以德(dé )国名导弗里茨(cí )•朗为(wéi )《M是凶手》的所作的(de )前期准(zhǔn )备(bèi )为基础，处(chù )于创作(📗)(zuò )和婚(🍟)姻危机(🌝)中的朗(👟)在(zài )与(🧟)杜塞(💻)尔(📅)多夫(🌦)谋(💻)杀犯(🐓)(fà(🤔)n )的接(🙈)触(🧜)(chù )中发(😦)掘两者(🍧)(zhě )类(lè(🦐)i )似的青(🐓)(qī(👰)ng )年创(🦆)伤。作品(👺)将档案(⬅)(àn )影像(🗜)顺(shùn )畅(🍝)地结合(🤨)搬演(yǎ(🚎)n )场景和(🎗)(hé )原片片段，犯罪惊悚(sǒng )元素让(ràng )位于心理分析(xī )，成为(wéi )有别于历史(shǐ )还(hái )原的一(yī )种谜题诠释，也是对(duì )魏玛时(shí )期社会风貌的(de )局部意(yì )识流和表现主义(✈)影像(xià(😻)ng )拼贴。
以(📪)(yǐ )德国(🛣)名导(🛬)弗(🈚)(fú )里(🔤)茨(👥)•朗(🐇)为(🦂)《M是凶(🍇)手(🥊)》的所(suǒ(🥍) )作的前(🔺)期准备(🏫)为基础(🌾)(chǔ )，处于(🖨)(yú )创作(🖲)和婚姻(👟)(yīn )危(wē(🚯)i )机中的(⤵)(de )朗在与(💅)杜塞尔(🖤)多夫谋(🛴)(móu )杀犯的(de )接触中发掘两(liǎng )者类似(sì )的青年创伤。作品将(jiāng )档案影(yǐng )像顺畅地结合(hé )搬演场(chǎng )景和原片片段(duàn )，犯罪(zuì )惊悚元素让位于心理(lǐ )分析，成为有别于(🐮)历(lì )史(🥩)还原(yuá(😛)n )的一种(🔩)谜题(🌓)诠(🚇)释，也(🦃)(yě(💗) )是对(🤳)魏(🌜)(wèi )玛(🤹)(mǎ(♉) )时期社(🔪)会风(fē(⬅)ng )貌的局(🛡)(jú )部意(🍺)识流和(🦗)表(🍿)现主(🦎)义(yì )影(🏑)像拼贴(⚾)。
影片《不(🍚)(bú )要搞(🔽)奇(qí )奇(📥)怪怪的(📄)建(jiàn )筑(zhù )》以轻(qīng )松诙谐的方式描述几(jǐ )名建筑(zhù )设计师在理想(xiǎng )与现实(shí )之间来回游移，最终(zhōng )作出了(le )忠于内心选择(zé )的故事(shì )。
An urban explorer leads a group of his protégés to investigate the Orchid House, a derelict mansion where the tragic deaths of the reclusive Hawthorne family have been kept secret by the town's superstitious residents. Simply hoping to document the events leading up the families demise, the group discovers that something within the house wants them there far more than they ever wanted in.
影片讲述两个(gè )城市(🕰)化的热(🤜)血青年(🎧)意(yì )外(🧜)踏上(shà(🍴)ng )一段(💲)神(🔑)奇的(🦑)房(👼)(fáng )车(📠)之(⏪)旅(lǚ )，不(⛔)仅结识(🧔)了天使(✒)与(yǔ )恶(🧛)魔属(shǔ(⏩) )性(🥜)集于(🥕)一身的(🐅)(de )美女，也(🍡)一路遭(🛂)遇各种(🐂)灵异(yì(🎑) )事件的(🚸)奇幻经历。
Agnes Brown has had enough hassle with Christmas trees to last a lifetime, so this year she refuses to have one. But with Grandad's health a worry for everyone, is there something else missing this Christmas apart from just the tree?
暑(shǔ )假来临(lín )，大海送石(shí )头(tóu )和妹妹(mèi )果果坐火车去爷爷家(jiā )。