The island of Ambon in Indonesia, 1945. During the War, the number of Australian POWs on the island had dropped from 1100 to less than 300 due to abuses by their Japanese captors. Capt. Cooper is the chief prosecutor. In a mass grave, the bodies of 300 executed servicemen have been unearthed. Cooper assumes that the massacre was ordered by Baron Takahashi, Japanese commander on Ambon. But the one potential witness has gone mad and is due to be shipped back to Australia. No captured airmen were found alive on the island at all, not even the four-man crew of a reconnaissance plane shot down late in the War. Takahashi is returned to the island in the custody of an American officer, Maj. Beckett. But there is little evidence with which to prosecute the Baron. Cooper thinks he could make a case for the missing airmen if only their bodies could be located. And why does Maj. Beckett appear interested in not seeing Takahashi convicted? Cooper gets a break when Lt. Tanaka, a communications officer and a Christian, surrenders himself...
Shiva is blessed with magical powers of charming snakes. When he meets Paro from a nearby village, he falls head-over-heels in love with her. She is also attracted to him. But Paro's dad, Choudhry Charanjit Singh with not pleased with this match, and he hires men to subdue and kill Shiva, all in vain. Then Shiva attempts to resuce Paro from a shape-changing snake, and this earns him the wrath of his mate - another shape-changing snake, who will not rest until Shiva is dead.
1986～88年(👯)に「月(yuè )刊ASUKA」(📵)誌(zhì )上で(🤙)連載された江口寿史(🧛)のギャグ(🤴)短(🦀)編(biān )『江口寿史の(😻)な(🔄)んとかな(🚍)るでショ! 』のOVA版。オカ(👥)マ(🏮)の双子が過(guò )去の(🎦)悪(🏌)行を告白(🌛)(bái )する「トーマス兄(🧖)弟」、根(🕤)暗(🥠)な少(shǎo )年を主人公(gō(🐡)ng )にした「地(dì )獄少年(🌙)・うしみ(🔝)つ(😵)くん」、『エルム(🏺)街(🌎)(jiē )の悪夢(🐑)』と『愛と誠』のパ(🔤)ロ(👳)ディ「(✡)ジャミラおぢ(🔼)さんの悪(🥎)夢(mèng )」ほかのオムニ(🥞)バス作(zuò(🚕) )品(🌆)を、アニメや実写(🌴)、(🔳)特撮など(⛑)多彩な手法で映像化(😺)し(⛴)ている。監督は『地(📬)球(🐄)防衛少(shǎ(🎱)o )女イコちゃん』『い(📽)かレスラ(🏓)ー(🛸)』で知(zhī )られる河崎(🈳)(qí )実、演出・絵コン(📲)テは『銀(♐)河(🧤)鉄道(dào )999』『メトロ(⛷)ポ(🌿)リス』の(🌊)りんたろうが担(dān )当(😙)す(👹)るほか(🧞)、もりやまゆ(🛬)うじ、平(🖥)(píng )田敏夫、庵(ān )野秀(🐝)(xiù )明など(🥋)名(🤭)だたるクリエータ(⚪)ー(🈁)が参(cān )加(🕘)。また、収録作のひと(🥠)つ(🌠)である『ゴジラ』(🌦)と(🤙)梅宮辰夫(🤛)の『くいしん坊(fāng )!万(🎿)才(cái )』の(👆)パ(🌷)ロディ「圧縮」には(🐠)、江口(kǒu )本人も登場(🏩)(chǎng )してい(👖)る(🍅)。
「週刊漫画(huà )アク(🈲)シ(🏆)ョン」で(🚯)連載された柳沢きみ(🐎)お(💰)の同題(🚧)TV業界(jiè )コミッ(📺)クを約50分(💪)のOVA化。主人公の美(měi )人(🙌)アナウン(✊)サ(🔘)ー畑和世(shì )の役(yì(🖤) )を(🛡)、1987年にTBSに(♋)入社したキャスター(🍑)の(🕛)長峰由紀が演じて(😷)い(🕗)ることが(👳)話題に。
阿文，阿东，和阿(🛢)顺在(zài )舢(👃)板(🧙)(bǎn )上听到(dào )边防(fáng )军(🔅)喊话，要(yào )靠近搜查，需(⬆)要他们关(✒)(guā(🍃)n )掉引擎，他(tā )们反而(😤)加(😣)足(zú )马力(🏄)逃走，双方(fāng )开火，他们(⏱)(men )不(📄)敌边防(🔐)军(jun1 )的火力强劲(🎡)(jìn )，阿东和(😿)阿(ā )顺中弹死亡(wáng )落(🏑)入湖中，阿(⛏)文(🌉)看到如(rú )此情(qíng )况(🎆)，心(🎲)(xīn )焚如(rú(🌪) )火，眼看舢(shān )板即将与(🚗)礁(🦒)(jiāo )石相撞，阿(ā )文纵(🎒)身(🎒)一跃，跳入(🌟)海中.....
由阿布尔导演，程(🚅)中编剧的(👸)一部彩色故(gù )事片(piàn )。 电(🎞)影(yǐng )由吕(lǚ )毅，马世祥(🔯)(xiáng )， 陈怡， 杨(🛫)(yá(🧠)ng )秋怡 ，丁勇(yǒng )岱主演(♑)。故(🛡)(gù )事讲述(🍥)了1936年(nián )秋，内蒙古(gǔ )西(🎣)部(🧒)(bù )归绥地(dì )区，侵华日(⏲)军向(xiàng )国(⬆)民党驻守(shǒu )的马家铺(🖤)一(yī )带大(🚮)举(🏝)进攻(gōng )。国民党某(mǒ(🖱)u )部(🦎)四连的士(shì )兵与(yǔ )日军进(jìn )行(🛤)了(🎺)(le )一场殊死战(zhàn )斗，由(⛴)于(😯)兵(bīng )力相(💪)差悬殊(shū )，全军覆没。
影(💕)片讲述向(🍖)东（吴宇森）、向明（(🕦)尹扬明）两个兄弟(dì(🕘) )偷渡到(dà(📗)o )港(🐼)、闯荡新世界(jiè )的(📈)经(🖼)历。没(méi )有(🎚)更多成长(zhǎng )体验的观(🍲)众(⬜)(zhòng )对影片的灰(huī )暗基(❓)调和伤(shā(🚮)ng )感主(zhǔ )题可能(néng )不感(🆘)(gǎn )兴趣，片(🕦)中(🦋)(zhōng )有关内地生(shēng )活(🐖)的(🖊)冷酷描(miáo )写也没有任(rèn )何“观赏(🙎)性(♑)(xìng )”可言，作(zuò )为一(yī(💰) )部(🍙)香港(gǎng )电(🏙)影(yǐng )，她显得极(jí )度不(🕺)正(💗)常，但2004年(🍐)读到这(zhè )部拍摄于1990年电(👲)影，我们分明嗅到了史(🕺)诗的味道(🐟)。编(🎶)剧南燕，由《监(jiān )狱风(⏪)云(🤧)(yún )》到(dào )《学(🎩)校风云(yún )》，所走的(de )正是(🌩)从(🈵)商业(yè )中逃离的路(lù(😖) )线，《勇闯(chuǎ(♑)ng )天下》第一(yī )次把(bǎ )视(🕊)野放(fàng )到(🍏)港(🎂)(gǎng )外，环境对(duì )人的(⏩)压(🛴)迫力(lì )更加沉重，因为表达相(xià(🔸)ng )对(🥤)自由，对(duì )陈旧体制(❤)的(😊)(de )批判(pàn )反(🍉)比内(nèi )地历(lì )史事件(🍇)亲(🔞)历(lì )者(🚿)在统治阶(jiē )层容许范围(🐋)(wéi )内做出的反省更具(📴)力度，灰色(✈)的(🍪)北京，作为压在心头(🚿)的(➕)影像，可以(🦓)(yǐ )将《东(dōng )宫西(xī )宫》、(🥇)《蓝(🤰)(lán )宇》比下去(qù )，仅仅因(🐑)为(wéi )这个(🖐)，本片(piàn )就非看不可(kě(🉑) )，何况还有(➿)(yǒ(😡)u )英雄(xióng )导演吴(wú )宇森(🚻)(sēn )？在《英雄(xióng )本色》、《辣手神探(😋)》中(🤤)，我们总(zǒng )是嫌他戏(💯)份(⚫)(fèn )太少，这(😬)回(huí )不必(bì )失望了(le )。
Three short stories come to the screen, each focused on a man and a woman. The first is set in the 1940s, the other two in the 1920s. In "The Man in a Brooks Brothers Suit," a businessman of about 40 plies a younger Leftist women with liquor aboard a train. They spend the night together, and he decides he's in love with her. She plays along. In "Dusk Before Fireworks," Kit, a youthful flapper, arrives at Hoby's classy flat intent on an evening of passion. A constantly ringing telephone interrupts each embrace. In "Hills Like White Elephants," a couple traveling in Spain discuss her pregnancy: he wants things to stay as they are, she sees that notion as a fiction. Written by {jhailey@hotmail.com}
由(👁)(yó(♍)u )阿布尔(💘)导演(yǎn )，程中编剧(jù )的一(🦂)部彩色(sè )故事片。 电(dià(🎿)n )影由吕毅(🍩)，马(🚋)世祥， 陈怡， 杨秋怡 ，丁(🔸)勇(🚷)岱主演。故(👗)事(shì )讲述了(le )1936年秋(qiū )，内(❇)蒙(👆)古西(xī )部归绥地区(qū(🎎) )，侵华日军(🐾)(jun1 )向国民党驻(zhù )守的马(💜)家铺(pù )一(⚪)带(⛄)大举进(jìn )攻。国民党(dǎ(㊙)ng )某部(bù )四连的士兵(bīng )与日军进(🥧)行(🧕)(háng )了一场殊死(sǐ )战(🍜)斗(🧀)，由于(yú )兵(🈵)力相差悬(xuán )殊，全军覆(➰)(fù(🐢) )没。
Van Morrison and guests captured live in concert at the Beacon Theatre in New York City on 30th November 1989.