哈利波特与阿兹卡班的囚徒电影

一对(duì )新婚夫(😎)妇，男(💷)(nán )的是体育记者，因(💗)为(🐭)最(zuì )近写了一(yī )连(🚰)串文(🌎)(wén )章报导拳坛的贪(🚚)(tā(🏟)n )污腐败而受到黑帮分(👬)子(🎟)的跟踪(zōng )；女的(de )则(🅰)是(🕦)纽(niǔ )约(yuē )东城区(qū )的(😀)时(🥟)装设计师，双方的(💱)朋(👀)友(🍻)根本搭不(bú )到块，但(🛰)他(🍑)俩仍(réng )然尽量(liàng )调(🕗)(dià(⏪)o )整自己(jǐ )来适应(yīng )对(📥)方(😣)的社(shè )交生活。不料(🐈)在(🕣)此时(shí )，丈夫的前任女(👼)(nǚ(💖) )友和妻(qī )子的前任(🗃)(rèn )男(🔯)友相(xiàng )继来访，使本(🎒)来(🥘)(lái )已经复杂的情(qí(⛔)ng )况更(👝)加一发不收(shōu )拾。 EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 南(🔱)(ná(🥫)n )千住の線(xiàn )路わき、(🤐)温(💙)泉マークの“ことぶ(😳)き(🤓)旅館”の女将阿部(bù )た(⏮)ね(🤜)は初枝という女(💐)中(🧑)(zhō(🎂)ng )を使い、役所勤(qí(😪)n )め(📊)の長女松子、大学(🌴)(xué(👢) )生の竹之助、高(gāo )校(💈)生(🔛)の梅(méi )代の三(sān )人(👓)の(🛁)子(zǐ )と幸福な日を送(🚷)っ(👈)ていた。が、母は、(⏪)週一(🌳)度(dù )訪れてくる和(🌆)吉(🙋)(jí )という父親の妾(🔛)(qiè )で(🔳)あることを知る子(👾)(zǐ(👟) )供たちには何か暗い(🎖)影(🕗)(yǐng )があった。松は同(💾)僚(👯)の須藤一夫(fū )と結婚(🐳)話(👝)が進んでいたが(⤴)、(🕶)一(yī )夫の母(mǔ )滋子が(🙎)阿(🏣)(ā )部の秘(mì )密を知(♎)る(♈)に及んで大反対、破(😵)談(🔩)となった。一夫は気(🍬)(qì )の進まぬ見合結(jié )婚(🥁)を(🥢)し、自棄になった(🗺)松子(📥)は家出した。二年後(☕)、(🗒)松(sōng )子は神(shén )戸元町の(➖)キャバレーでダン(🏨)サ(💾)ーとなっていたが、(🏘)あ(👂)る夜、思(sī )いがけ(🔑)ず(🚳)一夫を客として迎え(🥍)た(🎪)。その夜、安ホテ(🚘)ル(⛔)で情熱的に一夫(fū )を(👎)抱(👤)いて、もう放さな(🖋)い(🛄)と言ったが、その一(🏋)夫(🃏)はもはや東京へ戻(🌶)れぬ身。見合結(jié )婚(hūn )に(🅱)倦(🛋)きた彼は役所で汚(😄)(yú )職(🔸)を犯し追われてい(🙈)た(🔨)。松子は一夫(fū )を自分(fè(🏃)n )のアパートに養(yǎ(🕎)ng )い(♌)耽溺の生活を続けた(🔪)が(🎀)、やがて望郷の念(✒)に(➡)駆られた一夫は東京(💫)の(👂)実母に、帰りた(🥏)い(🍭)が松子が放さないと(🌹)手(📮)紙で訴えた。一夫(fū(🌊) )の(🐣)母は、たねを訪れ、(🚳)息(🀄)(xī )子を返せと責め(🃏)た。ある日曜日、買(mǎi )物(🎎)に(🕺)出(chū )た竹之助(zhù )と(😵)梅代(🐡)(dài )は、ふと正妻の(🥅)息(👛)子たちを連(lián )れた父和(❤)吉の姿(zī )を見て味(💅)気(🤳)ない思いに駆られた(🗻)。梅(🌷)代(dài )は生れて初め(🚼)て(🎁)の酒を飲み歩(bù )き帰(⛰)ら(😹)なかった。沛然(rá(🏘)n )た(👰)る土砂降り－－夜も(❌)更(👊)けて、たねの旅館(🕞)の(🦁)表口を叩いたのは梅(🍱)代(⌛)(dài )ならぬ松子であ(🎋)った。どうしても東京へ(🥡)と(🎧)いう一夫(fū )を連れ(🔉)てき(🔒)たのだが、母から(🌴)一(👺)(yī )夫の手紙の件を聞き(🍍)、その変心を知(zhī(✨) )っ(💺)た。だが、死(sǐ )ぬまで(😯)一(🔬)緒と思(sī )いつめた(🥥)彼(♎)女は、その夜、一夫(😗)と(😫)無(wú )理心中(zhōng )を(♉)遂(💣)げた。「須(xū )藤に捨て(😖)ら(😘)れたのは母が二号(👑)で(😚)あったため」－－松(🧘)(sō(🦓)ng )子の遺(yí )した日記(❗)(jì )は涙で滲んでいた。帰(👁)宅(🥏)した梅代と竹之助(🌱)は、(📓)母と別れるよう和(📵)吉(🕎)(jí )に迫った。和吉(jí )は去(🚊)った。が、たねとの(🍔)関(🍭)係が余儀(yí )なかった(🌺)こ(😍)とだと、和(hé )吉は(🥨)兄(🥤)妹(mèi )に話した。和吉に(🥩)去(qù )られたたねは(🍐)、(🍡)ようやく再出発(fā )の(🗯)決(🦆)心(xīn )をし、今の商(🛎)売(🐲)(mài )は止そうと明るく(🌩)子(🤥)どもたちに語った(😮)。 Garage owner Gus Hilmer marries showgirl Julie, many years his junior, and this causes a conflict between Gus and Frankie, a young mechanic he has befriended. FRankie falls in love with Julie and she, as expected in any Hugo Hass film, can not resist his advances. Frankie puts together an automobile out of parts lying around in Gus's junkyard, and forces Julie to accompany him, as he follows Gus and runs him down on a lonely road, and later dismantles the car/murder weapon. Unexpected by the lovers, but not any audience that had seen any Hass film, his twin brother, just release from prison, turns up at the reading of the will, and moves in as half-owner of the garage. So, he and his brother's widow then get together and knock off Frankie? No, nothing that simple from Hair-Shirt Hugo. 1941年，日本军(jun1 )队快速占领了(🔗)英(🏿)(yīng )国统治下的马来(🍢)亚。男(👟)人们被抓去做(zuò )苦(🍦)力(🕉)，但(dàn )却没有(yǒu )地方安置(❣)妇女和(hé )儿童。本片(✳)从(🚋)其中一(yī )个英国女护(🔻)士(😈)的(de )视角讲(jiǎng )述了(🦎)这(🗿)个(🐚)(gè )故事，她遇见了(le )一个(🗿)澳大利亚士兵，他从(🙇)苦(🎛)力营里面(miàn )偷食物(wù(🏹) )给(🛍)她。战(zhàn )争结束(shù )后(🛴)，她(🔺)去了澳大(dà )利亚那个(🚜)士(🏬)兵家乡的小镇并在(🐜)(zài )那住了(le )下来…… An earthquake in the Salton Sea unleashes a horde of prehistoric mollusk monsters. Discovering the creatures, a Naval officer and several scientists attempt to stop the monsters, but they escape into the canal system of the California’s Imperial Valley and terrorize the populace. 幸(🎒)平(🍚)(píng )は田舎から上京(🥩)(jīng )し(🛁)てきた。新宿駅の広(😾)場(🌛)で、無一文(wén )の空っ腹(🦊)(fù )をかかえ、ぼん(📥)や(💩)り立(lì )っていると、(🦅)不(📰)良たちに脅され(🏂)た(🚵)。前(🎈)から彼らが目(mù )をつ(👄)けていた郊(jiāo )外の(😔)一(🤡)軒だけ離れて建って(🍚)い(♿)る小住(zhù )宅、佐(zuǒ(🏫) )藤(🍵)家に強(qiáng )盗にはいる(🔦)の(🎴)に誘...