暴(bào )风雨来(⚪)临的一晚(wǎn )， 闪(😒)电(📁)下清楚地(dì(🎈) )看(🈹)见(jià(🐍)n )一个小男孩在(🎢)农(nóng )场的一棵(🦌)大树下(xià )躲雨(🍛)。这个孩子(zǐ )叫(📻)米卡。 他的来(lá(🕳)i )到，将会怎样改(📑)(gǎ(🐊)i )变艾琳娜和她祖(zǔ(🔚) )母卡瓒的生活(🐂)呢(ne )? 艾琳娜现在(⚪)有着(zhe )非常幸福(🗣)的生活(huó )，爱(à(🦇)i )她的未婚夫和(💤)疼(🥉)(téng )她的奶奶。但(🐾)是(shì(🐚) )她却发现，米卡(🚗)(kǎ )身上居然有(🏒)一块(kuài )她家的(🏝)绣布，而(ér )这使(🛠)她陷入了痛(tò(🏑)ng )苦(😡)的回忆中。
阿(🤾)(ā(🥂) )杰（张学友 饰）是(🉐)位(wèi )飞虎队里(🛴)的精英(yīng )，他与(🔥)父亲肥波(bō )（(👨)吴孟达 饰）的(📱)(de )关系并不好。肥(😨)(fé(🍳)i )波当年做警察的(de )时(🕧)候得罪了重案(⏫)(àn )组的探长洪(🍋)坤（秦沛 饰）(🔰)受到报(bào )复，以(🏟)致生活艰(jiān )苦(☔)。竟(😎)在一次与流氓(🚑)(máng )打(🔶)架时错手打死(🔥)(sǐ )了大儿子。阿(🈷)杰(jié )也因为如(🌄)此始终(zhōng )难以(📲)原谅父亲。此时(🔪)的(⛰)肥波已经(jī(🐜)ng )退(💹)休，在夜总会(huì )上班(🔺)，有个做舞(wǔ )女(🏐)的(de )女友阿红（(🔲)吴家(jiā )丽 饰）(📠)。
Does committing a crime make you a criminal? Kidnap is a film that asks this question. Vikrant Raina takes one such decision in a moment of extreme rage when his 8 year old daughter is facing a life and death situation. He couldn't imagine how that one decision would affect 14 year old Kabir Sharma's life, he has then been labelled a 'criminal' .
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
故事(⛔)梗概：
比(bǐ )丈(🔻)夫(🥂)小三十岁的(de )朱(🤵)丽叶(🙂)爱上了森(sēn )林(🐨)管理员斯蒂芬(🏳)(fēn )，两个人经常(🍲)幽(yōu )会。刚刚和(⏪)丈夫(fū )分居的(🎫)克(🎚)里斯蒂(dì )娜带(🏔)(dài )着(🀄)女儿到乡下散(🧙)(sàn )心，与斯蒂芬(🐗)萌(méng )生了爱意(🗃)。斯蒂(dì )芬决心(🎏)和朱丽叶(yè )断(🚧)绝(🌹)来往。朱丽(lì(🙉) )叶(⚡)妒火中烧，故(gù )意在(😮)克里斯蒂娜(nà(🕘) )和斯蒂芬之间(📯)制(zhì )造误(wù )会(⛸)。而此时，朱(zhū )丽(💸)叶的丈夫乔纳(🥅)(nà(🤠) )森也知道了妻(🥋)子(zǐ(🚡) )与斯蒂芬的隐(🚻)情(qíng )，激动之下(🧦)，因(yīn )心脏病猝(🛰)死。
Southern California 1897: While Dumas [Mark Bedell] is in the parlor cleaning his gun, his sister Roxanne [Kennedy Johnston] is in the bedroom being seduced by the lusty vampiress, Diana Ruthven [Glori-Anne Gilbert]. When Dumas finally puts down his gun and checks on Roxanne, he finds her bed empty. Suspecting that Roxanne has been spirited away by vampires, Dumas consults with Padre Jacinto [Paul Naschy]. Arming himself with a cross, a bottle of holy water, and a Bible, the Padre and Dumas set off to find the vampires' sanctuary. There they find Roxanne, stake Diana, and stab Lord Ruthven with a silver dagger as he lies in his coffin. Padre takes this as a sign from God and vows to fight against such evil until it is eradicated from the world.