熊出没原始时代

To win the hand of the caliph of Bagdad’(🖋)s daughter (played by Julanne Johnston), a thief (Fairbanks) embarks on a dangerous and mystical journey to secure the most desirable treasure imaginable. In attempting to develop a chemical which would make a person super-intelligent, Dr. Montrose fails and the subjects of his experiments metamorphose into hideous monsters who band together and prey on humans. With the police stymied, a young detective attempts to track down the leader of the group of killers, known only to have a small crimson stain in one eye. Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person. This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama. This epic was the last in a series of silent sword ‘(📑)n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’(☔)s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. 中(🎲)国明(🏝)(mí(➕)ng )代古装历史影片(piàn ) 诗人挖目记 前法(fǎ )总理克理满沙(🥄)编(biā(🥗)n )剧(🎩) 留(🥀)法(🌦)中(🕍)国电(🌧)影(yǐng )明星徐琥主演 前(qián )法总理克理满沙(shā )在欧战和议既成(🏀)(ché(🦅)ng )之(🐤)后(⏭)，深(🦈)痛人(📜)类(lèi )残杀之罪(zuì )恶，联(lián )想所及，觉世界(jiè )实现之事(shì )实，皆足(😕)使(⛓)明(🍴)眼(🎁)(yǎn )人触(🏅)目伤心(xīn )，退(tuì )著《诗人挖(wā )目记(jì )》（The Veil of Happiness）一剧(jù )，以(yǐ ) 中(😚)国清(🎿)代(🌚)装(🥂)(zhuā(🎗)ng )饰(☝)出(chū )演(👬)于法国国(guó )家大(dà )剧场，颇受法人(rén )之欢迎。时中国(guó(⤴) )和会(🦂)总(♍)代(😏)表(👩)陆(🌛)征(zhē(🚚)ng )祥氏在法， 喜其(qí )剧情寓意深奥，嘱林纾译为华文(wén )，题名《膜外(🦍)风(🍱)(fē(🧐)ng )光(🚕)》。书(📖)既发(🤮)，留法学生争往观(guān )剧，见演(yǎn )员垂辫(biàn )之状，有(yǒu )辱国体(tǐ )，退(🔱)而(🏨)大(🏧)(dà(🐄) )哗，举徐(🧒)琥告克(kè )氏，谓剧情(qíng )所述(shù )，系明代事(shì )，不(bú )可故误。克(kè(🏋) ) 氏(🐐)乃(😘)(nǎ(🆘)i )请(🌽)徐为顾(🏘)问(wèn )，命(mìng )剧场以明代(dài )古装(zhuāng )出演，法人欢迎(yíng )，更见(🚨)热烈(🔬)。巴(〽)(bā(🗒) )黎(🚂)汉(👜)蜜莱(🃏)影片公(gōng )司 （Hamalaya Film Co.）总导演欲(yù )摄演之为影戏，聘任徐琥为副导(💉)(dǎ(🛎)o )演(🕋)，并(➿)请(👊)主演(🕷)剧(jù )中张怡一角。 巴(bā )黎总领事廖叙时(shí )之弟廖世(shì )勤，及(jí(🌙) )留(🌹)法(🔨)美(🤜)术(shù )学(🎬)生华(huá )女士赵庭(tíng )良李福昌等，闻(wén )讯自告奋勇(yǒng )，分(fèn )任(🎳)剧(🕘)中(👝)诗(🗜)春(⛪)(chūn )夫人(💨)(rén )、杜夫、李(lǐ )刚、赵犯诸角，历时(shí )十余月，用费数(⚓)(shù )十(🗝)万(🌵)，全(🏕)剧(❕)始(✔)成(ché(🥉)ng )。出演之日， 巴(bā )黎全市，如中狂(kuáng )热。今本院以巨(jù )价购运来沪(🎲)，定(📸)(dì(🦋)ng )三(🕛)月(🔑)十三(🤦)日开演(yǎn )。凡欲认识克理(lǐ )满沙氏之政治眼(yǎn )光，及领略剧中(🌠)(zhō(🏉)ng )之(🦐)哲(🏹)学意(yì(🙌) )味者，不可不看(kàn )此明代(dài )古装历史(shǐ )片。静安寺路夏(xià )令(🈳)配(📏)克(🦓)戏(📅)院(💂)(yuàn ) 启 （(🕐)《申报》一(yī )九二(èr )六年三月十(shí )一日(rì )头版） This epic was the last in a series of silent sword ‘n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. Deutschland is under the power of Rome; the heartless Empire, ever in need of new conquests, is merciless and its legions pillage and sack throughout the land with deep Gallic hatred. Hermann, son of the Cherusci prince Segimer, is a hostage at the service of Rome and has been given the name of "Armin." Ultimately, he will lead an army of his countrymen and drive out the Roman tyrants. Une femme traverse les lignes du front pour montrer son nouveau né(📈) à son fiancé(🌝). The story is a man who spends the night in a sinister Wax Museum.