徐仲南沉迷(mí )于研究(✨)安(🍃)全炸(🍄)药(yà(🤙)o ),荒废事业,正为负(fù )债彷徨之(😳)际(🎆),突然(😛)(rán )获(🚎)(huò )得南兄三十万元(yuán )遗产.南(🚥)妻何蕙(⚽)芳(fā(🔖)ng )为求不用还债,两(liǎng )度南装死,以瞒骗(🆗)(piàn )债(❔)主,然(⤵)后让南以堂(táng )弟身份回来领(♋)取(🥚)(qǔ )遗(🚾)产.谁(🔡)知遗产七(qī )除八扣后,所余无(🌉)(wú )几,夫(📖)妇俩(🌶)终赔了(🎶)(le )夫(fū )人又拆兵..
1950年9月6日(🐏)(rì )。班森(🌮)中尉(🎛)率领(lǐng )的排在一次战斗(dòu )中和主(🖕)力(✔)部队(💻)失(shī(📼) )去(qù )联系。他们在撤(chè )出敌占(🛃)区(🕍)途中(🔓)，遇到(🏟)另外一个排(pái )的蒙塔拿上士(🉐)。他(tā )们(🕋)必须(🤔)把幸存者(zhě )转移到师部所在(zài )地465高(🌤)地。在(👵)转移(🈯)(yí )途中，班森中尉(wèi )和蒙塔拿(🚥)上(🛃)士意(🖤)见(jià(🚩)n )不一致，经常争(zhēng )斗。在经过多(⏯)次(cì )惊(📧)心动(⚪)魄的遭(🙈)遇(yù )战后，他们终于重(🌿)(chóng )出重(🦉)围，与(🙉)主力(lì )部队会合。
夏洛(luò )克国王因(💛)为(🔒)国家(🌆)(jiā )发(🎚)生了革命而被(bèi )迫(pò )跑到美(🎮)国(🏠)纽约(🎛)寻(xú(🔪)n )求庇护。刚到美(měi )国第二天，他(🛄)的(de )属下(🥞)就把(🏉)他带来(lái )的(de )所有财产全部掠(luě )走，国(👻)王转(🤵)眼间(🏀)(jiān )一无所有了，正(zhèng )在国王失(😄)意(💝)的时(🍘)(shí )候(🐌)，他结识了一位(wèi )美丽的姑娘(🛀)，并(bìng )很(🔘)快答(🥥)应陪她(💰)出(chū )席一个晚宴，可(kě(🐇) )国王没(♿)有想(👫)到，眼(yǎn )前的姑娘其实是(shì )一个著(🥫)名(🌹)的电(🔅)视(shì(🏒) )主持人，而他，马上成为了一个(🔭)(gè(🤡) )“广告(🔪)明星(🏡)”……
In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema)
A newly married young woman is possessed by the evil spirt of her husband's deceased first wife. The possession turns her into a scheming killer who will stop at nothing to get what she wants.
十五年前，恶霸(bà )李盖世(🐒)为夺田(🎒)地(dì(🐻) )，乱箭杀死方英(yīng )带(dài )。带的女儿永春(🌒)(chūn )练(👆)得一(🅿)身好武功(gōng )，决意为父报仇(chó(💬)u )，与(➕)师弟(🆙)洪熙(🦐)官(guān )及失散多年的妹妹(mèi )永(🏐)卿合力(🆕)惩兇(🙂)
本(běn )片是出自弗朗茨(cí )的真(🌮)实故事(🐡)，第(dì(🗼) )二次世界大战期间(jiān )弗朗茨被关(🏦)押(⛱)在(zà(🥐)i )英国(🌈)的战俘营里(lǐ )，通过不屑努力(😂)(lì(💫) )终于(⛲)逃离(📩)战俘营(yíng )回(huí )到了德国，成为(🤞)(wéi )二战(🚝)期间(🙎)唯一从(🈯)(cóng )英国战俘营逃脱(tuō )并成功(👣)回到(📄)德国(guó )的(de )人。