疯狂老爹

A young model and her petty thief boyfriend find their way through the English fog to a backwoods manor in hopes of looting it. What they find instead is murder, and when the model attempts to find the house again, her efforts come to naught. Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. This movie is really good, It's got the (bud spencer/piedone) vibe, but rather than being totally slapstick like his other movies it has the 1970's police/italian/drama movie vibe, with little twist and turns that they police movies HAD, and in contrast with his other movies it has a dramatic background, Obviously there are more hardcore police movies, but this is a good begin for anyone, if anyone wants to watch them all, it's half lightheart half hardcore, needless to say if you no nothing about police B-movies and you watch "il Boss" right away, you might ned a shrink to get you out of the mode. But this is really passable A down on his luck gambler (George Seagal) links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of desperation, he pawns most of his possessions and goes to Reno for the poker game of a lifetime. A film set mainly in casinos and races, as the two win and lose (but mainly win), get robbed, and get blind drunk. 东(dōng )京新宿某个破(🥧)烂(📉)(làn )的角(jiǎo )落，生活着(🔫)一(🤕)对姐妹。姐(jiě )姐福(fú )井(🈁)明(😿)美（大山節子 饰(shì(❄) )）(🤩)经(jīng )营着名为“郁金香(📞)”的小(xiǎo )酒吧，兼带做着(🤦)皮(🌔)肉(ròu )生意(yì )，其情夫(⛩)小(👫)泽健次（益富(fù )信孝(⚫) 饰(🍒)）日常则担任(rèn )酒(🍍)吧(🧡)(ba )的保镖。明美的妹妹(mè(🥑)i )绰(🏠)号(hào )“金丝雀”，智商低(➰)(dī(🚵) )下的(de )她是姐姐的员工(🍢)。每(😨)(měi )日迎(yíng )来送往，虽(⬜)在(🔃)泥沼之(zhī )中却(què )仍保(🌱)(bǎ(🥠)o )持着单纯天真的(de )本(💂)性(⛎)(xìng )。 A group of five policemen engages in all sorts of corrupt activity including the rape of a girl resulting in her death. They rob a church of funds intended to go to Vietnamese refugees. During the investigation of the robbery,... In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways