昭和25年，正是二(èr )战结束(shù )之初。曾经的(de )贵妇人(rén )鹿内玲(líng )子（谷ナオミ(🎂) 饰）家(💚)道寥(liá(🚍)o )落，父(fù(⌛) )亲患病(🐘)(bìng )在床(🤡)，丈夫得(🔸)(dé )治（(🥡)花上晃(🔸) 饰）的(🧒)企业举(🐸)步维艰(🕓)。为了帮丈(🌱)夫筹措(⌛)(cuò )资金(🙍)，玲子不(🍃)(bú )得不(🤭)抛(pāo )头(🤠)露面(mià(🗳)n )，拜托(tuō(📪) )当年家(🕶)(jiā )中的(🛤)司机山(🍸)本吾平(🕔)(píng )（高桥(qiáo )明 饰）借款。得治的(de )妹妹琉(😉)(liú )璃子（水城ゆう 饰）对待嫂子雍容高贵的做派不以(yǐ )为然，因此设(shè )计让美(měi )国大兵(🖇)(bīng )侮辱(😓)了(le )玲子(📎)，而这不(🍷)堪的(de )场(😬)面刚(gā(🎢)ng )好又让(🖨)(ràng )山本(🤺)看(kàn )在(🔒)眼里(lǐ(🏻) )。
製作(zuò(🐆) )＝東映(🔉)（京都撮(🎧)影所）(🈚)
在一次(🤠)世界大(🌱)战期间(🎅)，有两(liǎ(🍮)ng )名西方(🖖)(fāng )冒险(😃)家(jiā )来(🐁)到南(ná(🛺)n )非，他(tā(🌑) )们想通(🔨)(tōng )过猎取(qǔ )象牙，来谋取巨大(dà )的利润(🍟)(rùn )．在他(tā )们进行(háng )这种肮(āng )脏的交(jiāo )易的过程中，与当地的德国军队(duì )有一连串的冲(🔓)突，以至(👣)到(dào )了(🏐)水火(huǒ(🌫) )不容的(🏅)(de )地步，最(😃)后二(è(🕴)r )人合力(🙅)炸毁了(🚗)德国(guó(💀) )的战舰(🐑)(jiàn )作为(🧣)报(bào )复。
人(🤴)(rén )影も(🌊)まばら(✅)な別荘(🛢)地のス(🤚)ナック(📤)を訪れ(🔘)た数人(🆒)の男と(💎)女が巻(🕙)き起(qǐ(🍍) )こす、(🚅)性と暴(bào )力の嵐(lán )を描く日活バイオ(🤭)レンス・ポルノ。R18+指(zhǐ )定作品(pǐn )。佐治(zhì )乾と斎(zhāi )藤(🗃)信幸(xìng )による脚本を、沢田幸弘が監(📦)督した(🌁)。夏も過(🧗)ぎ、避(🅱)暑客(kè(⛅) )もほと(🎹)んどひ(🔻)きあげ(🕹)て人影(〰)(yǐng )もま(💋)ばらな(🥨)別荘地(🏪)のはずれ(🚗)に、別(🐺)荘の管(💌)理事(shì(🔻) )務所を(🐈)兼ねて(🛎)いる一(🤶)軒のス(🏧)ナック(🎈)・黒い(⛎)湖があ(🐶)った。そ(🦗)この主(zhǔ )人・黒(hēi )木は、3年前ここの(🏩)バーテンだったが、妻の京子に男(nán )と逃げられ(🍞)、そのあと自分(fèn )でこの店を買い取(🏋)って、(🔲)じっと(🙉)京子の(🌑)帰るの(🔁)を待っ(🤖)ていた(🅱)。激(jī )し(🛸)い雨(yǔ(🍶) )が降る(🕗)日だっ(📇)た。黒(hē(📘)i )木は、客(🔼)のいな(🧘)い店内(🤗)でタバ(♑)コを喫(🐤)いなが(🎁)ら、思(💬)いに沈(😭)んでい(😄)た。その(🎙)時、一(🌂)陣の風が店内に舞い込(rù )んできたと思(sī )う(🐽)と、ズブ濡(rú )れの女(nǚ )が入口に立っていた。黒(hēi )木は、一瞬凍(dòng )りつくような表情で(🥄)唖然と(🉑)して女(😙)を見つ(🐖)めてい(❎)た・・(🏾)・。
由布(👏)莱恩·(👝)德·帕(🛍)(pà )尔马(👬)（Brian De Palma）指(💵)导(dǎo )， 保罗(luó )·施(🏍)拉(lā )德(🔲)（Paul Schrader）编(🐟)剧的《迷(🌇)(mí )情记(🔶)》（Obsession / 1976）是(📑)(shì )一部(😬)文(wén )艺(🐲)气息(xī(🍷) )相当浓(🌜)(nóng )厚的(🧦)悬疑片。帕尔马导演一反常态，并没有在影片(pià(☔)n )中过分(fèn )卖弄血(xuè )腥暴力(lì )，而是(shì )以细腻(nì )的手法把一个奇异的故事(shì )拍得如(rú )梦如(🛫)幻(huàn )，韵(♍)味(wèi )十(⬛)足。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
队长(😾)是传统(🎴)人士，思(🧔)想保守(✊)，阴差阳(🐸)错却被(🔧)派遣往(🐄)一个男(🥡)(nán )女自由(yóu )交往(🥌)的(de )军营(🦂)中(zhōng )，为(🌲)整(zhěng )率(🔠)歪风(fē(🛠)ng )，他决定(🏄)实施一(✉)系(xì )列(🙅)规矩(jǔ(🥧) )，但旗(qí(♈) )下士兵(🧦)(bīng )阳奉阴(yīn )违……
The martial world is now awash in one-armed knights, who aren't inclined to make any permanent alliances among themselves.
上海美术电影制片厂 木偶(💳)片 彩色 3本