港台恐怖片

1995年8月(🧕)11日フジテレビ系金(jī(😽)n )曜(yào )エンターテイメ(🎟)ント(⛰)の枠(zuì )で放映さ(🗒)れた(🏮)2時間スペシャル(🌚)ドラ(🎼)マ。本編約90分(fèn )。 法(🚨)国电(👾)影Machinations (1995) (TV) ，译名是《阴(yīn )谋(móu )》，曾(🔠)经在(🐈)1998年中央一台(tái )每(🍰)(měi )周(🏡)(zhōu )日上午的电影(✝)剧场(🕗)里播(bō )过(guò )。 Keiko is the new owner of a local television station, and she’s determined to succeed, no matter what! But the rival TV station will stop at nothing to crush her, and one by one, Keiko’(🔨)s new programs are humiliatingly sabotaged. When the weather woman falls victim to an underhanded trick, Keiko decides that she’s through being nice. While filling in for the stricken reporter, she flashes her underwear, making her weather forecast an instant hit! What follows is an outrageously sexy contest –(🕠) which judges skimpy costumes and arm wrestling instead of beauty and talent – to determine who will be the reigning weather woman! 在霓虹灯(dēng )闪(shǎn )烁(🎉)的游乐园里，有刚发(fā(🍂) )展(zhǎ(✝)n )出来的恋情，也有(🚒)恋人(👬)(rén )分(fèn )手的情景(🌕)。在摩(🧙)天轮缓(huǎn )缓(huǎn )旋(🈵)(xuán )转(📆)中，里面坐着不同(tóng )心(📻)(xīn )情(🐜)(qíng )的情侣：有幽(🤥)会的(🏳)，有(yǒu )各(gè )自被放(👯)鸟形(🎥)成的速成情(qíng )侣(🏻)(lǚ )，也(❗)有心怀鬼胎的情人(ré(🐾)n )等(dě(🦕)ng )等。本片描述了在(🤰)游乐(🌇)(lè )园(yuán )里的八对(📺)恋人(🎮)的爱情故(gù )事(shì(🎼) )。 Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. A husband in love and a wife satisfied by this love; yet they won't be happy, at least in the conventional sense of the word. For the husband is so in love he becomes a little paranoid and the wife, a slightly neurotic Hitchcock heroine, is so charmed that this shocks her. Therefore, in a distinctly matrimonial manner, they embark upon a dual process of destruction that can be nothing but mercilessly comical.