故(gù )事发生在1966年6月6日的上午6时，在这样(yà(🤸)ng )一(🅱)个(🔼)不(😁)吉(🦒)(jí )利的时刻(kè(🎸) )，美(🥍)(měi )国大(dà )使罗伯特（格利高里·派(pài )克 Gregory Peck 饰）领(🐟)(lǐ(🎪)ng )养(🏜)了(🍩)一(💩)个(gè )男孩(hái )并(✖)取(qǔ )名戴米（哈维·史蒂芬斯 Harvey Stephens 饰）。随(suí )着时间(📗)的(🥦)(de )推(🏑)移(🌩)(yí(🧢) )，戴(dài )米渐(jiàn )渐长(🗃)(zhǎng )大，一些奇怪事件的接连(lián )发生预示(shì )着厄运(🐙)敲(🔹)(qiā(🚟)o )响(🤣)了(🔼)(le )罗伯(bó )特的家门(🌫)。
While Philipe waits for Johan to come out of jail he starts recreating several moments of their relationship with the help of several friends during the summer of 1975.
剧情：特罗哥中尉被派(pài )往帝国边(biān )境“鞑靼(dá(🐬) )人(⏸)的(🌋)荒(💛)漠(⚪)”上的巴斯蒂亚(💃)诺(🍎)城堡。满腔热情(qíng )的他渴望(wàng )为国(guó )效力(lì )，建立(🏌)功(🌾)勋(🌬)；(⚽)他(⛷)期待歼灭(miè )敌(🚯)人，但(dàn )这期待已(yǐ )久的(de )敌人(rén )却始终没有露面(🎟)。特(🤖)罗(🎯)哥(🌾)中(⛳)尉最终(zhōng )与所有(📁)的(de )前辈(bèi )军官(guān )一样(yàng )，耗(hào )尽了自己的意志和(🐹)生(♊)命(🤓)，最(🥦)终(🍐)换来(lái )的只是(🚔)一(🥥)(yī )声叹(tàn )息。
A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond.
1939年，纳粹大张旗鼓地将数百名来自(zì(😵) )社(🔓)会(💾)各(🤕)个(🏌)(gè )阶层(céng )的犹(🐖)(yó(👅)u )太逃亡者们安置在一艘豪华客轮内(nèi )，载他们(men )至(⚽)古(🌼)巴(⚪)的(🤹)(de )哈瓦(wǎ )那避(bì )难(🗳)。然而，当轮船抵达哈(hā )瓦那港，古巴政府(fǔ )却依(yī(🚢) )据(📦)本(📩)(bě(🙂)n )国(🔙)严格的移民政策(🌮)拒绝船上的犹太(tài )裔乘客入(rù )境。其实(shí )纳粹(cuì(👗) )早(😆)就(♍)(jiù(🐾) )预(🛶)料到会有这样(🐛)的(🛍)结果，而这也正(zhèng )是他们所(suǒ )希望(wàng )看到(dào )的。当(⛽)流(🕳)亡(📦)者(📿)们(🏡)从哈瓦那怏怏(🕟)离去(qù )的时候，德国(guó )政府(fǔ )就可以凭此证明犹太(🐫)人(👥)是(👚)世(🤛)界上最(zuì )不受欢(📲)迎(yíng )的种族，从而(ér )为希(xī )特勒的种族清洗政策(🌒)找(🎱)到(😈)一(💜)个(🐕)合情(qíng )合理的借(👹)(jiè )口。
Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.