En présence de Lionel Soukaz
一个梦(🕳)(mèng )想飞翔(⏮)并一心研(🎲)(yán )究滑翔(🤬)机的(⌛)青(qī(⛪)ng )年(niá(🍿)n )程杰(🚆)，在一(🈁)次(cì(🍂) )郊游(📩)中认(🕺)识了(🎱)(le )汽(qì(🚬) )车富商的(🐎)千(qiān )金(jīn )梅燕，并双双(shuāng )坠(zhuì )入爱河。因(yīn )为热爱滑翔机令(lìng )二(èr )人产生误会(huì )，险些分离，在(zài )梅燕好朋(👊)友的(de )帮助(🎦)下，二人又(🍣)(yòu )重修旧(🔝)好。
Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating.
A docile black law student is possessed by a 1940's mobster in mid-70's New Orleans. The mobster seeks revenge upon the people who killed him and his sister.
28세의 정(🔐)숙은 북괴(🔊) 대남첩자(🏊)로 침투했(🕝)다가 한 애(🌯)국시민의(💑) 신고로 체(🏄)포된다. 대(📺)공분실 정(🈵)경감은 정(🏰)숙이 철저(💞)한 정(👱)신적(🕓) 무장(🐀)속에(🌛)서도(🚺) 따듯(♈)한 피(🌑)가 흐(🐄)르고 있는(🕳) 여성임을 발견하게 되고 구원을 결심하다. 한편 정숙은 침투 현장 답사 중 뜻하지 않았던 교통사고를 당하게 되고, 정겸(🍳)감의 배려(🌔)로 종합병(🕟)원에 입원(🥓)하게 된다(👨). 병원생활(🐥)에서 자유(🕷)의 소중함(💋)을 깨닫게(🌅) 되고, 환자(👜) 중 축구선(👓)수 이찬에(🎷)게 연정도(📆) 느끼게 된(🏐)다. 퇴원이(🍃) 임박(⬛)한 날(👠) 밤, 저(🌜)격범(🐊)에게(🌽) 저격(😁)당한(⛷) 정숙(🌼)은 저격범(🚑)이 이미 죽은줄 알았던 자신의 남편임을 알고 그들의 잔인함과 악랄함을 다시 느낀다. 그녀는 위선과 허위로 걸쳤던 그(🤐) 위장의 옷(😽)이 얼마나(♈) 무가치 하(❇)고 바보스(📻)러웠던가(🚰)를 절감하(📤)고 옷을 벗(🤠)는다. (출처(📛) : 시나리오(🤓))
The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss!