海派甜心电视剧

Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10. 八十(⬜)年(🤐)(nián )代(🈸)的(💒)上(shàng )海(hǎi )，公交(jiāo )车上售票员的服(🌼)务态度(♋)引(yǐn )起广大市(shì )民的关(guān )注和议(📲)论(😈)。小青(🌀)（(👌)陈以心(xīn ) 饰）态度(dù )热情、尊老(🔨)携(😚)幼，深(🤠)得乘客称赞(zàn )。而小黄(huáng )（迟志(zhì(🎋) )强(🎤) 饰）(💂)正(🉐)与之相反(fǎn )，借囗(wéi )嗓子疼，站名也(🌭)(yě(😩) )不报(🌛)，乘(🏛)客对他意(yì )见很大(dà )。而驾驶(shǐ )员(🐄)小洪(🎓)(hó(🎴)ng )（张明明 饰）则对(duì )交警小(xiǎo )白(🥏)(bá(🎶)i )（于(🗼)延(🏅)(yán ) 平）老让她吃红灯有一肚(dù )子(🐷)怨言(🌆)(yá(💭)n )。饭店工(gōng )作的小葛（王伟平 饰）(😲)是(😊)(shì )个(✴)革(🌫)新能(néng )手，他(tā )发明了报站扬声器(🧒)及(🎢)红绿(🈶)(lǜ )灯自动显(xiǎn )示装置(zhì )。在改革发(👈)明(🚺)中，小(🈷)字(⏮)辈(bèi )们渐渐产(chǎn )生友谊(yì )，进而发(😫)展(🐸)为爱(🥉)情(🕺)(qíng )，不少(shǎo )人成双成(chéng )对出入(rù )公(🕢)园等(🈹)娱(🎢)乐场所，热衷发(fā )明的小葛(gě )不善(🐣)于(🦊)(yú )对(😉)爱(🍛)慕着他的小青(qīng )表达自(zì )己(jǐ )的(㊗)感情(❇)(qí(〽)ng )，于是，他通过录音带传(chuán )递自己无(🍽)(wú(🚘) )法说(📦)出(😁)(chū )口的话。小革新、小发明(míng )不仅(🤽)增(🐳)强(qiá(🗒)ng )了年青(qīng )人热爱学习的兴趣，也让(🐢)(rà(🎶)ng )他们(🖊)对(🌿)未(wèi )来的生(shēng )活充满信心...... For some strange reason I have now sat through practically all of these 70's cheerleader movies. Only The Swinging Cheerleaders (directed by Jack Hill) is a drive-in classic, but Satan's Cheerleaders comes close. The Cheerleaders (1972)is truly awful but it does deliver on the softcore sleaze. The Revenge of the Cheerleaders features the disturbing images of a very pregnant Rainbeaux Smith and a not-so-pregnant David Hasselhoff cavorting around in the nude. The Pom-Pom Girls is surprisingly innocent and realistic and might have appealed more to actual 70's teenagers than horny middle-aged men. The Cheerleader's Wild Weekend is forgettable (at least, I've forgotten it). Then there's this movie, which is probably the most obscure of the cycle. The plot resembles that of the original The Cheerleaders where our nubile heroines attempt to "wear out" the opposing team before the big game, except that it's set on the beach (where's Jaws when you need him?) It might be the worst of 70's cheerleader exploitation flicks, but at least it's better than Bring It On. Sketches include 'Keep Fit', 'Vicar Wine Tasting', 'Loading a Cannon', 'Sleeping Beauty Act III', 'Attic Memories', 'Dick Emery's Fun Book', 'Ada and Herbert', 'Bert Plans a Trip to Mars', plus music from guests Brooks, and Lulu. 一个男(🔦)人(🥄)和一(🤸)(yī(🤠) )个女人在(zài )晚餐时(shí )偶然相遇在(🔨)一个(🎶)浪(🍧)(làng )漫的旅(lǚ )店。尽管(guǎn )两人都(dōu )已(🛢)结(📝)婚，但(🚂)第(🚞)二天(tiān )早上，他们发现(xiàn )自己在(zà(🚌)i )同一(⏯)张(🌑)床上，质疑(yí )这一切(qiē )是(shì )怎么发(🚴)(fā(🎞) )生的(🔎)。他(🚩)们同意每年在同(tóng )一个周末(mò )见(🌴)面(🌎)。最初(⛴)是舞台剧，两个人在(zài )不同的场(chǎ(🅱)ng )景(👊)中，在(🈵)同(🕜)一个房间里不断变化(huà )。每一个(gè(🤲) )都(😨)是按(🍂)(à(🙌)n )时间表出现的，但随着时(shí )间的推(🤰)移(yí(👟) )，每(🔔)个(gè )人都会有一些个人(rén )危机，而(⏬)另(🖼)一些(💻)(xiē(🏐) )人则会(huì )帮助他们度过危机(jī )，他(🔟)们(men )往(🍭)(wǎ(🏿)ng )往都不(bú )知道发(fā )生了什么。 A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of sixteen years leaves her for a younger woman.