欲望的火花

某奶(🥀)酪工(gōng )厂往(🎸)河(hé )里排放狠(hěn )多有毒(dú )废(👅)料，被当地官(🚢)员检(jiǎn )查出(✅)来，要告这(zhè(😐) )家工厂(chǎng )，所以工(gōng )厂的老板(🥌)和秘书(shū )就(🥊)要想办法贿(🌐)赂法官(guān )。好(🆘)色小秘书想(🍍)(xiǎng )出一个(gè )办法，那(nà )就是色(🙋)(sè )诱～ 他找(🔰)(zhǎo )到一个风(🐃)情万种外型(🚴)(xíng )姣好的(de )站(🐰)街妓女(nǚ )来冒充(chōng )厂长老板(🤚)(bǎn )的老婆(pó(🚸) )，然后企(qǐ )图(🥃)接近(jìn )并且(🐎)色诱法官，一(😱)切(qiē )顺利的话(huà )他们的(de )官司(🦒)就可(kě )以easy搞(🤞)掂(diān )了。谁知(💗)(zhī )没想到(dà(🥉)o )这个妓女出口成脏，说话不得(📀)体的妓(jì )女(🔱)明显(xiǎn )不(bú(📦) )符合厂(chǎng )长(🏋)老婆这一身(🍎)份(fèn )。于是便有了有趣的(de )那一(🤵)段戏，厂长(zhǎ(♿)ng )等人帮(bāng )着(🛬)妓女纠(jiū )正(🍝)社交(jiāo )用语(⛪)，教(jiāo )她如何说体面的寒暄(xuā(💪)n )语。这(zhè )一段(🥟)绝对(duì )有借(🖕)鉴(jiàn )经典影(🥠)片(piàn )【窈窕(😗)(tiǎo )淑女】之(zhī )嫌。谁(shuí )知妓女(🌖)爱上了好色(🌁)小(xiǎo )秘书，再(🏒)(zài )加上厂(chǎ(🛸)ng )长、法官(guā(🐀)n )、法官(guān )妻子、(🤡)法(fǎ )官秘书(📨)(shū )等错综复(➡)杂的男女关(⛅)(guān )系，上演了(🤠)一场(chǎng )荒诞滑(huá )稽(jī )的小闹(🍻)(nào )剧。 伊格纳(🛥)齐奥(ào )（图(🐳)里·费罗 Turi Ferro 饰(😣)）的(de )妻子早(🏙)逝，他独(dú )自抚养(yǎng )着三个孩(🐛)(hái )子尼诺(nuò(🏇) )（亚历桑(sā(🍕)ng )德罗·莫莫(🔁) Alessandro Momo 饰）、露(lù(🌶) )西安娜（蒂娜·奥蒙特(tè ) Tina Aumont 饰(👏)）和帕(pà )西(🧦)诺（Stefano Amato 饰）长(🗽)大(dà )。某日，伊(🖼)格纳齐奥聘(🐩)用了(le )一位名叫(jià(😖)o )安其拉(lā )（(⛅)劳拉·安托(🚽)妮(nī )莉 Laura Antonelli 饰）(🆘)的(de )女佣打(dǎ(🌇) )理家务，这位安其拉(lā )拥有着(🎰)天使的外(wà(📦)i )貌和魔鬼(guǐ(📘) )的身材(cái )，在(💕)家中(zhōng )掀起(🦍)了(le )阵阵的涟漪。 淒美的(de )愛情故(🧤)事，看得(dé )人(🐧)眼眶(kuàng )濕透(🚅)。宋(sòng )蓮花（(🎌)李菁）與(yǔ(🐔) )韓世龍（林偉圖）乃(nǎi )富家(🦑)小姐與高官(🔅)(guān )子弟，二人(📜)準備(bèi )成親(✖)前(qián )，韓家被(💠)(bèi )罷官，世龍隨父(👡)被放逐回鄉(🆘)(xiāng )。愛侶一(yī(🥑) )別十數(shù )載(📛)，蓮花(huā )念郎(🆑)成(chéng )疾，病重(chóng )離世，世龍獲悉(🌠)後心如刀割(🆒)(gē )。一日，蓮花(🏨)亡(wáng )魂出現(🎦)，縱使陰(yīn )陽(🛸)相隔世(shì )龍仍決(jué )意迎娶，但(🛷)卻為友人(ré(⬆)n )張鐵（金武(🛫)榮）極力反(🚝)(fǎn )對，且找(zhǎ(🥑)o )道士驅鬼。世龍(lóng )排除萬難，終(😆)能與蓮(lián )花(📃)成親共渡一(🤪)宵(xiāo )。可惜(xī(💉) )醒來發現(xià(💚)n )蓮花升(shēng )天而去(🈲)，感人情節令(🔳)人心酸。 1973年，美(🏤)(měi )国导演JamesBridges以(🗞)(yǐ )当年的(de )哈(🌨)佛法学(xué )院的实(shí )际情况，拍(💎)摄了(le )一部名(👿)叫“ThePaperChase”的电影(yǐ(🍓)ng )，中文翻译为(🍦)《平步青云(yú(🦆)n )》。这(zhè )部无论导(dǎo )演和演(yǎn )员(🙊)阵容都并非(🚞)豪华的(de )电影(🔋)在后来连续(🖨)(xù )的几十(shí(😱) )年中，一(yī )直都被全美几乎(hū(🍕) )每个法律系(🤺)的学生视(shì(🍛) )为“第一堂必(⏲)修(xiū )课”。 While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 某奶(♓)酪工(gōng )厂往河(hé(😌) )里排放狠(hě(🐵)n )多有毒废料(🔞)，被当地官员(📙)检(jiǎn )查出来(🥌)，要告这(zhè )家工厂，所以工(gōng )厂(🏆)的老板(bǎn )和(🏬)秘书(shū )就要(🥁)想办法贿赂(🖨)法官(guān )。好色(🐋)小秘书想(xiǎng )出一个办(bàn )法，那(📡)(nà )就是色诱(🌒)(yòu )～ 他找(zhǎ(🎒)o )到一个风情(👜)万种外型(xí(🐓)ng )姣好的站街妓女(nǚ )来冒充(chō(⛪)ng )厂长老板(bǎ(👩)n )的老婆，然后(🎞)企(qǐ )图接近(🤱)并且色诱法(🆑)官(guān )，一切顺利的(🆒)话(huà )他们的(🧣)(de )官司就可(kě(🌡) )以easy搞掂(diān )了(♊)。谁知(zhī )没想(🕊)到这个妓女出口成脏，说话不(🌂)得(dé )体的妓(🗜)(jì )女明显不(🕍)(bú )符合厂(chǎ(🐖)ng )长老婆这(zhè(🎻) )一身份(fèn )。于是便有了有趣的(🥀)(de )那一段戏，厂(🌷)长(zhǎng )等人帮(🖱)着(zhe )妓女纠(jiū(🔞) )正社交用(yò(🦃)ng )语，教(jiāo )她如何说体面的寒暄(🆙)(xuān )语。这一段(💪)绝对(duì )有借(😎)鉴(jiàn )经典影(😮)片(piàn )【窈窕(🗨)淑女】之(zhī )嫌。谁(🕘)知妓女爱上(🎟)了(le )好色小秘(🏭)书，再(zài )加上(🥞)厂(chǎng )长、法(👷)官(guān )、法官(guān )妻子、法(fǎ )官(🤜)秘书等错综(❓)复杂的男女(🚳)关(guān )系，上演(💃)(yǎn )了一场(chǎ(🌁)ng )荒诞滑稽(jī )的小闹(nào )剧。 "A serial killer uses a scythe to slash his murder victims--or maybe it's *her* murder victims?" 适逢(👕)(féng )父亲的(de )忌(📃)日，漂泊许久(💖)的寅(yín )次郎(🐑)（渥美清 饰(🗞)(shì )）返回家(jiā )中，却(què )玩笑般(🤜)地(dì )大闹法(📲)(fǎ )会。在家没(🔞)有待上几(jǐ(👚) )日，又因搞错(🍻)了(le )满男想(xiǎng )买钢(😞)琴的(de )愿望倍(🛏)感受辱，转身(👊)又踏上旅途(🔓)。这(zhè )一次他(🥋)远走北海(hǎi )道，信(xìn )心满满地(✒)(dì )留在当(dā(🔷)ng )地农家帮(bā(🛫)ng )忙，结果仅仅(🌍)三日便一病(🌶)不(bú )起，多亏(kuī )阿樱（倍赏千(🆓)惠(huì )子 饰）(🥑)亲自将他(tā(⏳) )接回家(jiā )中(🍼)。只不过阿寅(🛑)并未(wèi )吸取教训，正当(dāng )他再(🗨)次准(zhǔn )备离(🧢)家(jiā )的时候(👯)，他重逢(féng )了(🥢)在北海道网(🛶)走市有(yǒu )过一面(🕊)之缘的茉(mò(🎋) )莉（浅(qiǎn )丘(⭕)琉璃子(zǐ ) 饰(👊)）。茉莉为了(🍢)(le )成为歌手，孤身一人(rén )流转日(⛹)本各地，吃尽(🚅)人(rén )间之苦(🤫)。如今她(tā )逶(😌)迤来至(zhì )浅(📚)草，继续追寻着她的梦想(xiǎng )，而(👅)阿寅(yín )是否(🥠)又(yòu )将迎来(🌵)一(yī )段新的(🤚)(de )恋情呢？ 大(😄)刀王(wáng )五（陈观泰 饰）本为(🧠)(wéi )北京城内(✡)豪杰，经营镖(🥇)局(jú )为生，侠(🤝)名远播(bō )。贩(🎅)夫(fū )走卒、陌路好汉，遇(yù )事(💷)喊一声五爷(📚)，则王五(wǔ )必(📪)出面维(wéi )护(🥞)。湖北巡抚之(zhī )子谭嗣同（岳(🔶)华 饰）入京(🚭)参议新政，慕(🦖)王五(wǔ )侠义(🍞)之名(míng )，有心(🦇)(xīn )结识。是(shì )日王五相会情人(🦗)金菊花（贝(🕰)(bèi )蒂 饰）时(🐗)(shí )遭仇人(ré(🚫)n )拦截，谭(tán )嗣(🐲)同仗(zhàng )义助拳，二人相(xiàng )谈甚(🔷)欢，结为豪气(⬆)干(gàn )云的异(🥀)姓兄弟。 While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.