普罗米修斯2

玛莎嫁到了(le )一个村落, 这村落(🧘)(luò )是信(🗃)仰宗教(🗣)的(de )赫(hè(🏋) )梯(tī )人, 对於(🔚)玛莎这(🌘)位非教(🙄)徒充满(🚱)排(pái )斥(👿)(chì )。 她因为遇到重大的悲痛(🎫)事件, 邀(🎒)(yāo )请(qǐ(📑)ng )她的两(😞)位女(nǚ )性(xìng )朋(péng )友们，从洛杉矶过来度假(🤩)陪伴(bà(🦕)n )，但(dàn )三(👜)人不约(👉)而同变成了(😰)被谋害(👲)的(de )靶(bǎ(🤤) )子.魔鬼(🍟)的来临(lín )使(shǐ )得村落中阴风阵阵(🏋), 惊悚刺(🦖)骨. 打(dǎ(🚳) )倒(dǎo )“四(🔅)人帮”后的第二个春天，某(mǒu )市(shì )虹(🙌)(hóng )光气(🏏)轮电机(🐐)厂(chǎng )是(🥜)个在十年动(😨)乱(luàn )中(🐛)受到严(💦)重破(pò(😤) )坏(huài )濒(📩)(bīn )临瘫痪的企业，无人意当(⏰)厂长(zhǎ(⛹)ng )去(qù )整(😢)(zhěng )顿那(🍃)个烂摊子。共产党员乔光(guāng )朴(pǔ )在那个电(🍼)机(jī )厂(🕚)(chǎng )蹲(dū(😑)n )过牛棚(🖇)、挨过批斗(⌚)、受过(🔽)屈辱(rǔ(📎) )，他(tā )挺(🐄)身而出，去虹光电机厂再当(dāng )厂(chǎ(🏅)ng )长。电机(🌏)厂前(qiá(💎)n )党(dǎng )委(🛺)书记石敢被乔光朴的革命热(rè )情(🔒)(qíng )打(dǎ(🈁) )动，和老(😷)乔并肩(👇)战斗。“工业(yè(🤯) )战(zhàn )线(⚪)(xiàn )上的(🚓)政治导(👭)演(yǎn )”冀(👟)申妄图搞垮(kuǎ )电机厂，与乔(🎋)(qiáo )厂(chǎ(⏩)ng )长(zhǎng )作(📗)对。乔光(💄)朴面对困难毫不退(tuì )缩(suō )，整顿劳动纪律(😏)、恢复(🧖)管理秩(😬)序(xù )。经(🙏)过一年的大(🎯)(dà )力(lì(🎸) )整顿，终(🏿)于使电(💌)机厂起死回生(shēng )，成(chéng )了工业战线(🌥)上整顿(😦)改革的(📔)先进(jì(🌄)n )单(dān )位。 1930年代，一(yī )列(liè )北上的囚车(🏘)上跳下(💴)了回乡(📷)复仇(chó(🚙)u )的(de )仇(chóu )虎（(🔴)杨在葆(🖨) 饰）。当(♓)回到家(🕸)乡(xiāng )，才(🏉)(cái )知仇人焦阎王(wáng )几年前(🚏)已死，而(⏱)(ér )曾经(🏅)的未婚(🏓)妻(qī )金(jīn )子(zǐ )（刘晓庆 饰）已成了仇人(🚶)家的(de )儿(⬅)(ér )媳(xí(🈸) )妇。仇虎(👾)爱恨(🏾)交加，不(🛡)知如何(🦓)(hé )是(shì(👇) )好。而金(🤸)子在(zài )焦(jiāo )家并没有应得的地位(😖)，瞎眼婆(🐥)(pó )婆(pó(🦒) )对(duì )她(🛡)非打既骂，丈夫焦大星则站(zhàn )在(zà(🥝)i )母(mǔ )亲(🔭)一边，仇(📊)虎(hǔ )知(🐝)道详情后，有(🎟)意帮金(🤼)子脱离(🗨)(lí )苦(kǔ(🕍) )海(hǎi )。焦(🌯)母发现端倪后，加紧了对(duì(👨) )金(jīn )子(🍔)(zǐ )的看(💍)管。终于(🏔)有一天，在金子(zǐ )房中遇见仇虎(hǔ )，而(ér )不(📲)知就里(🥄)的焦大(😲)星则把(🎶)仇虎(🐤)当(dāng )兄(🌟)(xiōng )弟(dì(🎹) )。焦母差(🚂)人叫来(🚣)民团抓人，情(qíng )急(jí )中仇虎杀死了(📔)(le )焦(jiāo )大(🙇)星，带金(🍕)子逃入(😿)森林，焦母(mǔ )则(zé )错(cuò )杀了睡在炕(🤸)上的孙(🚒)子。逃跑(🍭)路(lù )上(🚃)(shàng )，仇虎为掩(💸)护金(jī(🐰)n )子自杀(🍤)身亡...... 北(🛏)陸の海(✈)沿いのある町(dīng )。実業家で(🌂)町の実(🎤)力者で(👑)もある(💈)旧(jiù )家、宇島家の主人、理一郎は、あ(⚡)る朝、(♑)海(hǎi )辺(☕)(fǎn )でず(😯)ぶ濡(🚗)れにな(🐇)って倒(🛶)れてい(😸)る気(qì(🕷) )憶(yì )を失った女を助けた。このひ(🎹)とりの(🤯)不思議(🥌)な女(nǚ(🎎) )を迎え、宇島家の人々の心は様(🔯)(yàng )々に(🕳)揺れる(🕉)。一人娘(🐒)の伊代も少(🧦)(shǎo )女(nǚ(😷) )らしい(🦕)とまど(🚷)いと興(🧢)味を抱いた。女手ひとつで(🐺)この家(🍲)を守っ(🙊)てきた(🌯)祖母の図世(shì )は、息子の嫁を早く失っ(🍅)たこと(🏇)もあり(🙆)、女を(🍒)家(jiā(🕹) )に置(zhì(🛁) )こうと(🍰)する理(🎐)一郎に(⏪)異議を唱(chàng )えず彼女を看病する(♓)。理一郎(🌚)は次(cì(🙁) )第(dì )に(🚚)女に魅せられていき、伊代は幼(🏎)い頃の(📓)母の記(⏬)(jì )憶(yì(👝) )に胸を痛め(🐿)ながら(🙃)、大人(📦)たちの(🌅)成(chéng )り行きを見守(shǒu )る。ある日、(🧦)理一郎(🐧)の亡妻(💙)の弟(dì(🈵) )、伊代の叔父にあたる征夫が都(dōu )会(huì(⛓) )の生活(🏙)を捨て(✨)て、こ(📲)の町(😴)に帰っ(⭐)てきた(✨)。征夫(fū(👦) )は理(lǐ(🔚) )一郎に仕事の世話をしてもらっ(🏰)ていた(🌵)が女を(🔈)家にとじこめる理(lǐ )一(yī )郎に批判的で(⏭)、やが(👴)て二人(🎂)は対立(📵)する。征夫(fū(㊗) )は姉(zǐ(🎉) )と理一(📫)郎の結婚に深い傷痕を残(cán )していたの(📢)だ。だが(👨)、征夫(🏦)は家を(🥖)守る男の自(zì )信(xìn )と尊厳のある理一郎(🦄)にかな(🔋)うはず(🙉)もなく、思(🌷)いを寄(💳)せるさ(✔)ちこと(🗞)別れ、(🍍)ひとり町(dīng )を去っていく。しばら(📼)くして(📡)、女(nǚ(🕉) )に気億が蘇った。心中したが、男(nán )だけ(🕓)死に、(😒)自(zì )分(🙌)(fèn )は生(🔼)き残ってし(☝)まった(🎩)。理一(yī(🔌) )郎(láng )の望み通り、この家に留るには辛(💰)(xīn )すぎ(🚶)る気憶(📹)。だが、(🍦)理一郎の女に対する感情(qíng )は極(jí )まっ(🥦)ていた(🍰)。謎の女(😗)の出現で、(🐈)大(dà )人(🍇)たちの(🏢)未知な(🤤)る世界(🗺)に直面(miàn )した伊代は、幼(yòu )い体(🐦)に宿る(📦)激しい(🔱)感受性ゆえに、父(fù )や女に殺意も覚え(😄)るのだ(🗨)った。 In his Scottish New Town home, gangling Gregory and his school-friends are starting to find out about girls. He fancies Dorothy, not least because she has got into the football team - and is a better player than him. He finally asks her out, but it is obviously the females in control of matters here, and that very much includes Gregory's younger sister. A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists. King Leontes of Bohemia suspects his wife, Hermione, and his friend, Polixenes, of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events that lead to death, a ferocious bear, an infant left in the snow, young love, and a statue coming to life. 在(📻)虚妄同(🏙)学会(huì )的(de )表(❣)象下，她(🦋)们有着(🧘)憧憬爱情缠(chán )绵(mián )的(de )悸动……風祭ゆき(📉) 扮演友(🕧)田太(tà(✖)i )太(tài )朝(🛑)(cháo )子 Ballet star Woo Yeon-jeong becomes a movie star, but she gives up acting when she falls in love with Min Hyeon-jun. She learns that she has bone cancer on the same day that she learns that she is pregnant and her lover proposes marriage. The Survivor is a 1981 movie starring Robert Powell and Jenny Agutter, based on a novel of the same name by James Herbert.