清(🐢)(qī(🚰)ng )兵(bīng )火烧(⬇)少林，寺中人员伤(🐠)亡惨重，洪(🐹)(hóng )熙官（陈观泰(🛏) 饰）虽(suī(🎎) )然幸免于难但是(🌐)身受(shòu )重伤(🔳)，他决(jué )定暂时(🥅)偃旗息鼓待(🚟)到(dào )他(tā )日能(📮)够(🧀)东山再起(🉑)，哪(nǎ )知道逃亡的(🚅)一路上屡(🏟)(lǚ )屡遭到官兵(bī(➕)ng )的追杀。某(🚁)日，洪熙(xī )官(guān )正(🕛)在和追捕(🏹)他的官(guān )兵(bīng )周(🕐)旋，陷入(rù )鏖(😂)战之中(zhōng )，巧得(👖)方(🍍)世(shì )玉(yù(🐺) )（傅声 饰）路(🐥)过(⏪)，方(fāng )世玉(🍴)误以为洪熙官(guā(💔)n )是(shì )作奸(⛲)犯科之(zhī )徒，于是(🎏)帮助官兵(⛅)将(jiāng )他(tā )五花大(📓)绑交至官府(✈)(fǔ )。
A crime boss is assassinated and witnesses to the crime are subsequently killed. A no-nonsense policeman decides to take the law into his own hands in bringing these criminals to justice.
根据易卜生(🚊)戏剧《玩(wán )偶(📢)之家》改(gǎi )编。
西(📆)安(🍷)电影制片(🍰)厂(chǎng )
民(mín )国时期(📺)，河北省宛(🌒)(wǎn )平(píng )县令（王(🆎)琛 饰）乃(🖊)一(yī )横征暴敛、(🔑)寡廉鲜耻(⭐)的贪墨之徒(tú )，所(🚲)谓上梁不正(✊)底梁(liáng )歪(wāi )，其(🆎)下辖各局局(📃)长也(yě )个个使(🚟)钻(🚝)营(yíng )求(qiú(🥗) )利、作奸犯科的(🔲)丑(chǒu )恶(è(🚺) )之辈。流浪街头的(🌜)(de )小(xiǎo )混混(😦)甄明（许冠文 饰(⛽)(shì )）和贾(🥉)亮(🗒)（王(wáng )琛 饰）(🐿)潜入县长办(🙅)(bàn )公(gōng )室意欲(🔝)行(🎲)窃，却只发(🦒)(fā )现数本各局(jú(🍈) )局长的丑(🆘)闻记录。适(shì )值(zhí(📌) )此时，县长(🕑)被愤怒(nù )民(mín )众(🤨)围殴，以致(🏠)昏厥。甄、贾二人(💶)(rén )被困房中(🗒)，甄明发现(xiàn )贾(🎁)(jiǎ )亮与县长(🏐)容貌相似(sì )，便(🙂)令(🙈)其乔装打(🚁)扮，上(shàng )演一出狸(🏄)猫(māo )换太(😜)子。虽则伪装被(bè(🛃)i )警(jǐng )察局(🌴)周局长识破，但(dà(🏷)n )甄明手握(🥎)这(zhè )群贪官的(de )丑(✌)闻记录，于(yú(🏩) )是得以令他们(🏇)言(😾)听(tīng )计(jì(♋) )从，将错就错。
In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more
Britt, deluxe call-girl, is punished by the brothel owner because she was not accomodating enough to a customer. From now on, she must obey to all customers sadistic wishes, or else.
Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan.