不速之约粤语版

多年前一次失(shī )误，捕头(🌾)周(🎑)冲(☝)多名(míng )部下丧命玄铁镖，周(zhōu )冲(😷)也一(🈲)蹶(🚀)不振(⬅)(zhèn )。最(zuì )近内阁大臣蒋(jiǎng )进之女遭绑(📔)架(🐣)，案(🔭)(à(🔀)n )发(fā )现场竟发现了玄铁(tiě )镖踪迹(♌)，周(🚑)冲(chō(🈺)ng )请命(mìng )重回六扇门，顺(shùn )藤摸瓜打入(➡)敌(❄)穴(💾)，救(🏊)出蒋进之女(nǚ )，并(bìng )一步步接近当(dā(🛅)ng )年(niá(🕹)n )阴谋的真相…… Eté 1918. La guerre fait rage pour quelques mois encore, mais pour Charles et Angèle, elle est déjà finie. Lui, officier de cavalerie y a laissé une jambe. Elle, son infirmiè(🔟)re à domicile, vient de perdre au front son grand amour, le pè(🥅)re de sa petite fille. Unis par le besoin de se reconstruire, ils nouent une complicité(🚙) joyeuse qui les ramè(🔱)ne à(🛐) la vie. Sur l'insistance de Charles, Angèle accepte un mariage de raison. Il leur faudra entrer en guerre, contre eux-mêmes et contre l'autre avant d'accepter l'évidence de la passion qui les lie malgré eux… Unable to fly the nest due to the economic crisis that grips Spain, a penniless, young couple have trouble consummating their fledgling relationship in their parents' homes. As they become increasingly desperate to make love, they are forced to look to popular public hot spots commonly used for sex among young people, known by the locals as "picaderos". However, things are never as easy as they seem, and their relationship is quickly tested as they try to break free from the shackles of a crumbling economy. "Picadero" depicts the quiet humiliations of the economic crisis through a simple narrative that unfolds through tableaus of observational dead-pan humour. 阿尔及利亚族群的(de )习俗(🏭)每(🕎)个(📩)家庭(tíng )派一(yī )个代表参加族(zú(💮) )群会(😽)议(🤛)。即使(⌚)他们移(yí )民到了法国，还保(bǎo )持这个(🔄)传(🥕)统(👵)。Samir葬(🤙)掉母亲，看见一(yī )陌(mò )生人，他的父(🌮)亲(🚏)，带他(🍈)见了亲戚(qī )，并(bìng )打算让他加入(rù )会(🐓)(huì(🚠) )议(🍳)。同(🧚)时，他遇见(jiàn )了但是母亲。最终(zhōng )他会(👁)做成(🍎)什么(me )选(xuǎn )择呢？ 英俊帅气的(de )承皓（(🚛)吴(🚊)慷(🐡)仁(🦌)(rén ) 饰）是某电视台的(de )制作人，他事业(🎐)顺(🤴)风(🔢)(fēng )顺水，生活中(zhōng )又有(yǒu )美丽如(🗞)花的(🔓)未(🔕)(wèi )婚(🔸)妻（谢欣颖 饰）相(xiàng )伴，可谓幸福(fú(👂) )无(🕷)忧(🚖)(yō(🍹)u )。最近一段时(shí )间，承皓正在拍摄(shè(⤵) )一(⛺)(yī )部(🐝)关于冥婚民俗的(de )纪录片，不知(zhī )是压(🐛)(yā(🦗) )力(♟)过(👝)大还是碰(pèng )到(dào )什么可怕的东西，他(🌡)在梦(🚰)中经历(lì )了诡(guǐ )异恐怖的梦境(jìng )，而(🎤)玄(🌶)道(🏵)众(🎳)人也对其(qí )发出了警告。在此(cǐ )之后(💷)，诡(⌚)异(🎽)的(de )梦境愈演愈烈，甚至(zhì )让他分(❕)不清(😭)梦(😞)(mè(🤼)ng )境(🍭)和(hé )现实。万般无(wú )奈之下，他只得向(🕯)高(🐨)(gā(🏘)o )人(✳)求助。与此(cǐ )同时(shí )，平凡女高中(zhō(👞)ng )生(🔴)茵茵(🐵)（严正岚 饰(shì )）突然发现自己身边(🕧)(biā(🖨)n )的(🥦)灵(💰)异事件陡(dǒu )增，她为此惶惶不(bú )可(kě(😈) )终日(💋)。 In this tense tale of psychological terror, Vivian Miller (Shelby Young) is a young twenties woman who's serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Barn Theatre, a dilapidated summer stock theater run by Lawrence O'Neil (Cary Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian's arrival in Cawdor starts a terrifying series of events that brings Lawrence's secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Michael Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim. 七十岁的老(lǎo )太太沈梦君（归亚(yà(🐿) )蕾(🥖) 饰(👝)）(📥)年纪越(yuè )大(dà )，脾气越大，渐渐(jiàn )的，除(📿)了(🛰)管(🦉)家(jiā )李大(dà )海（王德顺 饰(shì )）(🧠)还愿(😰)意(🔜)留(🍼)在(🎒)她的身(shēn )边，没有一个(gè )人愿(yuàn )意与(🤕)她(👵)共(💎)处(⏹)。在儿媳妇杨琴（李(lǐ )宜(yí )娟 饰）(🥋)因(👬)压力(🎗)(lì )过大(dà )而生病入院后(hòu )，沈梦君终(🎐)于(🐯)被(🌤)家(📛)(jiā )人(rén )送入了养老院，气(qì )愤和悲伤(🏑)之中(👚)(zhōng )，沈(shěn )梦君决定在照(zhào )相(xiàng )馆里留(🐌)下(⭕)自(🚭)己(🌨)最后(hòu )的容颜，没想(xiǎng )到却(què )因此而(🐉)开(🐁)启(♊)了(le )一(yī )段返老还童的奇幻(huàn )旅(🐦)程。 电(⚫)影(🐻)《怦(🏊)然(🍮)(rán )星动》由欢瑞(ruì )世纪和嘉行传媒联(🖕)合(🎢)(hé(🅰) )出(🐬)品，讲述的(de )是明(míng )星与经纪人之(zhī(⤴) )间(🥊)的爱(🌀)情故事。杨(yáng )幂(mì )饰演的田心与(yǔ )李(🚥)易(💨)(yì(🗽) )峰(🎄)饰演的苏星(xīng )宇相识于微时，五(wǔ )年(🚢)(nián )后(💭)两人已获事业成(chéng )功，而田心却(què )阴(🏨)差(👕)(chà(🎇) )阳(🏭)错的成为了(le )苏(sū )星宇的经纪人，由(yó(📑)u )此两(🐮)人展开了(le )一段(duàn )欲说还休却欲(🐎)(yù )罢(♑)(bà(⌛) )不(😬)能(⏩)的爱情纠缠。 Fernando is a down-on-his-luck director of commercials who is invited by old friend Miguel Angel to his island retreat in Menorca under the pretext of making a small doc about Joan, the octogenarian keeper of the orchard. Actually, Miguel Angel just wants to snap Fer out of his funk. As rooms appear to be at a premium, the filmmaker is installed in the home sculptress Nuria shares with her daughter Olivia. Everyone, it seems, has issues to resolve. Director Fernando Colomo ushered a new era of post-Franco Spanish comedies with the seventies Tigres de Papel and a couple of years later went on to produce Fernando Trueba's first film, the aptly titled Opera Prima. Three decades later, Colomo in his late sixties has made - totally under the radar - the freshest, most liberated Spanish comedy of the year. Filming under his own auspices and working with non-actors playing themselves, Colomo assumes the pivotal role of Fer and turns Isla Bonita into an intimate summer interlude in the Mediterranean as his characters wrestle with the vagaries of love and life. Even though the movie shares the title of a Madonna single out of her third album, Isla Bonita is really a Spanish cousin to the romantic comedies of Woody Allen and Eric Rohmer. Colomo's invitation to plunge into this seasonal treat is not to be refused.