你妈妈也一样

一名被毁容的偏执(zhí )狂向(🌽)造(zào )成(➰)(chéng )他(🐻)生(🕜)活(🤶)困境(🤕)的(🙋)人展(📶)(zhǎn )开连串(chuàn )报复，期间得到一位(wèi )盲(máng )眼女(💗)钢琴家(😻)的好心(🔽)(xī(🐑)n )照顾(🦑)，他(💘)(tā )不(🕔)惜为她偷盗抢劫(jié )，成为(wéi )一个疯狂的杀人犯。 The film's use of color was a landmark breakthrough. It was a process different and superior to technicolor. We can do it today in say, Kodacolor, and "The Red Shoes" did indeed quite approximate it but good as that was, it did not equal SF, School-going Chandrabhan lives a poor lifestyle with his widowed mom in a small town in India, and has a childhood sweetheart named Lata, who is the daughter of the wealthy Deputy. Chandrabhan is heartbroken when Lata leaves town, and he has only a time-piece left with him as a token of their friendship. Years later, Chandrabhan has grown up, and has found employment in a guitar and musical instrument repair shop run by the owner and his friend, Prakash. Chandrabhan, a frequent reader of poetry, is fascinated by the poems of Renuka Devi, and longs to meet her. He does get to meet her, only to find out that the woman in reality is her friend, Basanti, who was impersonating her, as she had fallen in love with him, though he has no similar feelings for her. He does get to meet Renuka Devi, and is pleasantly surprised when he finds out that she is none other than Lata herself. Before Chandrabhan could plan anything else, he finds out that Prakash is getting engaged to Lata; Prakash's mother hates him; and he decides to return home along with his ailing mom. The question remains will Lata and Chandrabhan be re-united in this lifetime? 曾在(💥)西班牙(⏯)杀过人(🏒)的(💑)水手(🏐)Michael O'Hara（奥(ào )逊·威尔斯 Orson Welles 饰）回(huí )到了纽(niǔ )约(yuē )，一天夜(💥)里他在(🎅)路(lù(🥎) )上(💒)救(🦁)了(le )遭(🔣)到打劫的美女Elsa（丽(lì )塔(tǎ )·海华斯 Rita Hayworth 饰），于(yú )是Elsa让(💗)她(tā )的(❄)(de )丈夫，律(⛳)师(🤓)Arthur Bannister（埃(🏄)弗(🌰)(fú )雷(🖖)特·斯(sī )隆 Everett Sloane 饰）找到Michael，让他(tā )来船上(shàng )当水手。Bannister一家(🎉)刚从上(🥢)(shà(🏈)ng )海(hǎ(🔤)i )回(🛬)到纽(🐕)约，正要坐(zuò )船前往(wǎng )旧(jiù )金山。在海上航行(háng )的时(🧛)候(hòu )，Michael和(🚢)Elsa情愫暗(🚮)生(🛑)。而Michael也(👎)(yě )认识了Arthur的朋友George Grisby（Glenn Anders 饰）。George知道(dào )Michael曾(céng )经杀过人后，想(📭)让(ràng )Michael再(📹)杀一(💠)(yī(🅱) )个(➿)(gè )人(🍰)，并承诺给他五(wǔ )千美元(yuán )的佣金，而他想让Michael杀(shā )的(👔)(de )人，就是(🗼)George自己。原(🧕)(yuá(💤)n )来George想(🛡)制(🕠)(zhì )造(🕠)(zào )自己已经死了的假(jiǎ )象，然(rán )后(hòu )从现在的生活(🙀)和他(tā(🎂) )的(⤴)妻子(🆖)(zǐ(👹) )身边(🚬)逃走。两人的计(jì )划(huá )看起来天衣无缝，George却失手(shǒu )杀(🗼)(shā )死了(🐊)Arthur的管家(🖕)，随(🚰)后(hò(🧒)u )George也真的(de )被杀。Michael被认为是两个(gè )死者的凶手，法庭上，为(🚀)Michael辩(biàn )论(🔙)(lùn )的(㊗)却(🏮)是(🎮)他的(📗)情敌Arthur，到底谁(shuí )才(cái )是杀死George的真正凶手(shǒu )？ Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the Virginian finds that his old pal Steve is mixed up with black-hatted Trampas and his rustlers...then finds himself at the head of a posse after said rustlers; and Molly hates the violent side of frontier life. The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style. 1946年在(zà(🔊)i )战后的(🤶)废墟中(🦌)，两(✌)个(gè(🚪) )男(🧣)人在(🤕)修理破旧汽车(chē )，并展(zhǎn )开(kāi )对人性的讨论。本(běn )片(🗓)即以(yǐ(😫) )这(🎁)(zhè )辆(🔝)废(🔖)车的(🤷)角度，通(tōng )过在车(chē )中留下的一件件小物(wù )件(jiàn )，讲(🥔)历任往(🤪)昔车主(👶)(zhǔ(🆗) )的故(🔖)事(shì )。 他们中，有匆忙出(chū )逃的政(zhèng )客(kè )，有不得志的(🙅)音乐(lè(👒) )家，有(💉)分(🌁)居(🧓)又复(🍯)合(🔠)的老夫妇(fù )，有儿子判罪的夫人(rén )，有赴(fù )任(rèn )的(Ⓜ)上尉…(🉑)战争年(🚓)代(✏)(dài )，人(🥘)们(🍢)(men )的命(🌦)运只能摇曳，但(dàn )是依然有爱情、亲情等等在(zài )动(😊)(dòng )荡中(🐼)闪(😏)耀着(🎀)美(❌)好的(📘)(de )人性光(guāng )芒(máng )。影片并没有气势(shì )恢弘的(de )场面，却用(😗)普通人(👽)的(de )生(shē(🚵)ng )活(🍹)串联(🖨)起一段完整(zhěng )的历史(shǐ )。 Molly, an actress desperate for work, decides to get it by "playing the part" of an experienced housekeeper. It turns out that the butler at her new household is doing the same thing. Their employer, Mr. Graham, is a retired politician who, divorced from his wife and estranged from his son, lives alone with a staff of servants. Graham's life needs shaking up and, with her enthusiasm and acting talent, Molly is just the one to help him do it when the opportunity arises.