演员李小萌

抗战(zhàn )后(hòu )期，日寇败局(🚯)已(♐)定，他(tā )们决(🔴)定(🍰)(dìng )在香港修建(🗺)潜(🛷)艇基地做(zuò )最(zuì )后的抵抗。入伍前学(xué )建(🚋)(jià(🦌)n )筑工程(chéng )的(🦎)少(🐷)佐左滕（赵(🏙)文(👾)瑄 饰(shì )）负责(zé(🖨) )基地的技(🌇)术工作，黑寿（王(🚶)国(🛴)京 饰）大尉(🏸)担(🧕)任基(jī )地(dì(😎) )的(♍)安(ān )全警卫。中立国货(huò )轮“玛(mǎ )丽大婶”号(📻)被(🌃)日军强行(háng )征(🚏)(zhē(🛵)ng )用，船(chuán )上的(♐)水(👙)手被押往基地做(zuò )劳工，其中有水手何伟(🏇)(wě(🍉)i )力(lì )（夏(xià(⛵) )军(🚕)(jun1 ) 饰）及妻子郑(👊)玲(👆)（蒋(jiǎng )竹(zhú )菁(🚤) 饰）以及女友徐美丽（温(🐣)碧(🐓)(bì )霞(xiá ) 饰）(🌛)。在(🐶)日军的武装(🔌)(zhuā(🥩)ng )监(jiān )督下，劳工们(♈)每天都超(😠)负荷地(dì )干(gàn )活(🕵)，累(🕡)病的工人被(🍐)秘(✅)密(mì )烧死，目(💧)睹(🚉)这一惨状的何伟力(lì )最(zuì )终被(bèi )吓疯，企(😦)图(🐝)逃跑的(de )水手关(😘)(guā(🌸)n )雄（王亚楠(🚾) 饰(😭)）被黑寿(shòu )用(yòng )汽艇(tǐng )螺(luó )旋浆活活搅(🕞)死(🐹)。船长洪(hóng )达(💙)（(🎛)何麟 饰）策划(🚙)逃(🎒)亡(wáng )，他的(de )计(jì(🚁) )划得到外籍工程师梅(méi )森(🥓)(sē(💛)n )（约翰(hàn )·(🚚)斯(📈)拉德 饰）的(🔸)理(😊)解和(hé )支(zhī )持。此(🍫)时，竣工迫(😙)近(jìn )，日军司(sī )令(🔜)部(🥑)命黑寿将全(🙀)部(🕴)劳工(gōng )杀(shā(⬅) )死(🔩)...... 大(dà )毛（吴镇宇 饰）发(fā )现他与(yǔ )朋友(⚡)们(🎵)牙丫（钱嘉乐(🤶) 饰(👔)(shì )）、番(fā(👌)n )茄(⬅)（雷宇扬 饰）与(yǔ )小云（黎姿 饰）一起(💻)开(📣)的的便(biàn )利(👓)(lì(👉) )店里(lǐ )面(miàn )有(🐣)些(😀)不寻找的事物(♟)。但(dàn )朋友们面对大毛的表(🕦)述(🏦)，都觉(jiào )得(dé(😃) )只(🎂)是大毛的迷(🍙)信(🚶)看法(fǎ )，都随便(bià(🌟)n )敷衍了事(🍰)，大毛深感无(wú )奈(🎹)(nà(🧢)i )。 明治十年，剑(🚹)心(🚆)、弥(mí )彦、(🔃)阿(🤼)(ā )薰、左之助一行乘火车(chē )来(lái )至横(hé(🌃)ng )滨(🏅)，甫至此地，便(bià(🦒)n )因(🏤)与几(jǐ )个骚(🔀)扰(⬇)年轻女子的外国(guó )士(shì )兵发(fā )生争端，且(🏽)因(🤦)此结识了正(🛐)(zhè(❇)ng )直的武士时雨(🍍)泷(🥑)魁，他(tā )们(men )很快(🅾)(kuài )成(chéng )为好朋友。 安东和肯(📃)尼(⛩)(ní )两兄弟，从(🍡)小(👩)就是篮球队(⏲)(duì(👡) )里的(de )最(zuì )佳拍档(🐇)，兄弟俩所(🌂)向(xiàng )无(wú )敌，一(yī(⛳) )心(🗨)梦想带领所(🍦)属(🥄)校队争(zhēng )取(🍓)(qǔ(🔏) )全美大学联赛（NCAA）的总(zǒng )冠军宝(bǎo )座，但(🔑)是(🅾)安东却在一次(💅)(cì(🆕) )比(bǐ )赛时(shí(🌄) )意(🚛)外丧生！弟弟肯(kěn )尼及全(quán )队队员深受打(🕢)击(☝)、信心(xīn )全(💵)(quá(🚎)n )失，战绩一路下(🕕)滑(⛹)，眼看称霸(bà )NCAA已(🕺)无望！岂料，安东死(sǐ )不(bú )瞑(🍰)目(🛴)(mù )、“英”魂不(😳)散(🈁)，意成了(le )该队(🎶)场(🛁)上的第六人！习惯(💲)出风(fēng )头(tóu )的安东出尽各(🈳)种(⌚)阴招(zhāo )，让肯(🚑)尼(🍥)(ní )及队友们(📸)鬼(🐙)斧神工的大(dà )爆(bào )几场冷门，极尽夸张之(👏)(zhī(🗡) )能事，结果却引(🏸)起(🧥)体育记者怀(😜)(huá(🍮)i )疑(yí )。而(ér )肯尼及队友们虽然(rán )对于战(zhà(❤)n )绩(📺)扶摇直上兴(🤙)奋(♐)莫名，但(dàn )是安(⬜)(ān )东过分的插手(🍧)却让队友们(men )心生反感。 生活(🤵)中(⚫)形形(xíng )色(sè(🕊) )色(🔮)的(de )人(rén )来到(🐩)这(🦗)片海滩度假，在(zài )这片海滩上没有了阶级身(😈)份的(de )不(bú )同，所(😟)有(👟)人都是赤裸(♏)(luǒ(🍖) )的(de )，他们(men )在这片海滩相遇相互熟(shú )悉(xī )，有(🚦)的(🐫)成为了朋友，有(🎷)(yǒu )的成为(wéi )了(🚸)恋(💪)人，但即便如此这(zhè )片(piàn )海滩(tān )也不能跳(👋)出(👢)俗世的(de )纷扰(🎀)，俗(🏈)世的烦恼也随(🍴)着形形(xíng )色(sè )色(🤗)的(de )人来到了这片海滩，这片(♊)(pià(♓)n )海滩是否可(👾)以(😓)化解这些(xiē(🏆) )人(🤤)(rén )带来(lái )的(de )俗世纷扰呢...... 雷扎与莱(lái )拉(lā )是(⭕)一对恩爱的夫(🍰)妇(🤭)，美中不足(zú(🥞) )的(🧡)(de )是他们没有孩子，不(bú )久(jiǔ )后雷扎(zhā )发现(⏬)莱(🏥)拉没有生育能(🔎)力(lì )。雷扎认为(🧑)这(🥡)并不重要，可母亲(qīn )却坚持让他另娶一门(❓)妻(👜)(qī )子(zǐ )，以(yǐ(🚔) )传(📑)宗接代…… 　(🕔)　本片故(gù )事上(😢)与以色列影片《向(xiàng )日(rì )葵(🎡)》有(🐕)相近之处，相(🌌)同(♍)的是感(gǎn )情(🐼)在(🎚)宗教传统桎梏下的(de )挣(zhèng )扎，不(bú )同的是希伯(Ⓜ)莱和伊斯(sī )兰(🌤)(lá(🏔)n )的社会文化(🎢)背(🚺)景。 这是一部忧(yōu )郁(yù )喜剧片，讲述一位医(💮)(yī(🔮) )生(shēng )尝试用(yò(😛)ng )独特的方法治(➗)愈(😳)他的痴(chī )呆(dāi )病人－－强迫其中一个(gè(🍐) )病(🖋)人扮(bàn )演阿(📧)道(🥖)夫·希特勒的(🆙)方(fāng )式(shì )！召(zhào )集(🐱)其他病人担当希(xī )特勒的(💦)(de )忠(🏇)实追随者伊(🍈)娃(🛩)、布劳(láo )恩(📜)(ē(🌡)n )等人(rén )，使得那位疯狂医生的计(jì )划安排有(🔜)着可预知的悲(🙃)(bē(🏋)i )伤(shāng )喜剧(jù(💪) )效(🌳)(xiào )果。 在封闭的德州小(xiǎo )镇(zhèn )，大部分人的(🗑)生(🍍)活似乎仍停留(💷)(liú )在(zài )上世纪(🦗)50年(⛵)代,当一个为(wéi )艾(ài )滋病人(rén )服务的机构(💒)在(🔀)小镇上出(chū(🔋) )现(😬)(xiàn )时，Alex成为了志(🌧)愿者，并(bìng )偶遇了(👞)(le )她的高中同学Grace护士，两(liǎng )个(🧖)(gè(😚) )女人(rén )一见(🛋)倾(🏒)心，迅速坠(zhuì(🐢) )入(🎀)爱河(hé )，他们最终会怎样发展(zhǎn )? 一(yī )段有(yǒ(🔧)u )趣、轻快、讽(🔢)刺(🧞)的故事就(jiù(🥄) )此(🎂)展开。。。 A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it�s �practically their back yard�). However, they are forced to leave their beloved home, by the Government and airport authorities. �The Castle� is the story of how they fight to remain in their house, taking their case as far as the High Court. Director Daisuke Gotoh clearly doesn't understand the erotic psychology behind a successful (or even interesting) women-in-prison film. I mean, the primary component of dykey-women-molesting-other-women-behind-bars seems to have completely escaped him in this one! Yoko Saito is certainly well-cast as the pretty Scorpion, unjustly accused, convicted, and thrown into a California women's penitentiary on clearly spurious grounds. But once she's there, nothing even remotely interesting happens. Yes, there are some dykey-looking women about, as well as some pretty young female inmates just waiting to be sexually victimized by them. But it never happens. There's really no lesbianism whatsoever. Instead, it's the male warden and his guards doing all the dirty work. So why the women-in-prison setting? If he didn't want to include scenes involving girls with other girls he should have set this story in a nightclub or brothel. Obviously this director knows (or cares) nothing about this genre of films, and it was very disappointing as a result.