Controversial singer-songwriter Franco Califano takes his tough, no nonsense persona to the big screen in one of his few starring roles as the man with the Gardenia, a restaurant owner who is not afraid to stand up to the mob. It's little wonder that every woman in the film swoons and sighs at the sight of him and all men, even the baddies, are awestruck at his appearance. Not that they show him constant respecto, if that were the case we wouldn't have much of a picture.
◎简 (😧) 介
Tony Lo Bianco (G. Tinti) an American cop transferred to Italy, becomes Maurice's right-hand man. Maurice is a famous "camorra " boss. He is planning an assault to a post office near Naples. During the robbery, another boss called "the panther" shots over Maurice's band wounding Lo Bianco. Fortunately Lo Bianco does not die and he starts to investigating about Maurice's past. He finds out that the boss is protected by the Italian Secret Service because he has some important documents regarding drug traffics where Italian minister are involved. Lo Bianco finds the documents and he is ready to give it to a magistrate but he is killed before leaving Italy. This is the worst Italian crime film that I have seen. Acting is poor and actors too. The careful viewer will notice that sometimes the actors look at the camera during their dialogues. Even if the film has been shot in Italian the dubbing is simply shoddy, with false Neapolitan accent. The action is slow and boring.
Transposition of the classical play "Hamlet" to the Brazilian rural scenery. Farmer's son returns home after his father's death and can't stand the thought of his mother marrying his uncle.
An investigative reporter works to solve the mystery of a haunted house constructed from rooms of the deceased.
Ein Neubaugerippe in der Schlammwüste einer deutschen Vorstadt. Hagen Trinker, gespielt von Jürgen Vogel (Das Leben ist eine Baustelle, Die Apothekerin), gehört zu den Jü(🎦)ngeren der Obdachlosen, die hier gegen Regen und Kälte Schutz suchen. Gemeinsames Leid wird zum geteilten Leid. Im Stamm der Nomaden achtet jeder auf jeden, ohne den Angehörigen soziale Verhaltensmuster aufzudrä(🈂)ngen.