カタツム(🐉)リ(📳)は(✒)交尾の際「恋矢(🛑)(shǐ(🎗) )(れ(🧤)んし)」と呼ばれる(🚉)生(😷)殖(zhí )器官(guān )を互い(🏷)に(😲)突き刺(cì )しあうと(🦌)い(🧓)う。男でも女でもな(🖌)い雌雄(xióng )同体の心を持てあましながらカタツムリのよ(➡)うに絡みあう４人(〰)の(🍀)若者を抒情的に描(🎋)く(㊙)。新進脚本家(jiā )・荒(🛹)井(🥃)美早のオリジナル(😱)脚(🏎)本(😂)を齋藤久志(zhì )が(⌚)映(🌺)(yì(🛰)ng )画化。
A “reality tv crew” have created a show named Extremely Haunted Hoarders and plan to explore a series of condemned houses. The crew hopes to get one particularly notorious hoarder back on his feet. However, this might be impossible with the amount of trash and dead bodies, housed inside his buildings. ..
在一(yī )个武(🍂)(wǔ(➿) )林(🆗)鼎盛的年代，人品(🗝)不(📔)尽(🏋)人意(yì )的乔(qiáo )晋峰(💢)作(🌞)为乾阳山(shān )庄的(de )第(☕)五(🚄)(wǔ )代庄主的徒弟，因(⛩)庄(👦)(zhuāng )主没有把武学翘(⛷)(qiào )楚“隐剑式”传给(gěi )他而使计害师弟(dì )沈羽(yǔ )山自(zì )刎，随(🚿)即，为了(le )求得(dé )“隐剑式(🈺)”的乔(qiáo )晋峰(fēng )开始(🦏)四(💨)处追杀有剑谱的师(🥫)妹(🚺)沈秋白(bái )。
浅见光彦(🍾)是(⌛)推(🕑)(tuī )理小(xiǎo )说家(jiā(⛹) )内(💴)田(🤮)康夫笔下的(de )名侦(👆)(zhē(⛓)n )探(🌱)，1982年在《後鳥(niǎo )羽伝(🍳)説(🗜)殺(✌)人事件》中首次登场(⛓)。这(🏩)(zhè )个系(xì )列迄今已(🐶)出(🚜)版一(yī )百多(duō )部，并(💕)多(🌙)次被影视化(huà )，在(zà(🎑)i )日本有相当高的(de )知名度。富士电视(shì )台从1995年开始播出(chū )浅(🅰)见(jiàn )光彦(yàn )系列，2003年主(🥂)(zhǔ )演换(huàn )成中(zhōng )村(💯)俊(💇)介。
Carl returns to document the strange occurrences that continue to take place on the farm.
After the Zombie Apocalypse, our protagonist, NEVILLE ROBERTS, is abandoned by his friends and left to die. He must learn how to survive among the zombies, and through him we discover what we've always been dying to know: the secret life of the un-dead.
索菲娅(yà )·莉(lì(🕎) )莉(🚺)丝([小丑回魂])加盟惊(🐹)悚(😞)片(🕛)[韩赛尔与(yǔ )格蕾(💊)特(🔉)]，奥(🌟)兹·珀金(jīn )斯([牧(🚨)(mù(🛌) )师(🌡)之女])自编自导(dǎ(🕟)o )。影(📊)(yǐ(🆎)ng )片改编自格林童(tó(📈)ng )话(🗝)，故事围绕一对被父(⏸)母(🛥)抛弃的姐(jiě )弟在(zà(✴)i )黑(🥖)森林中遭遇邪(xié )恶(🏪)女(nǚ )巫展(zhǎn )开。布莱恩·卡(kǎ )瓦纳(nà )-琼斯([险恶])、弗雷(léi )德·伯杰([爱乐之城(chéng )])担(😉)任制片，该片(piàn )将在(🎧)(zà(✏)i )爱尔(ěr )兰取景拍摄(📼)(shè(🆑) )。
This cinematic artwork addresses the decline and eventual dismissal of the chorus of ancient Greece from epic drama. Figured as a marginalized representative of 'the people' the film proposes a contemporary wandering chorus that engages the populous through "Star Wars Episode 3: Revenge of the Sith". Taking aim at the rhythmic efficiency of a corporate Hollywood franchise this cinematic recut tests the possible agency of the collective voice. Through choral banter, song and dance, the character replies to the sophomoric philosophy of the film, asking whether the loss of a plural subject correlates to the decline of traditional democratic ideals in popular forms of narrative storytelling.
동란으로 부모를 잃(📜)은(🎙) 박명애는 부산에서(🏯) 동(👿)생(🎡)까지 잃고 서울로(🛣) 올(📮)라(🗯)간다. 살려고 노력(😪)하(🏁)는(📥) 그녀에게 많은 남자(👻)들(🛎)이 나타나지만 상처(🔮)만(🕢) 남기고 곁을 떠난다(🔐). 결(🗒)국 명애는 빠아의 여(🌞)급(🌀)이 되나 그때 고학생 학수를 만나 새생활을 시작한다. 그러나 행복도 잠깐, 폭발물(🌂) 사고로 학수마저도(🌳) 딸(➰) 은미와 명애를 남기(⛺)고(🤗) 죽는다. 명애는 동두(🏯)천(✖)에서 안나라는 이름(🎫)의(➕) 양(😠)공주가 되어 은미(🏞)에(⏸)게(🌒) 의지하며 산다. 거(😩)기(😍)서(😎) 동팔을 만나나 은미(🍨)는(⬅) 미국에 양녀로 보내(🕵)고(🥀) 명애는 병들어 죽는(🧠)다(🍍). 세월이 흐른후 조국(🌰)을(💶) 찾은 은미와 노신사가 된 동팔은 그녀의 무덤을 찾아가 전쟁에 버림받은 한여자(🎫)의 인생을 생각한다(🐓).
22世(🔰)纪(jì )，机(jī )器人及人(🧕)工(🔯)(gōng )智能(néng )技术(shù )取(🆘)得(🐄)颠覆式发展(zhǎn )。由(yó(📶)u )于(👓)人(😿)工智能基点提前(🚀)到(💌)来(🚈)，数量和(hé )智力上(🈷)都(🤟)以(🛵)指数(shù )型增(zēng )速完(🌐)(wá(🈶)n )成自我进化的机(jī(🏣) )器(✅)人(rén )，开始大肆占领(🏂)(lǐ(🎿)ng )国家重要枢纽机构(🔧)，全(⏩)面清洗人类(lèi )，节(jiē )节败(bài )退的人类处(chù )境岌(jí )岌可(kě )危。一小部分人(rén )类伺(📧)(sì )机而动，成为正(zhè(🍣)ng )邪(📙)泯灭，钱字当头(tóu )的(🏁)赏(😾)金猎人。三(sān )方势(shì(🍆) )力(🧗)胶(jiāo )着，日趋白(bái )热(🍊)化(🚑)(huà(🏷) )，彼(bǐ )此的仇恨一(🚓)触(👿)即(🤔)(jí )发…