纳米神兵

Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. 电影通过三(🐭)个(gè(🎹) )普通人(rén )的(♒)视角(🐕)来描(miáo )写人性(xì(📳)ng )的困境，三(sā(🏎)n )位美国(guó )女(🆒)子布(😵)伦达(dá )、艾(😵)仑(lú(⏲)n )和苏，结伴(bàn )去海(🕸)地(dì )旅行，观(😋)光圣地、风(🏊)景优(🈂)美的海地来(lái )寻(⬆)找放松和激情。但(⚡)是她们却发(🤟)现了(le )这个天(🎬)堂岛(🦅)屿背后(hòu )的贫穷(🦗)和危险，目(mù )睹了(🕡)当地的贫困(🎱)生(shēng )活和严(🍨)酷的(🍶)政权，深深被震撼(🐺)。 拓人(rén )（佐(🎻)藤健 饰）在大(dà(🍜) )学时代参加(📮)了话(🏗)剧(jù )社团，一心想(🎼)要在(zài )舞台(💴)上(shàng )做出一(💓)番建(🔩)(jiàn )树。然(rán )而(🛰)毕业(🈸)后，他和大(dà )部分(🛏)应届生(shēng )一(🔲)样，放弃了表(😶)演(yǎ(🛰)n )，穿上(shàng )西装打上(🚉)领带，奔(bēn )赴在各(🗿)大公司的面(🔈)(miàn )试会场之(🙀)间。瑞(😲)月(yuè )（有村架纯(😜) 饰）和(hé )光太郎(💁)（菅田将晖(🎞)(huī ) 饰）是拓(🏚)人的(🌂)同窗(chuāng )兼好友，两(👔)人曾是(shì )一对恋人后来分手(📨)(shǒu )，而如今的(🗑)拓人(🏌)依(yī )旧默默的爱(🌏)慕着瑞(ruì )月(🖼)。 Set in the weeks just prior to Christmas, the story focuses on the Yuletide preparations made by five different families. The humor derives from the communication gap between the elder family members and their bewildering offspring. The powerhouse cast is headed by Vittorio de Sica and Marcello Mastrioanni. This powerful psychological drama follows a young executive's climb up the corporate ladder and his slow immersion into corruption, seen through the eyes of his young sister-in-law. Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.