Miniseries detailing the life of Dwight D. Eisenhower, who commanded American forces during World War II, romanced his driver Kay Summersby and later became President of the United States. Written by Marty McKee
索朗(🐞)(lǎng )日是(shì )一(💚)(yī )位25岁(suì )的(de )年轻女导演，有(🐚)一个女儿，有(🐃)丈夫却并不住在一(yī )起。与(🏢)(yǔ )一位(wèi )双(🚗)(shuāng )性恋(liàn )的(de )电影明(míng )星保(🐉)持着情人关(🗾)系，同时热衷于与陌生人(ré(😺)n )的各种(zhǒng )短(🖌)暂(zàn )激(jī )情游(yóu )戏(xì )。直到(🤑)(dào )某天她邂(📏)逅了布鲁诺——与她是同(🖱)一类人的男(😆)人(rén )。
1979年9月(yuè )8日(🔋)公(gōng )開(kāi )（(🚌)東宝(bǎo )）、(👑)上映時間88分
一(🈸)个海上的油(🌜)库被克拉玛占据，装设了(le )毁(🍲)灭(miè )性(xìng )的(🥖)武(wǔ )器(qì )，用来(lái )威胁勒索(🗝)美国军方。一(😘)个热爱刺绣、爱猫(māo )、热(🌩)爱(ài )从事(shì(🔟) )破(pò )坏活(huó )动(dòng )的老手(shǒ(🕙)u )出现，在这紧(🈯)张的11个小时里，企图施出浑(📂)(hún )身解数(shù(🦊) )，挽救(jiù )危机(jī )。
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
香港功(gōng )夫(♏)电影《出闸虎(🎨)》由杨盼盼主演(🎳)，协利电影公(😄)司(sī )1979年出品(😄)(pǐn )
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’(🅿), Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
本片(💸)是以喜剧的方式来拍摄吸(🗯)血僵尸卓古(😦)(gǔ )拉伯爵(jué )。描(miáo )述(shù )卓古(🌽)(gǔ )拉(lā )从所(🈶)住(zhù )的古堡里被逼搬迁，遂(🧙)与仆人前往(🤜)纽约找(zhǎo )寻心上(shàng )人仙(xiā(⏰)n )蒂(dì )，二(èr )人(👏)(rén )在迪斯(sī )科舞厅一舞定(😌)情，仙蒂后来(⛴)更自愿让卓古拉咬她(tā )一(🗒)口，以便(biàn )变(🤖)(biàn )作吸血(xuè )僵尸双宿双飞(✊)。导演斯坦·(🦒)瑞格帝的处理(🧕)流畅而(ér )惹(🚗)笑，乔治(zhì )．汉弥顿(dùn )演得(🎃)生动活泼，理(➗)查德·班杰明扮演卓古拉(🕙)的医(yī )生情(⛏)敌(dí )亦表(biǎo )现(xiàn )不俗(sú )。
招(🏈)积仔(zǎi )与大(🏛)眼是一对欢喜冤家，终日无(♎)所事事，靠骗(🍇)钱(qián )为生(shēng )。一日(rì )，两人在(🎥)(zài )路上遇到(🍭)一个受重伤的人，他向两人(🌤)透露在芝麻(💅)(má )镇里被(bèi )困狱(yù )中(zhōng )的(🎒)吴争(zhēng )气得(🧐)知一批价值连(🦔)城珠宝的所(🥕)在。两人于是(👩)前往(wǎng )芝