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第二次世(shì )界(jiè )大戦下、オランダのアムステルダムにある隠れ家で、ナチスから逃(🗼)れ身を(😑)潜めて(🚓)精(jīng )一(🐌)(yī )杯に(😷)生きよ(➿)うとし(🦕)たユダ(🏸)ヤ人の(🚒)少女アン(🔊)ネ・フ(😽)ランク(😹)と、そ(🤣)の家族(🎽)の軌跡(🛃)。アンネ(💕)・フラ(🎭)ンクの(🤵)生誕50周(❌)(zhōu )年(niá(💟)n )を記念(🌭)し、世界(🖲)的(de )なベ(🌹)ストセ(🔞)ラー「(🐃)アンネ(🍼)の日記」を元に制作(zuò )されたアニメーション。アンネの実父オットーへの取材を行い、現存するナチスの(🧣)収(shōu )容(💺)所の映(🤹)像やオ(🥑)ランダ(🐰)の景観(♟)などの(🙉)実写(xiě(🧣) )映(yìng )像(🕌)もふんだ(🐟)んに盛(🛸)り込ま(🍍)れてい(🍮)る。 Fiftysomething dental surgeon François (Robert Stack) leaves his loving wife and three children in order to enjoy a life free of responsibility, beginning a relationship with a much younger woman, Catherine (Anicé(😕)e Alvina), who confesses that she is also having an affair with Marc (Frédéric Meisner), a motorcycle-riding man her own age. Undeterred, Franç(🙈)ois befriends Marc and gets his own motorcycle, but when he suffers an accident, he is forced to confront the limitations of his aging body and the reality of his waning youth, harsh realities counterposed to undying hope in this frank, human film. 江湖上(🕸)闻名例(🎳)不(bú )虚(🈵)(xū )发的(🍽)“小李飞(🎓)刀”终(zhō(🖥)ng )于被制服(🎱)在美而(🧖)慧(huì )的(🥓)(de )银姬的(🍴)爱情情(🐏)调中，从(cóng )此过著归隐山林，伴(bàn )著银姬共享幸福，过(guò )著(zhe )最甜蜜、最美满的(de )生(shēng )活。江湖是最无情的(de )，只要你一旦(🤟)涉足其(😷)(qí )间(jiā(🚷)n )，就永远(🕥)也无法(👓)脱身(shē(🎙)n )，除非是(🦒)命丧黄(🌕)泉。“小李(🤭)飞刀”虽然(😺)决心(xī(📯)n )远离江(😕)湖，偏偏(✨)就有(yǒ(📒)u )人(rén )说(🈵)什么也(⛽)不放过(🔩)他，想(xiǎ(🛏)ng )尽办法(🔁)要达到(🚭)逼使(shǐ(🏧) )小(xiǎo )李飞(❕)刀重入(👺)江湖的(💼)(de )目(mù )的(♑)！他是谁(🚉)呢？小李(lǐ )飞(fēi )刀的仇家吗？一个黄(huáng )昏，像平时一样祥和(hé )宁(níng )静的黄昏，银姬又(yòu )像(xiàng )每天一样藉著喂狗，早(zǎo )就(🎒)在院中(👗)等待著(🏵)心(xīn )爱(🚌)(ài )的丈(🆎)夫从田(🏗)地里回(🕷)来(lái )；(😬)果然，脚步(🕙)声传来(✳)(lái )了(le )，她(💿)正准备(⛷)飞奔过(⚽)去(qù )时(🐷)，一柄利(🎎)刃突然(💕)穿(chuān )胸(✂)(xiōng )而过(🌈)！银姬死(🐏)了，小(xiǎ(👨)o )李(lǐ )飞刀(😃)的美梦(🐧)也粉碎(📭)(suì )了(le )，而(🍔)且碎得(👞)那么彻(chè )底(dǐ )，他终于明白：一旦(dàn )涉(shè )足江湖，就永远无法(fǎ )脱身了！但是，银姬(jī )是(shì )无辜的，她不该落(luò )到(dào )这样的(🕘)下场。因(👄)此，小(xiǎ(💀)o )李飞刀(🦇)思考著(🌲)，他(tā )决(🔎)(jué )不能(🕓)原谅这(🚔)个凶手，他(tā )要报(📯)复，他要(👇)以更(gè(📠)ng )残(cán )酷(🐹)的手段(❌)对付这(🖤)个凶(xiō(⚓)ng )手！(银姬(🛸)手上抓(💉)著撕(sī(🌌) )下(xià )凶(🔃)手的衣角，小李飞(🍵)(fēi )刀已(🔆)认出是(🌖)黄金帮(📴)所(suǒ )为(wéi )) 金蛇江小郎是个浪(làng )子(zǐ ), 风流鬼. 他被人控告诱(yòu )骗(piàn )未成年少女被侦缉队(duì )专员龙拳陆啸云所捉(zhuō )所(suǒ(🥤) )发生的(🌹)一系列(❎)故事(shì(📄) )。 1930's gangster era film about Dillinger and his last girl. Written by John Sayles. 商业巨(👱)贾洪天(🖼)踪，年(niá(🗯)n )届(jiè )六(🐂)旬，有子四名，他(tā(🧞) )希望在(📘)有生之(🐪)年，能(né(😴)ng )目(mù )睹(🚪)儿子继(🚈)承父业(⛲)，特(tè )籍(🐛)家宴向(🚔)各界宣(🌧)布。今后(👡)洪家业务交由长(💁)(zhǎng )子(zǐ(❄) )洪英全(🔢)权章理(🍣)。洪老(lǎo )为使洪家产业巩固世(shì )袭(xí )，特在祖先坛前，定(dìng )下“家法”，务使兄(xiōng )弟(dì )四人能在长子洪英掌(zhǎng )理之下，同心协力(🕝)，共(gòng )策(👁)共谋，达(😳)至威名(🚩)(míng )远(yuǎ(😔)n )扬。洪老(🖱)大寿筵(🚕)席间(jiā(🌵)n )，突来一名不速之(🚋)客(kè )顾(🔶)(gù )雄武(😊)，是夜前(🖨)来有意(🍒)(yì )把(bǎ(🔅) )前年的(📰)恩怨旧(📤)事重(chó(🚀)ng )提(tí )，故(🤳)作多方(📎)挑惹，幸(xìng )得长子(🍢)英明，击(🥙)破诡(guǐ(🍇) )计(jì )，使(🏩)顾老悻(🙌)悻而离…… This adaptation of a story by Knut Hamsun is about the impossible love between miller’s son Johannes and Victoria, the daughter of a manor house owner. Created as a co-production with ZDF, Widerberg adapted the original with fidelity to each and every detail while placing his own emphasis along the way. The translation of the dialogue into English – for production technical reasons – heightens the artificiality of the film, which can also be seen as creating an ironic distance to the romantic material. VICTORIA exhibits numerous similarities to ELVIRA MADIGAN, but remains more reserved, calmer, more autumnal. The film’s poor reception was one of the reasons why Widerberg was only able to make three more features in his final 18 years of life. Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother died when he was a boy. Growing up in the teeming streets of 17th century Paris, Jean Baptiste received a good Jesuit education and was fascinated by the street fairs and traveling carnivals that flourished in spite of the religious repression and hypocrisy of those cruel times. As a young man he joined the theatrical Bejart family to establish the Illustre-Theatre, which soon went bankrupt. The troupe reformed, found patronage, and went on the road for thirteen years, performing all over France. Poquelin developed his stagecraft adapting Commedia dell Arte plots to please brutalized peasants and cynical townspeople. He also married Madeline Bejart, the widowed daughter of the troupe's founder. Later he entered into a love affair with Mme Bejart's daughter, to the dismay of all. The troupe eventually... Written by John Christopher