第十六个夏天

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of sixteen years leaves her for a younger woman. “Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption. Young aristocrat Arnaud de Maule hires female private detective Claude Alphand to investigate a strange cult, the Church of the Final Revival, that tried to recruit his girlfriend Chloé(🚺), who then disappeared, and it now stalks him. 三对(😓)夫妻(qī )或情侣组(😻)成的相(xiàng )近或(🥡)交叉(🍺)的浪(làng )漫故事。 《風(🚁)流(liú(❎) )斷(duàn )劍小(🛎)小刀》由張徹的愛將狄(🏹)龍(ló(🕍)ng )、傅聲攜(🦃)手(shǒu )合作，集合了當时(🚆)(shí )兩(🛸)大武俠巨(jù )星，延(📵)續兩(liǎng )人(rén )俠(📫)骨(gǔ(😎) )仁風的硬朗(lǎng )形(🌋)象。故事描(👩)(miáo )寫(🥇)大(dà(🎖) )俠段長青（狄龍(🎨)）在(🐍)一小(xiǎo )鎮(🥍)得(dé )遇名妓柳銀(yín )絮(🐏)（施(⛓)思），柳懇(kěn )求段殺死現(xiàn )以「(🍤)神醫(🌗)」為(wéi )名的黑道(🆒)高手郭(guō )天勝(🐻)（谷(🀄)峰），為其未婚夫(🤮)報(bà(👊)o )仇。段聯同(🍴)鎮(zhèn )內賭坊護衛高門(✊)(mén )（(🏪)傅聲）殺(🥙)入(rù )郭家，正邪兩派惡(🤾)(è )鬥(🐂)連場。此(cǐ )片有別(😣)於一般武俠(xiá(🥅) )故事(☔)，並非(fēi )只以武鬥(⏮)場(chǎng )面(mià(🎡)n )為中(🐗)(zhōng )心(🛰)，末段還(hái )加插了(🌃)柳銀(🎾)絮(xù )情歸(🐫)(guī )何處，淡然(rán )帶出英(🕸)雄舔(🙌)血(xuè )生涯(yá )的情感一面(miàn )……(📋) 阿平(🎄)从上(shàng )中学(xué )的(➿)时候起就(jiù )希(😌)望能(🥉)够做明(míng )星，毕业(👌)后却(❎)始(shǐ )终在(🥃)片场做临(lín )时演员(临(😀)记）(🔴)。后来武侠(🔦)片流(liú )行，他又一心学(🏫)(xué )武(🔪)(wǔ )艺做龙虎武(wǔ(🙎) )师，受尽艰苦、(➖)终(zhō(🧗)ng )于有导演看(kàn )起(🚆)了他，让(rà(🙏)ng )他担(🤙)任(rè(📝)n )重要的角色(sè )，但(🚕)对女(😊)朋(péng )友(yǒ(💐)u )渐渐(jiàn )疏远。一次(cì )他(👷)见到(🐝)制片欺(qī )骗自(zì )己的女友，由此(🍿)发现(🧙)女友(yǒu )的善(shàn )良(♒)与纯洁，于是开(⛽)始向(🔏)女(nǚ )友求(qiú )婚、(🗽)并拼(🐊)命(mìng )钱什(🕕)么角色都(dōu )干。有次他(🧢)朋友(🗜)(yǒu )骗他去(🔘)做临时(shí )演员(临记）(🏪)，谁(shuí(🐙) )知是黑帮械斗(dò(📃)u )场面，凭着武艺(🗒)功(gō(🍜)ng )底杀出重围(wéi )受(🌓)了伤倒在(🤸)一堆(🤶)猪(zhū )的内脏堆里(lǐ )，还(🐞)以为(🈵)自(zì )己是(🌾)肠(cháng )穿肚晕倒。最后因(🔃)祸得(🙇)福(fú )、当(dāng )上真正的龙(lóng )虎武(🔢)师了(📐) A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of sixteen years leaves her for a younger woman. 本片(piàn )是以(yǐ )喜(🎓)剧的方式(shì )来(🏀)拍摄(🥄)吸血僵(jiāng )尸卓(zhuó(➿) )古拉(🎓)伯爵。描述(🕞)卓古拉从(cóng )所住(zhù )的(🚻)古堡(🛋)里被(bèi )逼(🌲)搬迁，遂与(yǔ )仆人前往(🗻)纽约(💙)找(zhǎo )寻心上人仙(🐺)蒂(dì )，二人在迪(🚱)斯科(💌)(kē )舞厅一舞定情(🍛)(qíng )，仙蒂后(🔖)来更(✨)自愿(yuàn )让卓古拉咬(yǎ(🙋)o )她一(🎧)口，以便变(💽)作(zuò )吸血僵尸双(shuāng )宿(🤖)双飞(🙄)。导(dǎo )演斯坦(tǎn )·瑞格帝的(de )处理(⛷)流畅(👲)而惹(rě )笑，乔治．(🌡)汉弥(mí )顿(🔴)演得(⛏)生动(😬)活(huó )泼，理查德·(🗓)班(bā(🈲)n )杰明扮演(🏌)卓古(gǔ )拉的(de )医生情敌(🍘)亦(yì(🌫) )表现不俗。