一辆(liàng )载有巨(jù(♋) )量液(🙊)化(🦎)气的车辆遭遇五车(⏮)(chē )连(🐔)环(🧓)相(xiàng )撞的交通事故,发生(shē(🚄)ng )了泄漏(lòu ),即将发(fā )生大爆(🌌)炸，整座城(chéng )市险入(rù(👷) )紧急(👣)戒(✡)(jiè )备状态。新(xīn )上任(🔨)的(de )副(🔳)区(👃)长(zhǎng )林炜和(hé )大学(🙈)时的(🌍)同(🕦)(tóng )学景慧(huì )以非凡(fán )的(🎪)勇(🎖)气投入了抢险(xiǎn )工作，最后(🌎)市(shì )长下令林炜必须(👤)亲(qī(💃)n )自(♌)驾着(zhe )已尾部(bù )燃烧(🧡)的气(🀄)罐(🔻)车开离(lí )市区，景慧(🏨)看(kà(🦈)n )着(💄)已经启动的车，义无返(fǎ(🎦)n )顾(🈳)跳了(le )上去，并决定和林炜共(🔡)生(shēng )死。
导(dǎo )演 大卫·汉密(😞)尔顿 据说是(shì )一个非(♏)(fēi )常(🔙)喜(📝)欢描绘“少女(nǚ )（处(🆑)女(nǚ(👉) )）(😃)美”的唯美主义者
◎(😆)译(yì(🔐) ) (🚏) 名(míng ) 泥孩(hái )
剧情简(〰)介(🎵)：
Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.
供职于(yú )科技公(gōng )司KineTech的(😿)艾伦（大卫·艾根伯(🌫)(bó )格(🤫) David Eigenberg 饰(🚋)）潜心开发出超级(🍂)自(zì(😏) )动(🥖)化机(jī )器人史(shǐ )宾(🏬)（Jae Head 配(🎫)音(🚮)）。史宾(bīn )能够清(qīng )楚感(👯)知(🛸)(zhī )人类情感，并逐步形成自(🛋)(zì )己的人(rén )格。原指望将其(👾)用作和平(píng )用途，谁知(🏟)KineTech的老(🐁)板(🐁)内尔斯·波特(tè )（(🐣)Kim Coates 饰）(🦉)却(🦒)试图将其打造成(ché(🈷)ng )破坏(✈)力(🎿)(lì )巨大的(de )杀伤性武器。极力(🥪)(lì )反对的(de )艾伦遭(zāo )到解雇(🎬)，他(tā )趁乱销(xiāo )毁电脑(⏪)(nǎo )中(🤮)的(🛰)设(shè )计资料，并(bìng )带(📲)着史(⭕)(shǐ(🚣) )宾逃亡(wáng )。危难之际(👎)，他命(🔵)(mì(🐏)ng )令史宾(bīn )独自逃(táo )走。不(🚠)幸(🐦)中弹的史(shǐ )宾意外(wài )结识(💷)了(le )热爱科技和小发明的少(👴)年(nián )汉瑞（鲍比·科(🔉)尔曼(🚮) Bobby Coleman 饰(㊗)）。