喜剧电影

L'un des premiers chefs d'oeuvre du ré(🏠)alisme ciné(🌃)matographique. Il s'agit là(🔑) de la première version de l'oeuvre de Zola. L'originalité du film tient à sa longueur (107 mn) tout à fait inhabituelle pour cette époque ainsi qu'au tournage en extérieur, sur la fosse 5 d'Auchel. A young woman named Suwanna is the object of affection for many men. In her search for true love, she has many adventures and mishaps, including overcoming her father's disapproval, before finally finding her soul-mate. Miss Suwanna of Siam, or Nang Sao Suwan, was one of first feature films to be made in Thailand, and was the first Hollywood co-production in Thailand. The Wicked Darling is a 1919 drama film directed by Tod Browning. The film was considered to be lost, until a copy was found in Europe in the 1990s. The copy now resides in the Nederlands Filmmuseum На берегу реки Сочи немая та(😇)н(🔴)цовщица Гизелла знакомит(🔇)с(🛍)я(🐾) с(🕞) В(Ⓜ)и(🔎)к(😔)т(🚦)о(😫)р(🌀)о(📼)м и влюбляется в него. Кажется, что Ви(🏕)к(🌨)тор отвечает ей взаимнос(👂)т(🏌)ь(🐠)ю(🚄), н(🐁)о(🍽) в(♈)с(🎞)к(🔴)о(🍝)р(💑)е танцовщица обнаруживает его с дру(🤜)гой. Увидев Гизеллу в роли у(🦔)м(🤒)и(🎫)р(🎾)а(🍫)ю(👂)щ(😾)е(⏱)г(🕴)о(👟) л(❇)ебедя, в нее влюбляется (?)художник Гл(😧)и(⚾)нский, стремящийся изобра(🐪)з(📂)и(🍢)т(😣)ь(🛶) в(🥇) к(👷)а(🕍)р(🆕)т(🔢)ине смерть, и использует танцовщицу(🔐) для осуществления своего(➡) з(🌛)а(🗓)м(🎆)ы(🗺)с(🚱)л(🕚)а(🌚). For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence. This film comes from the Schloss Archive of His Highness, Herr Graf Ferdinand von Galitzien: