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Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit. A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash Thakur Rajnath Singh Chouhan opens a can of worms when he announces that he is going to marry a prostitute by the name of Tulsi. His mother will not even consider Tulsi as a daughter-in-law, and would prefer that he marry Sanjukta. Tulsi convinces him that he should marry the woman of his mother's choice, which he eventually does. Thereafter Tulsi gives birth to a baby boy, Ajay, and passes away. Sanjukta raises Ajay as her own child, even after the passing away of Rajnath, and even after giving birth to Pratap. Ajay is given the entire responsibility of the estate, while Pratap squanders money on courtesans and alcohol. Sanjukta trusts Ajay, until one day when a villager complains to her that Ajay has got his daughter, Geeta, pregnant; additionally she also finds out that Ajay has been misappropriating money, and also owes money to a prostitute named Leelabai, the very woman who sold Tulsi to Rajnath. Now Sanjukta has to decide what is to be done with Ajay. 片(🗺)名：曲(qǔ )解(jiě )爱神(🐜)(完整收(🏾)藏(⏹)版)Eros Perversion 1975年，一(⛎)个夏天的夜晚(wǎn )，一列军车(⭕)在(🕤)我国东(🍯)北境内疾驰。由于敌(dí )人(ré(🙀)n )的(🕝)破坏和(🚯)干扰发生了没能及时熄灭(🍇)车(chē )厢(xiā(⛺)ng )灯火的问题。这件事引起了(🐗)革命老(💐)干(🖥)部(bù )、军区副司令员、当(💬)年"红四(📝)连(🥔)"的第一任(rèn )连(lián )长(zhǎng )--严河(👌)的重视(🧢)。。。 Raja was adopted by a criminal don (Ashok Kumar) at a very young age. After the death of the don, Raja inherits the property, and refrains from crime. However, the wealth and the power associated with it, make him arrogant. He desires Radha, the daughter of his servant, Ramu, and Raja asks his permission to marry her, Ramu accepts, but Radha refuses as she loves Kishan. Raja finds out that Radha is meeting with Kishan on the sly, and complains to Ramu, who forbids her from meeting with Kishan. Then Raja finds out a secret from Kishan's past, meets with him, hires him, and even arranges a lavish marriage for Kishan with Radha, resulting in Kishan being indebted to Raja. Raja entrusts him with more important and responsible work, which must get Kishan to travel a lot. Kishan eventually finds out the real reason for Raja's kindness. Was it that Raja wants Kishan out of the way so he can be near Radha, or is there another reason? 那(🥏)是一个战火纷飞(fēi )的(de )年代(🗃)，桐柏山(🤵)区(🕕)一户穷(⏯)苦人家为生计卖(mà(🍃)i )掉(diào )了(👹)亲(🤶)生女儿(🔬)小花，之后又收养了一个(gè(🙃) )转(🗒)(zhuǎn )移红(💶)军留下的女婴，他们给这个(♌)女(🛣)婴取(qǔ(😃) )名(míng )也叫小花。十几年后，小(💶)花（陈冲(🚯) 饰(shì )）的(de )哥哥赵永平（唐(📯)国强 饰(👟)）(🎾)为了躲避抓(zhuā )丁(dīng )投奔了(🦀)革命队(🎓)伍(🚗)，在一次战斗中负伤(shāng )掉(dià(🛶)o )队(duì )，幸(📸)被(✅)女游击队长何翠姑（刘晓(🔂)庆 饰(shì(💗) )）(🎲)所救，而(📷)何翠姑正是当年被(🚵)父母卖(🦏)掉(♒)的(de )另(lì(🚅)ng )一个小花。此时，赵小花在进(🥍)入(💄)桐柏(bǎ(🆙)i )山(shān )区的解放军中打听哥(🏀)哥(🕣)下落时(🕐)巧遇亲生(shēng )母(mǔ )亲周医生(🎒)（白莉 饰(🚦)），母女相逢却互(hù )不(bú )相(🧜)(xiàng )识，后(🗡)来(🌰)周医生同情这个可怜的小(🖊)姑(gū )娘(💅)(niá(💺)ng )，于是收她作干女儿。就这样(🔞)，十几(jǐ(🍟) )年(📱)(nián )前(qián )失散的亲人在战火(♉)中又一(🖖)次(🌻)重逢，他(🤳)(tā )们(men )为实现共同的理想又(😚)聚(🚒)到一起(🍍)，谱写了(le )一(yī )曲壮烈的英雄(🍴)之(🔳)歌。 该片(🏖)只是一部通(tōng )俗(sú )剧，看得(🍡)出(🐉)导演在(❎)商业化上的努力，但(dàn )仍(ré(👉)ng )然是一部(👸)不错的作品——这是一部(📶)纪(jì )录(🔂)(lù(🌴) )香(xiāng )港经济起飞年代的作(🦌)品，有较(🏓)强(😾)的现(xiàn )实(shí )主义色彩，也有(🤚)些许讽(🎨)刺(🌆)色彩