心冤

经营(🖍)着“丘比(🗑)特”情(🍕)感快递公司的杜凯（(💄)张译文(🕺)饰）(🈹)，遇到(dào )90后极品(pǐn )倒贴(🤲)女(nǚ )叶(🉐)飞儿(😣)(ér )（唐菀(wǎn )饰），在不(🎧)断(duà(🕥)n )重(🅿)叠(dié )交(jiāo )错中(zhōng )，他们(men )如何(🥪)互(hù(📐) )相(🍔)疗愈彼此内心的伤口？霸(🥉)道总(🛥)裁贾健（薛山饰）在原配妻(🐟)子林(🕺)素雯（王惠乔(qiáo )饰）(🌪)与(yǔ )情(🚈)人之(🦆)(zhī )间，如(rú )何处理(lǐ )这(😊)中年(niá(🎣)n )情感(🌧)危(wēi )机？追逐蓝(lán )天(👽)梦想(xiǎ(🐴)ng )而失(😡)去(qù )正常夫妻生活的(🔚)模范丈(🍈)夫苏(🌧)川（章小军饰）会如(🛥)何改变(😓)与新(⏯)婚妻(qī )子空姐(jiě )孟依(🌛)然(rá(🉐)n )（(🚕)祁映(yìng )诺饰）的情感(gǎn )变(🧙)故？(📞)在(😯)不断(duàn )选择(zé )、不断(duàn )失(🧒)去，重(🧡)新追(zhuī )寻和竭力渴望中，剧中(♌)的人(🚦)物又会有什么样的命(💋)运交错(🖋)？ 非(🎮)洲裔作家塞(sāi )巴斯蒂(💒)(dì )安·(⛽)克(kè(🐋) )莱恩在(zài )前往德(dé )国(🥓)东部(bù(🚽) )的普(🈚)利(lì )特维茨(cí )参加(jiā(💉) )读书会(🐔)(huì )时(🎓)，意(yì )外收到了当地新(🦑)纳粹的(📘)一份(🥫)“大礼”——刻在头上的(🕑)纳粹(🕐)标(💓)志。不仅如(rú )此，他(tā )还失去(😷)(qù )了(💧)记(🤚)忆(yì )，成了(le )新纳粹(cuì )的一份(🛵)(fèn )子(🐷)。他(tā )的女(nǚ )友(yǒu )尼娜(nà )察觉(🐲)有(yǒ(🌲)u )异，于(yú )是驱车前往普(⛎)利特维(🦐)茨，和(🎈)乡村警察萨沙一起寻(☝)找男友(♊)。另 一(🖨)方面，新(xīn )纳粹小(xiǎo )头(⏩)目斯(sī(🔍) )万为(🚖)了(le )赢得同(tóng )为新纳(nà(🌛) )粹的多(🧠)(duō )琳(🛴)的爱(ài )不惜(xī )试图重(🚂)(chóng )演历(😰)史(shǐ(🔫) )，挑起德国与波兰之间(🕗)的战(🌅)争(👟)。作家的爱情和一个国家的(🛃)未来(🛡)都面临着(zhe )巨大挑(tiāo )战。（小易(🔡)甫(fǔ(🕒) )字幕组(zǔ )） 这是(shì )一(💏)个“人越(🤫)来(lá(💽)i )越多(duō ) ，世界(jiè )却越来(🏕)(lái )越小(🐽)”的—(💝)—小世界。佛罗伦萨、(🍧)布拉格(😠)、巴(👘)黎、上海、北海道小(💜)樽，五座(🆎)城(ché(🌧)ng )市，五(wǔ )段不同(tóng )的爱(💔)情(qíng )故(🙄)事在(📼)(zài )这个“小世界(jiè )”中上(🍻)(shàng )演。 影(😥)片由(yóu )“女王(wáng )”（The Queen）、“两个(⛏)老妇(🐇)人(😠)”（The Two Old Women）及“跳蚤”（The Flea）多个单元(💪)组成(🥪)。改编自17世(shì )纪由吉(jí )姆巴地(🍮)(dì )斯(💻)达·巴西耳(ěr )创作出(🙊)(chū )版的(👎)那(nà(🧜) )不勒斯(sī )语童(tóng )话(huà(🐇) )故事(shì(🐍) )集《五(⏩)(wǔ )日谈》（Pentamerone）。 When Collin Bastrow is found in the forest, alone and afraid, he has a shocking story to tell. As he struggles to recount the events of the previous night his memories return in a series of... At one point in our lives, a choice appears as a key that opens a door while closing all the others. L'Autre côté de novembre is about all the doors that were left open. Unable to fly the nest due to the economic crisis that grips Spain, a penniless, young couple have trouble consummating their fledgling relationship in their parents' homes. As they become increasingly desperate to make love, they are forced to look to popular public hot spots commonly used for sex among young people, known by the locals as "picaderos". However, things are never as easy as they seem, and their relationship is quickly tested as they try to break free from the shackles of a crumbling economy. "Picadero" depicts the quiet humiliations of the economic crisis through a simple narrative that unfolds through tableaus of observational dead-pan humour.