胡须洪(hóng )为报仇，与师(shī )兄大旧(jiù )宋用毒刀伤黄(huáng )飞鸿徒(tú )弟范(💆)斗，鸿为(🛰)(wéi )取解(🥄)药，深入(📆)虎穴，但(😢)独力难(🕊)支，幸梁(🕢)宽(kuān )率(🎫)师兄(🐕)弟(🦈)及时(shí(🤖) )解围。洪(🍟)不忿，于(🏺)出(chū )会中用二龙夹(jiá )攻鸿狮(shī )，但被鸿智破(pò )二龙阵(zhèn )。
走私贩张(🥄)韩(hán )被(💾)同党(dǎ(🚜)ng )醉猫昌(😹)打(🐍)伤，获(🗡)黄飞鸿(😷)治愈(yù(🙈) )，鸿遂(suí(👌) )劝韩改(😮)行从商(👹)(shāng )。韩发(🌛)(fā )迹后(🍀)于大沙头(tóu )妓院宴请鸿等，巧遇(yù )昌，二人为争(zhēng )歌女杨(yáng )金娇而大打出(🕣)(chū )手。妓(〰)(jì )院失(📉)火，昌险(📇)(xiǎn )被烧(😗)死，幸得(👍)鸿冒死(⛵)(sǐ )相救(🐀)。
电影(🏪)剧(🛢)(jù )情：(🎦)
Kingsley Amis' novel about redbrick university life turned into likeable but harmless knockabout farce by the Boulting Brothers. The situation of accident-prone, caustic-minded young lecturer Jim Dixon having problems with his girlfriend and his professor - he was promptly annexed as an example of 'Angry Young Man' protest - here lacks all sense of satire, not surprisingly given the casting of the wet Carmichael in the central role. Cosy, undemanding, and quite forgettable.
导(dǎo )演(♐)：杨工良
美(měi )しい芸(yún )者・滝の家清(qīng )葉に片思いの医学者(zhě )・葛木(🎡)は、あ(🍎)る日、(✡)思いき(🎲)って告(🏂)(gào )白す(🏋)るが、(💵)旦那に(🌚)一(yī )途(🌎)な清葉(👫)に振(zhè(🚄)n )られて(🎾)しまう。それを知ったライバル芸(yún )者の稲葉屋お孝は、葛木をカモに(🏭)しよう(🏨)と彼に(🏋)言(💈)い寄(💙)(jì )る。一(🚙)(yī )方、(🌟)かつて(🚜)清(qīng )葉(🈸)に振ら(🧘)れた直(✅)後にお(🔟)孝に言い寄(jì )られ、弄ばれて捨てられた五十嵐は、お孝を執拗に追(😘)(zhuī )い回(🏖)してい(🤵)た…。
Set in rural South of Spain in the 19th century, tells the story of group of outlaws, from very different origins, trying to survive, hiding from the law enforcement officers in caves in a hilly area, and their struggle against the evil mining company that exploits the poor people of their home village.
黄(🍒)(huáng )飞鸿(🧦)故(gù )交(🕎)李子贤(📐)珍藏(cá(🐆)ng )“七宝(bǎ(🤣)o )莲灯”，拟(🔛)于(yú )上(📵)元佳节(📫)在观(guān )音庙展(zhǎn )出，贤外甥区(qū )锦文与(yǔ )土霸郭鸿彪密(mì )谋夺宝。鸿出狮(🐨)护灯(dē(🎹)ng )，彪乘乱(👾)将(🏑)灯(dē(㊙)ng )夺去，幸(😇)鸿的小(😢)侄儿(é(🏭)r )人急智(🧚)(zhì )生，让(🍵)鸿等巧(🥐)(qiǎo )妙夺(🌃)回宝灯。
Kingsley Amis' novel about redbrick university life turned into likeable but harmless knockabout farce by the Boulting Brothers. The situation of accident-prone, caustic-minded young lecturer Jim Dixon having problems with his girlfriend and his professor - he was promptly annexed as an example of 'Angry Young Man' protest - here lacks all sense of satire, not surprisingly given the casting of the wet Carmichael in the central role. Cosy, undemanding, and quite forgettable.
A newly married young woman is possessed by the evil spirt of her husband's deceased first wife. The possession turns her into a scheming killer who will stop at nothing to get what she wants.