费(👩)(fèi )利克斯(sī )是一(🦏)(yī )位(🗺)(wè(👮)i )著名的(de )大提琴演奏(🐴)家(💡)，他用音乐才(cái )能吸(🥜)引(yǐn )了无数(shù )的女性(🎫)(xìng )崇拜者。然而，当受尊(🐶)敬的(🏊)(de )评(🤫)论家(jiā )科尼·(👯)利厄(🛑)斯(🍶)(sī )到达费利克斯的(⛪)家为他写传(chuán )记，科(kē(🦇) )尼·利(lì )厄斯发(fā )现(🏜)房子(🐫)里(💰)所有的女人都(🔐)极力(📛)(lì(📉) )干涉(shè )他(tā )而保守(💳)(shǒu )这位艺术大师的秘(🥇)密。对于科尼·利厄(è(🤟) )斯(sī(🦊) )来说，他在这个地(🔟)方的(💌)经(🧐)历变得越(yuè )来越富(📛)(fù )有戏(xì )剧(jù )性，他(tā(🔚) )被强迫穿女人的衣服(🏴)，照性(xìng )感的照(zhào )片给(👍)费(fè(🎰)i )利(📯)克斯(sī )看，还有(🍳)放烟(📟)火(🍊)等等，但是(shì )最终他(🦎)(tā )还是没(méi )能见到(dà(🍇)o )费利克斯的庐山真面(🐛)目。
arbara Stanwyck (in her last theatrical feature) stars with a wealthy woman who's terrorized by recurring dreams regarding her jealous, blind husband who supposedly burned to death in a recent fire. She tries to convince her attorney played by Robert Taylor (the real-life ex-husband of Stanwyck) that the nightmares are real. Exploitation king William Castle produced and directed from a screenplay by Robert Bloch ("Psycho"). Written by alfiehitchie
After an era of 'nudie-cutie' films from 1959 to 1963, sexploitation film-maker Russ Meyer turned to this 'roughie' rape-revenge, rural sex film with the tagline: "Ever wonder why wives WANDER?"; it starred 42C big bosomed voluptuous star Lorna Maitland as an unsatisfied married woman ("too much for one man") who was raped by an escaped convict in the woods after a nude swim in a swamp - and subsequently had her sexuality awakened, although her unfaithfulness led to her murder (a baling hook to the chest); some states prosecuted the film for obscenity
新(🎐)(xī(💍)n )正兴潮(cháo )剧(🚠)团(🔱)参(cā(🧜)n )演(🌺)，潮剧电影
孤女林洁(🎄)芳的好友遭(zāo )花花(huā(🔷) )公(gōng )子冯仁(rén )生遗弃(📼)，临终(🧓)托芳将一对子女(💔)交还(🆙)(há(🔷)i )生抚(fǔ )养(yǎng )·芳向(💋)(xiàng )追求她的冯汤美求(🔹)助，却不(bú )知汤美(měi )实(🍓)为(wéi )生(shēng )·汤美(měi )为(🕡)追求(🌆)芳(👂)不但拒认亲儿(📄)，更(gè(💷)ng )骗(🍑)芳说(shuō )找到生(shēng )，然(🔢)后(hòu )派人冒认生把子(💓)女领走，再(zài )暗中卖(mà(🆓)i )掉，幸(❔)(xì(✳)ng )得跑江(jiāng )湖(🔥)的(📜)肥伯(📽)伯(🎗)仗义相救·汤美(mě(🗑)i )欲迷奸(jiān )芳，芳(fāng )男友(🔆)李兆强及时赶至救芳(🗼)·芳(💮)、强(qiáng )携孩(hái )子(😱)(zǐ )找(🗂)(zhǎ(✨)o )汤美(měi )算帐，发现他(🦈)即是生·汤美最初不(🐫)(bú )肯认(rèn )回(huí )子女，后(🍼)得悉此举将失去遗产(🥍)继承(🗓)(ché(😝)ng )权，竟(jìng )强抢(qiǎ(🕧)ng )子(zǐ(♉) )女(🔴)回家(jiā )·芳、强偕(🐶)肥伯伯往冯家里(lǐ )论(🕐)，在(zài )汤美妻(qī )的央求(🔼)(qiú )及(🅱)保(📋)证下，终让孩子(🎆)与家(🚑)人(🈲)(rén )团聚·
内容其(qí(🐷) )实和十(shí )字军无关，改(😐)编自Brabante的传记。
1572年，武(wǔ )田(🛂)家的(🔄)(de )几名忍者为了保(🐋)武田(🍴)家(🎤)去谋刺信长(zhǎng )
奖项(♊)(xiàng ) 1965年(nián )第(dì )三届(jiè )金(💭)马奖 — 最佳音乐 (顾家(👱)辉)
John is a shipmaster on a very small transportation boat which regularly attends a very small harbour to buy food, actually from Anna's father. She is a waitress and has a young daughter. She tells John that her name is Anita. They have met many times, but their first personal meeting is when both are swimming in early morning. John is asked to have morning coffee with Anna's family. He invites her and her child to a trip to Zoo in Copenhagen. Both have genuine feelings for each other. There are lovely three-some scenes when John is proud of "being" a father, and beautiful love scenes. Christina Schollin's naked body is cute but never obtrusive. But at that time girls were depreciated if they "gave in" too soon. So these scenes repeatedly alternate with hot misunderstandings, well-known exactly when two people with genuine feelings fear misunderstandings and try to preclude them. In the last minutes of the movie, when each has left the "harbour village" on the next day, and John has learned the real name of "Anita" and calls her from the boat, both realise without saying anything about it, that this is the beginning of a long relationship based on mutual feelings.