电视剧亲爱的小孩

FEARLESS (as the US video of this is known) is an exciting Italian police film, largely shot in Austria (which looks beautiful!), with Merli as a low-rent private investigator and former cop who is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence. But at the forty-minute point, the film enters a new sphere with the arrival of JOAN COLLINS, looking incredibly sexy, doing a striptease in a club, and giving the film a wonderful shot in the arm. This film was made right before her "comeback" with the films THE STUD and THE BITCH, based on literary works by her sister Jackie. I've always admired Ms. Collins and the way she took charge of her career and showed the world how sexy an over-35 lady can be. The crime elements of the film work well, Merli is exciting and witty (as he usually was), and Joan Collins is a seductive femme-fat ale in a role that her fans simply must see. I've watched this film a number of times over the years, and I can't recommend it highly enough...an exciting 70's Italian crime film with the added attraction of Joan Collins at the height of her powers is a dream come true for this viewer! 根据(jù )鲁(lǔ(👳) )迅同名小说(🌖)改编。 故事(shì(🦕) )讲(jiǎng )述的是一位(🚃)女性在婚姻(💕)(yīn )破(pò )裂(liè(🌱) )期间的内心(🧒)生活，她(tā )的(🏌)(de )一(yī )颗心也(🐙)伴随着婚姻的失(🎱)(shī )败(bài )黯然(🈵)失色。她的过(🗾)去种(zhǒng )种(zhǒ(🧝)ng )以及将来可(⛅)能要面对的(🐟)(de )生(shē(💟)ng )活通过一些(🆚)断续的片段(📄)(duàn )和(hé )诙谐(🔊)的方式娓娓(🙆)道来，我(wǒ )们(🚟)(men )可以看到她(🛍)的梦(🌧)想她的(de )渴(kě(❓) )望就如同这(🤠)影片所设定(😄)(dìng )的(de )以放荡(🧔)为基调的伦(🏠)敦市(shì )一(yī )样，而(📶)这种基调通(🌕)过ProculHarum的(de )曲(qǔ )子(😋)和Mark Boyle的声光色(👜)电俱全的(de )摇(🏼)(yáo )滚乐来展(😅)示。 Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo. Although they are only janitors at a detective agency, the boys pass themselves off as sleuths and are engaged to guard an inventor delivering a new bomb. They outwit enemy agents after the bomb and wind up sinking a Japanese submarine. Opening with a funky 70's concert presumably in Italy, DEATH RAGE is an obscure Italian knockoff of the American action flick starring Yul Brynner in one of his final film performances. Brynner is really the only good reason to watch this movie, as there is very little special about it beyond that. Barbara Bouchet, Brynner's leading lady, is very sexy and does show a lot of skin, so there is some eye candy. Unfortunately, Brynner and Bouchet, in terms of acting, have almost no chemistry together (according to the trivia section at IMDb, they did not get along on the set--it shows). For those not familiar with Italian cinema during the 70's and 80's, keep in mind that the dubbing is never well done in these kinds of movies. The main focus is watching Brynner being a badass (which he does exceptionally well), watching Bouchet's body, and seeing lots of gunfights, car chases, and explosions. The plot is nothing new, and some of the dialogue is out-and-out stolen from other films. The special effects are standard for the time, and there is some animation featured during Brynner's flashback sequences (the "Death Rage" from the title). The movie follows retired hit-man Peter Marciani (Brynner), whose brother was, once upon a time, killed by the Mafia. He is lured out of retirement to hunt the man responsible for his brother's death, and travels to Italy, where he meets a goofy young wannabe named Angelo (Massimo Ranieri). Angelo shows him to his method for manipulating horse races, then takes him to a nightclub where Marciani is introduced to exotic dancer Anny (Bouchet). With his companions by his side, Marciani avoids death and struggles with his eye condition while trying to bring down the mob. 珍妮和几(jǐ )个(🍓)(gè )朋(péng )友到(🐋)得克萨斯州(🔕)的一条(tiáo )沼(🦎)(zhǎo )泽小河游(🛄)玩,但他们的(🔦)假(jiǎ(🛃) )期(qī )很快就(🌮)变成致命的(🧡).....