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影(🏟)(yǐng )片由(🚄)意(yì )大利畅销(🗳)作家费(🤵)(fèi )德瑞克•莫(mò )洽执(🍏)导，执(zhí )导过不少电(dià(💙)n )影的莫洽(🌗)，这次(cì )首度(🌴)将(jiāng )自(🔢)己的小说搬上(🕶)(shàng )银幕(🚽)。 Karol Wojtyla endures Nazi occupation, embraces religion and, as pope, promotes faith and peace around the world. 剛搬(bān )到新家(🌳)不久(jiǔ(🙆) )，蘇珊就發(fā )現(⛪)繼女茉(🚉)莉(lì )交了一個(🥀)想(xiǎng )像(😃)的朋友。原先(xiān )不以為(🐠)意的(de )她，卻(🤗)發現(xiàn )，茉莉(✨)這個(gè(🚑) )朋友，很可(kě )能(🏑)是真實(🎳)的(de )人物。 It's the old dark house plot again with added gore. Foolish young people take shelter in in old house or in this case, hotel and all hell then breaks loose. Not one of the most original stories in the field of horror films and sadly there is nothing really new in this made for TV movie. Other than the only known case of death by washing machine that is! Made in 1989 but looks even more dated than that, the jocks and bimbos in the American splatter films were pretty air-headed but they were always far worse and incredibly stupid in the European ones. Anyone with an ounce of sense would see what a 'con-damned' building this house was and run for the hills. These just wait around aimlessly to be picked off by the forces of evil. The sound dubbing isn't very good either and somewhat annoying as none of the voices seem to be in tune with the actors. And the small child while I guess, is supposed to be cute is just a major pain in the backside. But then again, none of the cast are sympathetic and you don't really care what happens to them. Thus it rattles onto a dull finale and disappointment. Like a lot of Spanish and Italian films in this genre, the horror effects happen for no rhyme or reason, just to try to elicit a scare. There has to be some bounds of credibility and logic in even the most dopey plots. Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hô(⛄)tel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Delicate and surreal. "A hora má(🐠)gica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. 这部阿(ā )根廷(😑)动画以(😜)(yǐ )喜剧形式来(🔔)(lái )演译(🖋)(yì )著名的(de )圣经故事诺(😢)厄方舟，除了讲(jiǎng )述预(🔔)言者诺(nuò(🖊) )厄一家人的(🛂)(de )事迹，还(⏭)有(yǒu )船上(shàng )动(🕔)物之(zhī(🗒) )间的明争暗斗(⛳)。 她和第(⛲)6任丈(zhàng )夫享受(🌵)着蜜(mì(🤕) )月，而在同(tóng )一间酒店(🔴)里(lǐ )，一(yī )个国际(jì )会(📠)议正在举(🍙)行，其中的俄(😙)罗(luó )斯(🕶)代表是她(tā )的(🌹)前度丈(🐆)夫(fū )，他威胁把(🎣)(bǎ )事情(🔚)弄砸除(chú )非她(🌭)愿意和(🥥)他有(yǒu )一手。可(🍰)是(shì )祸(👁)不单行，她有一个记(jì(🐕) )录她(tā )所(🈯)有丑(chǒu )闻和(🚾)风流韵事(🐸)的录影带，而(🌟)(ér )她的(🤒)经理试(shì )图摧(🔼)毁，可(kě(💍) )事与愿违。 In 1384, with the horrors of the Black Death haunting Europe, English soldiers return home from war with a French nobleman as hostage. When people in their home village soon after begin to die, it is believed that the Black Death has struck once more. However, there are other dark reasons behind the sudden deaths. Real estate broker and former boxer enters an old cinema in the decadent downtown São Paulo and meets an intriguing and mysterious woman, very much alike the leading lady of that Shanghai film. He gets involved with her and her problems and in no time is being accused of a crime.