戸(😷)崎(qí )慎介（葉山(👴)(shān )良(liáng )二）が(😷)、東京に近い(⌚)中(zhōng )都(dōu )市の(⌛)スラム東雲町(👹)に下(xià )宿した(💦)のには三つの理(🚠)(lǐ )由(yóu )があっ(🌟)た。一つは医者(🥖)として急患(huà(😶)n )の病人を救え(⏲)なかった責(zé(🚵) )任(rèn )感。一つは妹(🔲)佐紀子(zǐ )（吉(🚝)行和子）が許(🥢)婚者梶原（梅(🆖)野泰靖(jìng )）と(⚡)結婚する前、(👮)梓組(zǔ )の与太(🕒)者に暴行され(🥠)破(pò )談(tán )になり(🧤)自殺未遂にな(💲)ったこと。もう(💗)一(yī )つは幼な(⏪)じみの加代子(👴)(zǐ )（南田洋子(🧑)）がおちぶれて(📦)ここで売春婦(💍)をして、昔の(😐)愛を取(qǔ )戻す(🌔)ためだった。慎(🛴)介(jiè )は善良で(🛸)正直な老医師(shī(🀄) )笠(lì )間(jiān )（宇(🐥)野重吉）の診(🌚)療(liáo )所(suǒ )で懸(🎹)命に働(dòng )いた(🍜)。梓組の実体は(🗄)近郊(jiāo )一(yī )帯(🐄)を牛耳る暴力(🚓)団で佐(zuǒ )紀子の(💬)事件も警察は(🛸)尻(kāo )込(rù )み、(⛽)梶原も仕返し(⛪)を恐(kǒng )れ証言(🚻)を否(fǒu )定(dìng )し(🈚)解決しなかった(🐵)。梓(zǐ )組(zǔ )組長(🏺)梓米吉（滝沢(🐃)修(xiū )）は東雲(🐒)町が市有地で(🏼)あるのに目を(🎐)つけ、ここに市(✨)営アパートを(🍳)建てひともう(🎐)けしようとた(💊)くらんだ。（goo解(🍚)(jiě )説(shuì )）
富家(🔗)子方(fāng )浩章不(🌮)满封建姻婚，撇(⬇)下(xià )比(bǐ )他年长(🛢)十多岁的等郎(🚮)(láng )媳(xí )姚秀英(⌛)和子女子薇和(🏛)(hé )子(zǐ )锋(fēng )，进(🚳)城寻找新生活(🍟)。后(hòu )章父病重，英(🔞)(yīng )寻得丈夫，始(🆗)知他已另(lìng )娶(🏍)(qǔ )顾绮芬。芬不(🐚)忍破坏(huài )别(bié(🦕) )人家庭，又眼见(🔎)章父子(zǐ )因(yīn )她(⏭)失和，章(zhāng )父激(🗝)动致死，纵有身(💭)孕(yùn )亦(yì )悄然(🐻)而去。章为此迁(😡)(qiān )怒(nù )于(yú )英(🕥)，更一怒离家，性(🏫)(xìng )情(qíng )大变，回(🌑)到(dào )省城花天酒(♟)地，并与一女(nǚ(😪) )子(zǐ )同居。
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
富商(🤺)魏克家溺(nì )爱(🌯)(ài )孙女宝宝，却(😐)冷待侄(zhí )儿(é(🍛)r )九(jiǔ )少。九恐失去(🔂)家产继承(chéng )权(💙)，与妻密(mì )谋(mó(📕)u )以毒饼杀害宝(🔻)宝不果，遂(suí )再(🙀)趁家携宝宝乘(🖨)船往(wǎng )巡(xún )视业(📁)务时，买通船家(🚟)谋(móu )害(hài )祖孙(📑)二人。小船爆炸(🖍)，家、宝宝及(jí(🤯) )时(shí )跳海逃生(🐿)，漂流至荒(huāng )岛(🌡)(dǎo )。宝宝遇上猩(😰)猩王，将(jiāng )其(qí )驯(📺)服，并得(dé )其协(🏧)助在岛上生活(🔕)。家利(lì )用(yòng )酒(🌾)瓶发放求救信(👶)息；九(jiǔ )得知(⏯)家、宝宝未死，即(📺)(jí )与(yǔ )妻及同(🏨)党赶往荒岛追(🤓)杀(shā )二人，幸姑(🤾)(gū )婆(pó )及时报(🚾)警，家获救，九(jiǔ(🐾) )等(děng )人终被绳之(⛸)以法。
一(yī )老(lǎ(🌥)o )一年轻俩男科(🌉)学家兴奋(fèn )的(🌶)(de )展开最初的(de )登(🐈)月计划（他们(🌩)的飞船(chuán )和(hé(🌲) )宇航服我感觉(🎶)都是象(xiàng )征(zhēng )性(🦏)(xìng )的要真是这(🥣)样啊别他(tā )妈(🍾)(mā )登月了，连(liá(🍠)n )中国古代火箭(🦉)和太空摇滚(gǔ(🤞)n )的(de )戏服都不如）(🐌)。不料(liào )月(yuè )球(🧣)上满是金子ROCK和(⭕)友善(shàn )的(de )裸(luǒ(💹) )体男女。原来月(🤑)球是个(gè )首脑是女王(wáng )的(de )母系(🐡)社会，女多男少(🔐)，头(tóu )上都带一(👽)个长的像啊(ā(🥪) )同(tóng )蚂蚁那样(🖱)的触角跟昆虫(🤰)(chóng )或(huò )者无线(⛄)电是(shì )的，每人只穿个闪光的(de )小(🐍)(xiǎo )内裤大半姑(😁)娘还露个(gè )屁(🖱)(pì )股(gǔ )沟在外(🤡)面（不知道是(📁)(shì )不(bú )是因为找来(lái )的愿意裸(🐢)体的女的大部(😾)分(fèn )都(dōu )太肥(🦏)胖身材狂烂，裤(🍈)(kù )子(zǐ )拉不上(🌼)去。。。）一(yī )开(kāi )始(shǐ )他们对突然(🎭)出现的两位(wè(💉)i )外星来客很(hě(🎓)n )迷(mí )惑不知道(🚫)他们是朋友还(🍊)(hái )是(shì )敌人（(🏩)一个女的把俩(⬆)(liǎng )科(kē )学家用魔棒弄晕弄到一(😅)(yī )个(gè )石室里(🌕)头）女王就召(🎦)集居民开会（(🏉)他(tā )们不会说(✉)话好象都是(shì )用(yòng )意(yì )念交流(🥅)呢，其实啊就(jiù(👀) )是(shì )用个女的(🚀)说(shuō )旁白，旁边(🕟)的其他男女就(🎓)(jiù )摆(bǎi )出很傻的完全没有演(yǎ(🏪)n )技(jì )可言的动(🍰)作表情），最(zuì(🏯) )后(hòu )发现科学(👒)家很友好，就(jiù(🚖) )又自顾自己(jǐ(🐿) )的(de )玩去了。两位(🍐)科学家记(jì )录(lù )了大量月球裸(🏎)体居民(mín )的(de )生(🐍)活状况，年轻的(⏮)科学(xué )家(jiā )就(📞)用一个老(lǎo )式(💶)相机拍啊拍，老教授(shòu )就(jiù )指点(🏂)月球江山是的(🌐)让(ràng )他(tā )拍(pā(➗)i )女人嬉戏男人(🏪)嬉戏小(xiǎo )孩(há(✅)i )嬉戏（娘啊(ā )，简直是原始的极(🖕)乐世界(jiè )，纯真(🍔)到了滑稽的地(🧛)步(bù )，实际上也(🗃)可以说看着(zhe )看(🕰)(kàn )着(zhe )就觉得乏(🚬)味到了一定程(🛫)(chéng )度了，有烂(làn )片(piàn )之风范，不亚(👍)于死人的(de )狂(kuá(🛵)ng )欢里跳脱衣舞(🥊)）值得(dé )一(yī(🔐) )提的是年轻科(👫)学家还和(hé )女(nǚ )王一见钟情(qí(🥣)ng )。女王知道他不(👓)得不回(huí )地(dì(🔭) )球于是还是用(🚇)小魔棒(bàng )（不(⛵)(bú )知道什么烂东西做的(de )一(yī )棒(🧀)子，有个(gè )花形(🥃)状的顶部，月球(🥓)好多(duō )女(nǚ )的(🥔)都拿一个）一(📌)点，年(nián )轻科学(🌘)家就晕了。在(zà(🐇)i )返(fǎn )航(háng )的飞船上，年轻科学家(🐃)(jiā )还对女王念(😕)(niàn )念(niàn )不忘，更(🏢)可气的是他还(🎐)(hái )发(fā )现他的(😲)相机没拿。。。。。。（GO TO THE MOON AND BACK操这不是野人(rén )花(🚶)(huā )园的歌么）(🛶)回到科学研究(🥐)室，他又(yòu )打(dǎ(🥫) )电话什么的，最(🐏)后发(fā )现(xiàn )在(zài )影片开头莫名(🍬)其妙的(de )介(jiè )绍(😅)他们去之(zhī )前(🖤)的情况（在莫(🔠)名其妙的(de )声(shē(🌁)ng )音的实验室里(🍪)他在弄(nòng )莫(mò(♏) )名其妙的仪器，还开(kāi )个(gè )车(chē(🌭) )子他和老教授(📟)说话啊兜(dōu )风(🐳)啊交流啊(ā )还(🐦)(hái )一女秘书的(🔝)拿他照片出(chū )来(lái )看啊看的为(🔣)他出行很(hěn )担(🏜)(dān )心）里的那(🐻)女秘书居然(rá(💘)n )是和月球女王(😀)(wáng )长的一模一样（我看了(le )一(yī(⏲) )半就发现是一(🏪)个女的(de )演(yǎn )的(🐦)(de )，但真的不怎么(🤤)样长(zhǎng )的(de )），看(😎)着看(kàn )着就变(⛰)成裸体然后又(🌠)复原(yuán )成(chéng )穿个白大褂，然后俩(💤)(liǎng )人(rén )就拥抱(🦁)了。又开始了(le )和(🥊)(hé )开(kāi )头一样(🚙)的老男人的情(💵)歌(gē )在月球背景(jǐng )下(xià )就没了(🌛)（开头结尾就(🎭)放(fàng )这(zhè )个就(📅)分别有一分钟(🌮)）
麦(mài )少泉获(⛏)聘为船员，离开(kāi )妻子戴桂玲和(👃)(hé )侄女少娟出(🥃)海工作。不(bú )久(🖍)(jiǔ )战事爆发，泉(🌑)与家人(rén )失(shī(🎡) )去(qù )联络。珍不(🛡)甘食贫，携(xié )娟(🔄)与私枭同(tóng )居，娟自此受尽苛待(🍼)。泉(quán )返(fǎn )家后(😲)找珍理论，珍欲(🌟)(yù )枪(qiāng )杀丈夫(🍾)，却错手自毙(bì(✅) )。警(jǐng )长魏国忠追查案件，泉(quán )蒙(⏺)冤登船潜(qián )逃(🐻)(táo )。忠追捕而至(😃)，且带娟(juān )上(shà(🌋)ng )船认人。娟机警(🕓)应变(biàn )，却不愤堕海，泉为救娟不(📴)惜暴露身份(fè(🏢)n )。忠被泉，娟真情(🐷)打动(dòng )，决舍弃(📤)官职，随二人(ré(🔷)n )远(yuǎn )走(zǒu )高飞(🐥)。
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