Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.
在(🌾)一栋(🎖)即将(jiā(🍾)ng )重(chóng )建的公寓(🏤)里，杰(jié )美(mě(👠)i )的祖母离奇(🗾)失踪(🚈)(zōng )。杰美(🕡)循迹搜(sōu )索，发现多年前(qiá(🈷)n )在(zà(🔈)i )这公寓(💲)的一(🐾)次邪(xié )教(jiāo )组织自杀性火灾(zāi )中(☝)，祖母(👝)居然是(🍋)唯(wé(🚑)i )一的幸存者(zhě )。与此同时，一(🆒)(yī )群(qú(🎊)n )古(gǔ(📜) )怪的小孩子(🛰)也像(xiàng )幽灵(🧙)般缠绕着杰美(🌘)...
5个大学(🤾)生为(🤟)(wéi )了处理宿(🛢)舍里顽(wán )皮(🗑)(pí(🎚) )小(xiǎo )女孩的(🦁)鬼魂，他(tā )们(🎁)意外(🍏)地把杀(📋)死小女孩的杀(🐋)手(shǒu )征召回(🎳)来。
Leonard Kirtman ....(as John Kirkland)
德国(guó )毕(🧚)(bì )业(🧢)生巴斯(🕣)蒂（弗(fú )兰(lán )茨•丁达 Franz Dinda 饰(🎧)）为(⏮)(wéi )了逃(🖥)避服(👩)兵役(yì )，想方设法在体(tǐ )检(jiǎn )上做(🕸)文章(🏒)。他买(mǎ(🤩)i )通(tō(👰)ng )了作弊高手施莱(lái )菲尔（(🦑)弗罗里(🕺)安•(🔖)卢卡斯 Florian Lukas 饰）(🔽)，后者妄图用(😾)身患(huàn )糖(táng )尿(🏩)病女友(🌂)的尿(💒)液(yè )蒙混过(💷)关。结果，女友(➿)怀(🏎)孕导(dǎo )致事(🦀)情败露，两(liǎ(🅾)ng )人(ré(📄)n )只(zhī )得(🏿)应征入伍。毕(bì(🐗) )业派对上，巴(⚡)斯蒂与舍友(🛃)打赌(🔗)(dǔ )追女(🅱)友，他先声(shēng )夺(duó )人，把女孩(🎠)骗到(💣)(dào )了(le )床(♐)上，正(🌗)当干柴(chái )烈火之时，征(zhēng )兵的车辆(📹)来了(😅)，就(jiù )这(🛠)样，巴(🚣)斯蒂衣(yī )衫(shān )不整地进入(🔧)了兵(bī(🔄)ng )营。为(💌)了离开，他(tā(😋) )当众跟教官(💡)(guān )顶(dǐng )撞，结果(👯)害得大(🍣)(dà )家(🏈)(jiā )被罚。幸好(🐁)，同(tóng )命相连(🎂)的(🎄)施莱菲尔突(❇)然现身，巧妙(🚈)地化(🍈)解了巴(🛡)(bā )斯(sī )蒂(dì )的(🌷)窘境。施莱(lá(🛸)i )菲(fēi )尔向巴(😒)斯蒂(🐦)讲述了(🏜)很多兵营的(de )好处，并把他介(🎽)(jiè )绍(shào )一群(💧)古怪(💨)的朋友(yǒu )。此时，美军要与(yǔ )德军展(🎺)开联(🙏)合(hé )军(🧤)演，他(💖)们被教(jiāo )官(guān )点名参加，并接(jiē )受(🚽)(shòu )了(😕)苦不堪言的(🔫)特(tè )训，这群吊儿郎当(dāng )的(🌂)德国新(🤝)兵(bī(❕)ng )能(néng )应付严(🌌)阵以待的(de )美(♿)(měi )国大兵吗？(🌌)
◎译(yì ) (🌍)名 泥孩
在(👂)一(yī )个魔法消(🐈)失(shī )后的时(🍉)代，公主(zhǔ )阿(😌)(ā )莱(🍫)(lái )蒂（(🌧)桑岛法子(zǐ ) 配(pèi )音）独自(🔁)居住在高高(🏑)的城(🤫)堡塔(tǎ )楼里，等待来迎(yíng )娶(qǔ )她的(⛲)骑士(🚨)。而国(guó(📆) )王(wá(💩)ng )为了从众多人选(xuǎn )中选出驸马，提(🐜)出只(🥨)要谁能将(jiā(🏀)ng )魔(mó )法师的宝贝带回(huí )来(🍬)(lái )，谁就(🐝)可以(👼)取公(gōng )主做(⏱)新娘。时光荏(🈳)(rěn )苒，公主每(mě(🍗)i )天(tiān )以书本(🏌)来消磨时(shí(🚓) )间(jiān )。一晚，一位(🚱)勇(yǒng )士偷偷(🗜)溜进了公主(🎞)(zhǔ )的(🧓)闺房，向(👥)(xiàng )公主示爱 ，可被(bèi )公(gōng )主(🔍)(zhǔ )回绝了。打(🌖)发(fā(🦔) )走(zǒu )了拜访者，一个小魔女从暗道(🔉)(dào )里(✂)走了出(❕)来，告(🏣)(gào )诉(sù )公主魔法失效的(de )根(gēn )源，自(😡)己也(🦅)丧失(shī )了法(🔓)力，再也(yě )无法变回原样。第(😠)(dì )二天(🏴)清晨(🌃)，一个(gè )拥(yō(🖕)ng )有法力的魔(😋)法师(shī )（小山(😵)刚志 配音）(🎂)乘坐着飞艇(🎫)(tǐng )造(zào )访城堡(🍊)，迎娶公(gōng )主(🎸)(zhǔ )。魔法师用(😠)自己(🔀)(jǐ )的魔(🆚)法威逼国王交(jiāo )出公主。其(🍱)(qí )实，昨晚公(🚶)主在(🚚)(zài )与(yǔ )小(xiǎo )魔女的交谈中(zhōng )已(yǐ(🛄) )经醒(⬜)悟了，意(🚂)识到(🐊)不能再消极(jí )地等待下去了，应(yī(❓)ng )该主(🤫)动追求自己(🧘)(jǐ )想(xiǎng )要的生活。收拾(shí )了(🅱)行囊，趁(👰)夜(yè(😬) )色溜出了城(💱)堡……
野田(🃏)伍郎（藤原(yuá(🔖)n )龙(lóng )也 饰）(🎳)少年时父(fù(🚝) )母因债台高筑(🔡)双双(shuāng )自杀(🚖)，自此(cǐ )伍(wǔ(😸) )郎生(🕶)活陷于(🚓)黑暗(àn )，辗转于孤儿院、少(🔉)管所、黑帮(🀄)等边(🥙)(biān )缘地带。回(huí )到日本后，他与(yǔ )当(📁)(dāng )年(📊)(nián )的好(🛺)友公(🌉)介（塩(yán )谷瞬 饰）、纯、达男合(🛹)伙靠(🆗)婚(hūn )姻欺诈(💬)为生。
Sergio Martino导(dǎo )演(yǎn )(《蝎尾凶杀案(⚡)》《吉奥瓦(👯)诺娜(🏩)的长(zhǎng )腿》)。讲(🚀)的是(shì )一个(🍱)心理变态的(de )男(🚤)(nán )老师，觉得(🚠)他的(de )女(nǚ )学(🎋)生们都在勾引(🚩)(yǐn )他，于是把(🐈)他们一(yī )一(🍀)杀死(🏻)。不(bú )得(✖)(dé )不说是一部好片(piàn )，虽然(🥑)很多镜头和(✴)(hé )情(🍀)节有点土，但是(shì )恐怖和悬疑(yí )真(👭)是做(🕢)得不错(🈵)，让(rà(🏺)ng )观(guān )众一点点去发(fā )现(xiàn )凶手，把(🍉)悬念(💷)留到了最后(🙆)一刻(kè )！
卢卡·佛洛瑞(ruì )（(🔼)吉姆·(🈵)罗斯(🗼)·斯(sī )图(tú(😞) )尔特 Kim Rossi Stuart 饰）从(🦉)小在(zài )非洲长(🕐)大，父(fù )亲经(🌝)常出差，留(liú(🚦) )下(xià )年幼的他(🐲)和母亲(qīn )寂(♎)(jì )寞思念，一(🤠)日母(👙)(mǔ )亲丧(💎)身汽车轮下，目(🏳)睹惨剧发(fā(♌) )生(shēng )的卢卡(💕)从此(🌗)心中(zhōng )埋(mái )下阴影。成年后(hòu )的卢(➰)卡回(🦐)到意大(🗡)利(lì(💫) )，成了知名(míng )爵士钢琴家，融(róng )合(hé(🍼) )非(fē(🍿)i )洲元素的爵(🚵)士(shì )乐(lè )令他大受欢迎，更(🚥)扬名国(🎻)际，但(📛)是人前的荣(🤧)耀(yào )并(bìng )不(⏬)能治愈他人后(🌰)(hòu )的(de )伤痛，卢(👌)卡始终(zhōng )无(🔄)法敞开心扉(fē(⏯)i )向任何人，更(😆)和(hé )整(zhěng )个(🎄)世界(💑)保持冷(🏡)漠(mò )和(hé )梳理(👞)，令他内心(xī(😽)n )情绪走向一(📬)个恶(🕵)性(xìng )循环。随着(zhe )年(nián )纪增大，对母亲(💚)(qīn )的(💰)(de )负罪感(🔔)逐渐(😬)填满(mǎn )了他的生活，他的(de )音乐里被(😻)深(shē(🐭)n )藏了许多痛(😖)苦，但(dàn )最(zuì )终连音乐都无(🎺)法(fǎ )承(🚉)载这(🍆)一切，在38岁时(🎫)，他灌录(lù )了(👯)最后一首独奏(💒)(zòu )作(zuò )品《能(💫)飞得多远(yuǎ(🎰)n )》后，选择悬梁结(💑)束自己的生(📃)命(mìng )……