危机……由(💅) 2013年6月8日(rì )・9日(🐳)開催の「(🎿)オトメイトパ(⛷)ーティー 2013」(🐎)にて、ゲーム(🚚)の続編とアニメ化が発(🛃)表された。 The professional and personal life of a sexual surrogate begins to unravel when she starts working with a new client. バ(😃)レ(🐆)ンタインデ(➰)ーが间近に迫(📊)ったある(🆓)日のこと。帰宅(👙)した絵麻の(🍔)手(⛹)には、きれ(🍳)いにラッピングされた(💻)小箱があっ(🌏)た(✂)。それが「谁(🚟)かに赠られる(🌛)チョコレート」だと察(📺)し、浮き足(🆒)立(🌽)つ兄弟たち(🍈)。そんななか、(🛷)弥が「仆(🎲)(pú )は逆チョコ(🤯)をあげる！」(☝)と兄たちの前(🚫)で宣言して!? It's been a year since the Dogman terrorized this Midwestern community and nearly killed Hank Purvis. But now, things seem to have settled down. Everyone has gotten back to their routine. Hank still enjoys the outdoors and loves to hunt. He and his wife, Dorothy, continue to live on their family farm in the rural Midwest. The picturesque autumn woodlands are a wonderful place to be. But things are not well. Unseen in the nearby forest, are a litter of grown Dogman pups, embarking on their terrifying destiny, and standing over seven feet tall. They are a bad batch. They have to be stopped. Madame Tussauds will disagree, but some folks believe that having a wax figure made out of yourself before you die is bad luck, a notion that is explored in Hong Hoon (ห้องห(🌵)ุ่น, a.k.a. Crack My Skin). Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don't want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there's a change in the prison's rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy ... In her feature film debut Tinatin Kajrishvili depicts the daily routine of life in prison with strong images, the camera staying close to her protagonists. Patardzlebi is a dark film about human dignity and the repressive judicial system in Georgia. (Berlinale 2014) Phoobao Thai Baan Isaan Indy (ผ(🖍)ู(🌞)้บ่าว(🛁)ไทบ้าน(😇) อีสา(🌲)นอินดี(🙄)้) – This Northeastern rural comedy-romance actually opened a couple weeks ago, but mainly only in upcountry cinemas. It was a phenomenon, with locals flocking to see it and earning enough at the box offices that Bangkok multiplex operators decided they wanted a piece of the action. Uten Sririvi, who sold a family rice field to fund the film, directs this tale of a young man (Thanachat Tulyachat) who wants to be a filmmaker but has put his dreams on hold until his sweetheart returns from overseas. She comes back, but has her British boyfriend in tow. There's more about it in The Nation. It's in the Isaan dialect with central Thai subtitles – no English. Rated G Seamstress Nutsa marries Goga, the father of her children. The ceremony is brief – both of them just give their signature and then she has to leave. Goga is in prison, where he will remain for another six years. By marrying him, Nutsa gains the right to talk to Goga once a month on the other side of the glass. Her children don't want to accompany her on her next visit: their father has become a stranger to them. One day at work, Nutsa meets another man. They have a conversation and later the man pays her a visit. At that moment, Goga phones with news that there's a change in the prison's rules: married inmates are now allowed to have their spouses stay overnight. Nutsa puts on the dress she wore on their first date. But Nutsa and Goga feel awkward with this sudden intimacy ... In her feature film debut Tinatin Kajrishvili depicts the daily routine of life in prison with strong images, the camera staying close to her protagonists. Patardzlebi is a dark film about human dignity and the repressive judicial system in Georgia. (Berlinale 2014)