十九世纪末的法(💨)国(🅾)，在偏远荒(huāng )蛮的(de )比利(🆙)(lì )尼斯(sī )山脉附近(jì(👌)n )，马(📽)丁和(hé )罗斯夫妇拥有(❎)一间专(zhuān )门杀人的(de )客(🌦)栈(📀)(zhàn )，他们和(hé )失聪的养(🎚)(yǎng )子抢劫财物，定期杀(🎧)害(⭕)形单影(yǐng )只的(de )过路客(😇)。
遗传了母(mǔ )亲精神病(📘)(bìng )的凯伦（Harriet Andersson 饰）经过(🎬)入(📠)(rù )院治疗，被作(zuò )家父(📊)亲大(dà )卫（Gunnar Björnstrand 饰(shì )）(🧗)安(👣)排到一小岛上调养。凯(😈)伦(lún )男友(yǒu )马丁（Max von Sydow 饰(💮)(shì(📳) )）是一名(míng )医生，两人(🔀)的感情此时处于低(dī(🍛) )谷(🙃)，马丁(dīng )相信(xìn )凯伦有(🥄)痊(quán )愈的可能(néng )。青春(👻)期(♈)中的弟弟米(mǐ )纳斯颇(🎼)有(yǒu )才华(huá )，但看上(shà(👼)ng )去有些焦(jiāo )躁。四人在(🥗)封(💨)闭的岛上休整，但各(gè(🐀) )自心中的(de )不安似乎(hū(🐫) )正(🖕)慢慢滋(zī )长。凯伦发现(🗞)父亲在(zài )冷漠的观(guā(🍘)n )察(😴)自(zì )己病情变(biàn )化后(🔺)情绪(xù )短暂失控。次日(🏧)上(🥠)午马丁与大(dà )卫乘(ché(🐰)ng )小舟离去(qù )，被留下(xià(🏵) )的(🛣)凯伦开(kāi )始沉溺于冥(🥌)想，并对(duì )米纳斯显(xiǎ(🍡)n )示(🖱)出(chū )侵略性，在两人回(🍩)(huí )岛之前凯伦昏倒在(🕢)破(pò )旧的木船(chuán )内，她(😛)向(💉)弟弟(dì )宣称，自(zì )己听(🤓)到了上帝的声音……(🛁)
《游(📞)(yóu )乐场(chǎng )之恋》是(shì )法(🚍)国导演(yǎn )帕特里斯(sī(📑) )·(😂)勒贡特所带来的一(yī(✊) )段动人的(de )爱情(qíng )故事(😑)。
一(👶)(yī )个大航展(zhǎn )的前几(🎣)个星期，一个年轻的SU-27战(🐏)(zhà(🐖)n )斗机(jī )准备一个(gè )骑(🐙)士的飞(fēi )机竞争。 但战(🏡)斗(📟)机忘记时，爱(ài )上了迷(🍄)人(rén )的光(guāng )芒飞机雷(🐼)(léi )电，不知(zhī )道它是一(🕛)个(🚟)真正的残忍和邪恶(è(🌉) )的助(zhù )理给雷霆(tíng )战(🌕)机(🌏)类。 年轻的SU-27必须设法消(🏚)灭的邪恶计(jì )划的(de )迅(💹)雷(🙆)，最(zuì )重要的是(shì )赢得(⛲)了骑(qí )士航展。
丹麦王(🎠)子(🛣)哈(hā )姆雷特（劳伦(lú(🗡)n )斯·奥利(lì )弗 Laurence Olivier 饰）的(🐕)(de )父(🐴)王某日在花园中离奇(🛑)死亡，国王(wáng )的弟弟克(🏒)(kè(🏋) )劳迪亚斯(sī )登上了王(🥍)(wáng )位，并娶原王妃即哈(❤)(hā )姆雷特的(de )母亲(qīn )为(📩)妻(😙)。父(fù )亲的突然(rán )离世(🥞)，加上母亲的改嫁，使哈(👱)(hā(🍲) )姆雷(léi )特终日郁(yù )郁(📅)寡欢。
The premise is that Kari's artist boyfriend (who'd look like a low-rent Charlie Sheen, if Charlie Sheen himself didn't fit that category) can neither paint nor get it on with his ridiculously good-looking girl - until the day that he throws paint over her. Then they roll around on the canvas in ecstasy and he sells the result for loads of dosh. It's actually very funny, sending up her prim impatience and his tortured-artist schtick with equal-opportunity amusement. There's not exactly a plot, as the film is structured - like the soft-porn movie it basically is - in a series of bonk sessions. But because they're always covered in paint, and tastefully filmed (with Ms. Wuhrer's own breathy songs on the soundtrack), it's quirky and strangely involving. (And very sexy.) Plus, in its own modest way, it brings up all sorts of odd questions about the relationship of art and life and the cost of art to the people around the artist. It also has a very funny and extremely soft-core parody of that increasingly boring staple of hardcore, the Anal Sex Scene. Recommended.